Guide for Choosing the Best Prime Lens for Different Kind of Portraits

Guide for Choosing the Best Prime Lens for Different Kind of Portraits

If you like photographing people with prime lenses, you must choose the best possible focal length for your situation. After all, with prime lenses, you can’t zoom in or out. This is a simple guide that can help you to use the most suitable prime lens for photographing one or more people, and groups of people.

If you prefer to use a prime lens, what focal length should you pick? If you choose the wrong one, you will be limited in the possibilities, although you can rely on your creativity, of course. In the worst-case scenario, you may miss the preferred compositions. If you want to play it safe, just choose a zoom lens. But if you love using primes, a bit of preparation will help a lot.

You might be wondering why I would choose a prime lens if I could grab a zoom lens that has the same focal length in its range. The answer to that question is simple. I just love using primes, that’s all.

My preferred wedding kit. Two cameras, one fitted with a 35mm lens, and the other one with a 85mm lens. I have a 100mm macro and a 24-105mm zoom in my trolley as well. Just in case.

The Benefit of Prime Lenses

I love using prime lenses for a couple of reasons. First of all, these lenses are often smaller and less conspicuous, although with modern lenses this is not always the case.

Another reason is the shallow depth of field that is often available. Although I don’t use this on every occasion, having the possibility is something I like a lot. There is another benefit that comes with the wide aperture. It allows me to focus more easily in dark environments. If a camera can focus up to -4EV with an f/1.2 lens, there is a big chance the zoom lens will fail in doing so.

Lastly, a fixed angle of view forces me to look differently at a composition. I can’t fall for the convenient zoom-in or zoom-out shortcut. Personally, I think this triggers my creativity.

With this set I'm ready for every situation on a wedding day. The 35mm, the 85mm, and the 135mm lens. I also carry the 100mm macro for photographing the weddings rings.

The Benefit of Zoom Lenses

The first thing that comes to mind when talking about the benefit of zoom lenses is the ability to change focal length, and thus the angle of view. Instead of one fixed field of view, you have a wide range at your disposal. It also reduces the need for changing lenses.

Zooming allows you to get a closer shot without the need of getting closer, or a wider shot without the need of stepping back. Especially in tight spaces, this can be a great thing to have. There is one downside though, zooming changes the perspective, something that won’t happen if you move around with a fixed angle of view.

Using a zoom lens means you can reduce the number of lenses to take with you. Although a zoom lens can be larger or heavier compared to a prime lens, in the end you carry less equipment.

Which Prime Lens in Which Situation?

I have a couple of primes lenses at my disposal, which allows me to get the desired composition in almost every situation. The lenses I have are a 35mm, 50mm, 85mm, and 135mm. This doesn’t mean I take every lens with me on assignments. I decide which I want to use because every lens has its own field of application.

This is why my advice is not based on the focal length of the prime lens, but on the situation and the number of people I’m going to photograph. Keep in mind, the advice is not set in stone, it’s a guideline and the choice may differ in special situations.

I took this set of lenses with me to the French Department of Tarn. I loved photographing with these three small primes. I never felt short of focal lengths or zoom lenses.

Photographing One Person

When photographing a model, you can basically use every focal length. The ones you need to pick depend on the location and the sort of photo you want to capture.

If you’re in a tight location, a wide angle is probably the best choice, especially when you want full-body portraits. For closer portraits, a longer focal length is a good choice.

I used the angle of view of the 35mm lens to capture just enough of the surroundings.

I often take a 35mm and an 85mm lens with me. Depending on the situation this may change into a 50mm or a 135mm lens. When I have a lot of lighting equipment with me as well, one extra lens won’t be a problem.

In other situations, I might just take just one lens with me. In that case, I have a clear idea of the kind of photos I want to have.

The 85mm and f/1.2 aperture allowed me to get a great separation between the model and the background. I can't achieve this with a zoom lens.

Photographing Two or Three Persons

For weddings and engagement shoots, the 35mm and 85mm lens is my main choice. It allows me to take wider shots, and more intimate close-ups. Sometimes I use a 135mm to get a tighter angle of view, but it forces me to keep a lot of distance. In that case, I lose the connection with the couple.

The narrow field of view of a 135mm lens, combined with the f/2 aperture gives an unique appearance. But in order to capture this kind of photos, you can't connect properly with the wedding couple.

If I’m photographing three persons, I often use a 35mm lens or a 50mm lens, depending on the amount of room to move. These focal lengths are wide enough with a nice perspective.  Although a 24mm lens is often tempting, I find it to have too much wide-angle distortion for portraits.

The 50mm angle of view allowed me to capture brother and sister in front of a pond with nothing but the reflection of the clouds.

The corporate shot is captured with the angle of view of an 35mm lens. I could get enough distance for a good composition. A 24mm focal length would give too much wide-angle distortion.

Photographing Four up to Six Persons

When photographing families up to six persons, I think a 24mm or a 35mm lens is a good choice. If there are four persons in the frame, a 50mm lens can also do the job, but you have to keep more distance.

One happy family, captured with a 35mm lens. The angle of view showed enough surroundings, while keeping disruptive elements out of the frame. There is no visible distortion.

Longer focal lengths offer the ability to get a nice separation from the background, but the problem of the limited depth of field can come into play. That's something to keep in mind.

Because of the tight space, I had to use 28mm focal length. I used a 24-105mm lens for this. Because of the low perspective, there is wide-angle distortion visible. This is intentionally. For this kind of photos I would prefer a 24mm prime lens.

Photographing a Large Group of People

For larger groups a wide-angle lens is often preferred, although a 35mm lens can also provide a lot of possibilities. Keep the available amount of room to move in mind. If there isn’t any, you are forced to grab an ultra-wide-angle lens. Again, keep de wide-angle distortion in mind.

A wedding group, photographed with 35mm. It might be tempting to use a wide-angle lens, but it would have made the group too small relative to the wedding couple. I like the relative size between the wedding couple and the wedding group that is achieved by the 35mm lens.

I would prefer the 24mm prime lens for these occasions. Because I don’t have one in my possession, I use the 24-105mm or 15-35mm lens for that. 

If possible, keep your distance when photographing a large group. It prevents the need for an ultra-wide-angle lens. I used a 15-35mm lens for this, zoomed in to 28mm. There is almost no wide-angle distortion, something that would have happened otherwise.

Don’t Get Obsessed With Primes

Even though I love photographing with prime lenses, I believe it’s not an obsession for me. If the situation forces me to use the flexibility for a zoom lens, I have no problem with that. After all, it’s about getting the desired shot. It’s not about the lens you are using. But if I have the freedom to choose a lens, I will choose the prime lens every time.

The 35mm prime lens allowed me to capture this image. But I guess I would have preferred a 24mm lens instead. Since I don't have that one, I could have used the 24-105mm instead.

I love the 85mm f/1.2 lens for intimate photos of wedding couples. The narrow field of view is perfect for a nice background as well.

Two sisters, ready for the prom. I used a 50mm lens for this composition. This field of view makes it a wonderful focal length for this kind of photography.

What type of lens do you use for photographing people? Do you use exclusively prime lenses for that, or would you rather use zoom lenses. What is it that makes you choose the one over the other? Please share your thoughts in the comments below. I’m looking forward to your response.

Nando Harmsen's picture

Nando Harmsen is a Dutch photographer that is specialized in wedding and landscape photography. With his roots in the analog photo age he gained an extensive knowledge about photography techniques and equipment, and shares this through his personal blog and many workshops.

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10 Comments

Small point—Changing focal length (zooming) does not change perspective. Varying the camera-to-subject distance changes perspective.

Well...no, I guess not. I learned that when I started in photography in 1968. It does seem to be a widely held misconception.

Ah yes, I didn't wrote that as it should be. Zoom lenses only enlarge a part of the scenery, these never change a perspective.
:)
Thanks for correcting.

This doesn't make sense. I have never thought about changing a focal length based on the number of of people that I am shooting.

As a basic guideline, I shoot 50mm for full body and 300 for headshots. These two focal lengths in these two scenarios result in the same amount of compression on the face roughly. I will often use a 28mm or 35mm lens for editorial or environmental portraits.

However, I often depart from these basic guidelines.

Factors that may cause me to depart are the size of the room when I am indoors (I might not have room to use a long lens) and my desire to include more or less of the background. For example, a full body shot with a 50mm lens will have a wide background while a full body shot with a 400mm lens (I often use my 400 2.8 for this) will result in a very narrow background. Using a longer lens can be a great tool for finding a "quiet" background in an otherwise busy background.

And of course I only shoot with fast primes - 28mm 1.4, 50mm 1.2, 85mm 1.2, 105mm 1.4, 135mm 2.0, 200mm 2.0, 300mm 2.8, 400mm 2.8 etc. I do not always shoot wide open - in fact usually not - but I have maximum creative freedom with the fastest lenses.

And I have a loud voice that projects well, so I can communicate effectively with models even when shooting full body shots with my 400.

Nice images.

Thank you

The 135mm f/2 shot looks magical.

It does, doesn't it? That's why i love that lens

I'm leaning more and more towards 28/50/85 instead of 35/50/85. There just aren't many great 28s, and 24 is already too wide for me for people. 28mm you already need to be careful with and I guess 35mm keeps you in check naturally but sometimes I want to push it further.

Anything outside of this range say... 28-85 range, I prefer 2.8 zooms. I've tried 18/20/24/105/135 prime lenses over the years they just don't get used very much... and they often cost a pretty penny to just sit on my shelf.

And honestly just the mild wide 35 and mild telephoto 85 can accomplish most of my people photograph.