Portraits

Photoshop: How I Use Gradient Maps and Blending Modes for Color Work

Photoshop: How I Use Gradient Maps and Blending Modes for Color Work

Adobe Photoshop is a visual cacophony of tools, tools, and more tools. There is seldom just one way to accomplish the look you are after, and beginners endlessly scour YouTube seeking the end-all answers to their questions only to find 27 different ways to, say, "add contrast". It can all be a bit confusing until you remember one key thing: There is no right and wrong. If you get the result you like, and those viewing your work seem to like it, then you've succeeded. To that end, I wanted to review one [of the dozens of possible] ways I utilize Gradient Maps for my color work in Photoshop.

Fstoppers Is Asking for Your Help

Fstoppers Is Asking for Your Help

Fstoppers has worked hard to bring you valuable educational content from incredible photographers like Peter Hurley, Mike Kelley, Dylan Patrick, Elia Locardi, and Joey Wright. Now we're asking for your help! We at Fstoppers are preparing to create our next premium photography tutorial which will probably cost around $300. We would like to know from the Fstoppers community which genres we should focus on and who it should be with. Would you take a quick one minute survey to help us out?

Portraits of Refugees Grace Powerful UN Video

Portraits of Refugees Grace Powerful UN Video

The United Nations High Commission for Refugees (UNHCR) has just released a campaign short based on the work of photographer Brian Sokol. In the brief production, A-listers such as Cate Blanchett, Kit Harington, and Neil Gaiman recite the rhythmic poem “What They Took With Them" by Jenifer Toksvig. The poem, along with the accompanying video and still imagery, urges us to sign the #WithRefugees petition to help ensure that refugees across the world have the basic necessities needed to rebuild their lives: education, a safe environment, and work opportunities.

How One Photographer Left Weddings and Rediscovered His Love of Photography

How One Photographer Left Weddings and Rediscovered His Love of Photography

Shooting weddings can get to the best of us. Maybe it's when we were waiting for all of the family members to come together to take a big family photo in the middle of a wedding reception. Perhaps it was one of those moments when your bride turned against you. Or maybe, the lifestyle of a wedding photographer just became too much. Whatever it is, I think all wedding photographers have had frustrating times in their career.

What I Learned From a 16 Year Old Shooting the NY Times Magazine Cover

What I Learned From a 16 Year Old Shooting the NY Times Magazine Cover

I'm guilty in being the one telling myself that if I had the gear I wanted, I would go out and shoot the projects I wanted to shoot. So nothing happens until I actually buy the gear. What you and I know is that it's not the gear, it's the person, the patience and the will to do great work that makes your photography a force to be reckoned with. And I've realized that the photographs I look at most, of my own and photographers I admire, are the candid images of models in the greenroom before they go out on the catwalk, or the model I'm shooting for a test, where the moment between shots appear and capture her walking to my instructed area.

Nino Batista's Capture One Pro Retouch Challenge

Nino Batista's Capture One Pro Retouch Challenge

I'm back with yet another editing contest, but this one has a twist you'll either love or hate. As I was recently in San Francisco teaching alongside Dave Gallagher, CEO of Capture Integration, for our course on CreativeLive, it occurred to me that almost no one (at least) that I knew personally edited solely in Capture One. That is, taking an image to completion using nothing but Capture One, which would mean not using the sacred Adobe Photoshop in any way. Challenge accepted?

'Faceless, Forgotten,' A Photo Essay On The Refugee Crisis by Photographer and Storyteller Paul Choy

'Faceless, Forgotten,' A Photo Essay On The Refugee Crisis by Photographer and Storyteller Paul Choy

A photograph that does not tell a story, is a lifeless picture – it’s a failure to capture the viewer and therefore, his heart. One single photograph can inspire a person if a photographer knows how to tell a good story. Because photographer Paul Choy wanted to find out the truth for himself behind media headlines, and because he wanted to tell the individual stories of each refugee, he set out for the refugees’ camps in Calais and Greece with his camera. The result is the ‘Faceless, Forgotten’ – a photo essay and a documentary about the struggles of refugees.

First Underwater Portrait From 1899

First Underwater Portrait From 1899

As I was perusing Reddit today, I came across this amazing photograph, said to be taken in 1899. The one thing that is both frustrating and beautiful about Reddit is many times, there is no additional information, which means I had to do a little research about the photograph and find out who the photographer was.

The Pain of Shooting Film and Why It's Worth It

The Pain of Shooting Film and Why It's Worth It

When you're shooting film, especially large format film, you have a lot of time to think. When your hands are in a bag and you're loading or unloading many sheets of film, the mind tends to wander and probably the subject that crosses my mind the most is "why?" Shooting digitally would be so much faster. I could be out having a beer somewhere! I could be editing some images in Photoshop from an editorial gig that I've been putting off. Hell, I could be practicing my juggling skills (or learning to juggle). So, why am I instead up to my elbows in this bag, enduring the necessary tedium of film life? Here are some common doubts I have and the reasons I push past them!

A Guide to 'The Instagram Look'

A Guide to 'The Instagram Look'

I'll preface this by saying that I am in no way bashing the Instagram community, other photographers, or their style. I got to be curious about why these Instagram portrait photographers were gaining such popularity. If you search any of the various Instagram "superhubs," you'll see this style crowding the pages. Once deconstructed, there isn't much to the look that has exploded across social media in the last year. Though there isn't much to it, there is certainly some work involved. It's not always as simple as a few sliders in the Instagram editor.

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