Surprisingly small changes to the position of your camera can actually make your images much more successful. Ed over at Photos In Color decided to set himself the challenge of trying to make the perfect headshot in studio conditions. While keeping the lighting and the camera distance from the model the same each time, various heights and angles were tested and carefully captured so the differences could be compared.
Have you ever gone to the see a romantic comedy and absolutely fallen in love? Have you ever gone to a romantic comedy and spent the majority of the film’s running time politely sneaking peeks at your watch? Have you ever realized that both movies were essentially the same story and wondered why you couldn’t get enough of the first, and got way too much of the second?
It can be very easy to fall into the trap of thinking elegant and nuanced portraiture requires complex lighting. And while there's certainly nothing wrong with a well-designed setup, it's also important to remember that so much can be done with a single light. This great video walks you through just such a setup.
Photographing an engagement session in a wide open field on a sunny day may seem like a portrait photographer’s nightmare. In this video, on-location lighting specialist Zach Gray touches on a few quick tips for incorporating strobe lighting when photographing a couple outdoors.
Shooting with flash can seem daunting at times, but it also opens up a whole new world of possibilities to take some truly epic photos that just wouldn't be possible with natural light. As a minor control freak, I was drawn to shooting with flash pretty early on in my career because I wanted to have control of the elements that made up my image. I didn't like the idea having to rely on what the sun was doing to determine whether or not I would be able to create the image that I envisioned. I wanted control so I took it. If you’re on the fence about whether or not you should start shooting with flash, this tutorial is for you.
Almost every photographer has created some sort of personal project in their time. In fact, many photographers’ work is comprised entirely of personal projects. Rarely though do I see projects that are truly personal. I mean that in the sense of their projects having a real emotional connection to the photographer that easily shows through in their images. Small Steps Are Giant Leaps, a father/son project started by photographer Aaron Sheldon and his son Harrison, is one of those projects.
There isn't a lot of information about this Adobe App and whether this technology will be added to the desktop software yet, just that it's called Sensei and they have this video to show its potential. It uses artificial intelligence and machine learning to make your selfie or basic smartphone photo look like it was taken by someone who knew what they were doing.
Propelling Fstoppers into the successful community it is today and inspiring a slew of shooters to create without limitations, the iPhone Fashions Shoot was meant to prove that a talented photographer needed little more than their own knowledge and creativity. In these one minute spots for the Huawei P10 mobile phone, Chinese Malaysian photographer CY Wong continues to demonstrate the point: it's not the camera that makes a photographer.
Portraits - they've been the means of capturing the likeness and essence of their subjects since the inception of the camera, and even long before for the subjects of many paintings done though out the span of history. Over the years, the posing, techniques, the lighting, and even more recently, the psychology behind the photos has absolutely evolved to affect every aspect of how portraits are captured. One thing hasn't changed though as much and that's the medium. Fast forward to now, and bring into the frame, Marcelo Mandruca, a photographer from Sao Paolo, Brazil that made his subjects believe they were posing for a long exposure project, but he was in fact, recording video for 60 seconds of each of his subjects.
I have been asked countless times over the past few years about how I go about culling and selecting portrait shots from a shoot. Frankly, I have had so much trouble trying to organize my thoughts on the matter into a cohesive tutorial, I opted to simply never do one. Until quite literally this morning. My approach was to click record and improvise whatever popped into my head. So, as the catchphrase says, "Here goes nothing!"