If you look at a lot of children's portraiture, you'll probably notice a popular look that is the signature of quite a few photographers, namely natural light, shallow depth of field, and an airy, soft, and vibrant retouch. This awesome and comprehensive tutorial will show you how to replicate that look in your own work.
It's easy to get caught up in thinking of only photographically intended accessories when trying to expand your creativity and as a byproduct, getting locked into paying photography accessory prices. However, with a little imagination, some very cheap items can make for inspiring and fun portraits.
I hate having my pictures taken. It’s common, but still ironic, to have a photographer who dislikes being on the other side of a camera. This fall, I made a promise to my wife that we would have our family photos taken and I was able to experience the entire process of hiring and working with a photographer. It wasn’t my intention to treat this as a learning opportunity, but now that all is said and done, I can say that I have learned a lot. Experiencing the client’s perspective, watching another professional operate, and the renewed perspective gained for what a photo is worth are among many things I came away with from our session.
When you get in the video world, you soon realize that editing can go pretty far, but it’s not as easy as Photoshop. It tends to take more time to get to a decent result, and a tremendous patience to achieve perfection. In this short tutorial, Steve from MiesnerMedia shows us how to smooth out skin in our videos using DaVinci Resolve 14.
Beginning the journey of learning to be a photographer is overwhelming. If you have no background in photography, you are learning a whole new world of terms and techniques from an abundance of information that is often confusing and conflicting. We’ve all been there. Most experienced photographers can often pinpoint common themes when comparing their own experience starting out with others who are now doing the same.
In a showdown of competing presidential (and vice-presidential) photographers, the White House released new official portraits of President Donald Trump and Vice President Mike Pence on Tuesday. The two portraits were shot by two different photographers, and it’s evident in the style of each photo. The question is, which photographer did it better?
Each and every photographer has their own unique way of working with models, cameras, and light. It’s something that clearly shows through in the series Jessica Kobeissi has developed in which different photographers shoot the same model. In the most recent episode, she brought Dani Diamond and Brandon Woelfel back for a new shoot, but this time they added a few obstacles to make the challenge more fun.
I often wish I could’ve been a fly on the wall when directors like Steven Spielberg pitched "Back to the Future," or when Ridley Scott said he wanted to direct "Blade Runner." It’s just a super way to see how the masters get the go-ahead from the producers. Often it’s just your personality that resonates with the person, or perhaps you have a great skill that people know you for. The portrait of Steve Jobs that was used for the cover of his biography as well as for the Apple website from the day he died was taken by Albert Watson. In this video, he gives us an idea of what it was like to shoot one if the world’s most well-known tech leaders.
One of the best things about window light is that you can find it almost anywhere. As winter approaches and chilly weather threatens to keep photo sessions indoors, photographers will face the choice of how to light their portraits. Strobes and flashes are a great option, but not all photographers own them. Almost everyone has access to a window though, and a window has plenty to offer any photographer who knows how to use it.
Photographer and Fstoppers alum Limor Garfinkle has been working on a very interesting project for the last two years: designing and shooting portraits of comedians that show off their unique personalities. Now, the project is ready for its gallery premiere at the TBS Comedy Hub as part of the New York Comedy Festival, with the proceeds benefiting the Mount Sinai Division of ADHD and Learning Disorders. Fstoppers recently interviewed her about the process and fun experience of shooting these portraits.
As a photographer, working with children can be incredibly challenging at times, but it can also be just as much fun. I have found that there is no real secret behind taking great shots of kids, but rather it comes down to how you navigate interacting with each child while on the shoot. The range of personalities that kids will display is incredibly diverse, this means that it is unlikely that you will be able to interact with any given child the same way that you did with another. This also means that it will be really easy to capture very unique shots on every single shoot.
As a wedding photographer, outdoor couple shoots are undoubtedly my favorites. On the big day, it gets overwhelming with little scope to get planned shots. We tend to go with the flow. For this reason, outdoor couple shoots are a treat to any photographer as it offers a lot of time and space. Here are my two cents on how to make your outdoor couple shoot an enjoyable and a memorable one.
Perhaps a better question to ask is: “Why am I a photographer?” In recent months, I feel like I've completely lost touch with why I became a photographer. Don’t get me wrong, I absolutely love what I do, but sometimes I forget why. When I was first starting out as a photographer and all of my shoots were “just for fun,” it was easy to see why I enjoyed it. After all, there were no consequences if I screwed something up, and I looked at photography as more of an escape from reality than a job.