The notion that “race has no basis in reality” is at the forefront of the thought-provoking "I Am None of This" campaign by London-based portrait photographer, Slater King. King's insightful views on society and the primitive assumptions which people have about others (based on race) are reflected beautifully though his eye-opening body of work.
For the past few days, the work of Russian Retoucher Max Asabin has been circulating the Internet. Much attention is turning to the talented artist, who possesses the ability to merge several photographs in order to create a dramatic scene. See more of his work and gain an insight into his work process here.
So many photographers dream of shooting the Pirelli Calendar, but so few make it. German Photographer Peter Lindbergh shot the 2017 edition, and he’s probably someone we can all learn from. There must be a reason as to why he is working with all the big names in the cinema and modeling industry. For those like me, who love watching other photographers at work to learn, you must watch this hour-long behind the scenes video of his work for Pirelli.
Back in July 2016, Kendall Jenner made her editorial debut as a photographer with a 10-page spread in Love magazine. In an attempt to prove her worth in the industry, she's now returned to the print publication with a monster 72-page spread as well as various covers. Has she done it justice?
American Photographer Ted Tahquechi is shining a light on visually impaired artists through his own thought-provoking body of work, "Landscapes of the Body." After a car accident in 1999 left him almost completely blind, Tahquechi found himself having to explore new and dynamic ways to capture the world around him on film.
Last year I got a chance to work with UNICEF on a maternity project where I had to work with a lot of moms-to-be and kids. I have been surrounded with kids all my life and was a new mom myself, so I instantly agreed to be part of it. This was a challenge I was happy to embrace. It is not hard to photograph your own child, a sibling, or someone you already know. Kid photography is probably one of the most difficult genres in the industry if you don’t have a proper approach. In this article I will share my knowledge and experience I gained during years of working with kids.
Photographer Lois Bielefeld has always loved food; she notes that one of her chores as a child was to make a meal for her family on the weekends. After seeing the way food can bring families and people together, she was inspired to create her series, "Weeknight Dinners," which showcases the various circumstances and family dynamics that bring people together to share a meal.
This is more or less the camera that started film photography for me. Since developing an appreciation for Joey L’s work, I wanted to shoot medium format. The focus falloff and rendering was just so surreal compared to full-frame and crop-sensor cameras that I had been shooting with. Unfortunately, the cost of entry was a little steep for a digital back. After doing some research I stumbled upon film 645 cameras. And so it began.
"It's a vulnerable thing being photographed," says the photographer sitting across from me, "It's not abnormal for me to sit and chat with people for 20 minutes before I photograph them. I'm timing myself; I am watching for a look in their eye... Once I see it, I know we are ready to start photographing." Sitting down in Michael Schacht's studio, nestled in the heart of Chicago's meatpacking district, I have come to realize he is all about human connection.