As photographers, we're used to being behind the camera, contorting and squishing our faces against the viewfinder to get the shot. Wondering what we looked like behind all of that, Richard Johnson used his latest project, "Behind the Mask," to capture the moment when photographers capture a moment.
I have been unfailing in my anti-spoiler vigilance. I haven't watched previews, I haven't read articles, I haven't clicked links. A trailer came on during the finale of Fargo Monday night and I ran from the room with my hands over my ears. I'm taking this seriously. So it was with much trepidation that I finally clicked on this link I've been seeing around for Time Magazine's cover photos featuring the world-renowned R2-D2, and the king of the Weeble Wobbles BB-8.
Cooperative of Photography has brought us this slick little video that gives us a taste of the evolution of camera technology from the past 200 years condensed down into a sub-two minute demonstration. Austrian photographer Leo Rosas executes this project with a single model and 11 portraits, each representing a significant milestone in the development of photographic capture tools starting with the pinhole camera obscura, all the way to the modern cell phone.
Several of my associates are surprised to find out that, based on my 3+ years of traveling to give workshops, something like 75% of my class attendees see retouching as a necessary evil, or otherwise disliked doing it and wished they didn't have to bother with it. They all wanted to be good at it, but for many and varied reasons, weren't. And sometimes I am asked "How important is retouching anyway?" So I decided to record a mini-episode of my web series to talk about it a bit.
Being involved in any creative industry usually guarantees one thing: we’re never happy with the work we produce. At least not for long. We’re constantly striving to better ourselves and the work we’re putting out. And in the age of the internet, we’re consuming more images from other photographers than ever, meaning that it’s all too easy to compare our work to that of our peers. For years I questioned my own shooting style, but here’s why I believe you should learn to love your photographic approach just the way it is.
Recently, I had the opportunity to have a conversation with photographer Noah Abrams. I talked with him about his work, some ongoing projects, and his day to day life. Noah grew up skateboarding in Columbus, Ohio. He also mentioned to me that he never truly considered photography as a career until later into his 20's, although he had dabbled with it for years throughout high school and college. To learn all of this, I began with a question that many people have for working photographers: where did your initial interest in photography come from?
Have you ever wondered how to create dramatic cross or Rembrandt lighting using only one light source? In this short, concise, three minute video, photographer and retoucher Glyn Dewis explains exactly how to create this look using one light. Whether you are using a giant octabox or a simple speedlight with a flash bender, Dewis shows you how to achieve this look with enough light to slightly spill onto the other side of the subjects face as well as how to check your lighting before even firing a shot.
Fstoppers is adding a little something extra to this week's episode of "Critique the Community." We are inviting everyone to submit your lifestyle photography images for review. This means your images shouldn't just be portraits of people, they need to be images of people in action or living some sort of life. Like we've done in the past, we will be choosing 20 images give our thoughts and feedback to. In addition to our normal critique, we will also be giving away two camera bags to two individuals who will be randomly chosen from the critiqued image pool. Submissions must be made by Sunday, December 13th.
What's your response when you're told that you're beautiful? Eighteen year-old photographer and student, Shea Glover, decided to "film what I thought was beautiful." Without intending to, she has conducted an amazing social experiment on the effect of simple positivity and a compliment. The reactions are perfect!
It is understandable that many beginners new to taking photos often get impatient when learning photography. Learning this craft is a process and involves the gradual addition of techniques that will eventually turn into second nature. We all get “the bug” and want to learn anything and everything as soon as possible, it’s natural. There are all sorts of elements that factor in to a well composed final image. The fact of the matter is, we’re all still learning new things from our experiences that we encounter.
Seems like just a short few years ago, Sony DSLR's were the laughing stock, what with their proprietary this and convoluted that. Yet today, going into 2016, Sony has made a huge impact in the photography world with their hyper-techy mirrorless cameras almost out of nowhere. After much consideration (and provocation from Sony) I decided to try out some Sony gear in the most challenging way possible: on a client job. Nope, I had never worked with a Sony before. What could possibly go wrong?
No stranger to unique and challenging photography pursuits, Ben VonWong's latest adventure sent him across the Western United States in search of summer thunderstorms, with an entourage of assistants, filmmakers, and models helping along the way. VonWong shared this behind-the-scenes video, but also some insightful information as to the conversation he hopes to start– one about the seriousness of climate change.
The world’s best photographers are defined by their styles. For example, you can instantly look at an image by Martin Schoeller or Annie Leibovitz and recognize what you’re seeing. Their work is distinctly theirs. I believe that a big part of a photographer's success lies in finding this style. It may not come easily to everyone, however.