I usually use natural light as my go-to for quick group photos or for portraits that need to be done very quickly or with very little gear. That doesn’t mean you can’t shape or control natural light to create studio quality images wherever you are. Here’s three easy ways to shape natural light for your next portrait shoot.
In photography, we are always looking for the best lighting for our subject, but when we don’t have the ability to choose the location or need to create interesting and dramatic lighting on the go, we need to be able to use the light we bring with us. This involves starting at the fundamentals and learning how to balance your flash and the ambient outdoor lighting.
My business is about 90 percent dealing with individuals, and about 10 percent working with brands. I just moved into a new live/work studio and, to help break it in, I decided to hold a "Pay What You Can" sale and the results made me change my entire business model.
One photographer recently travelled to both Turkey and Mexico to document the global refugee crisis in pictures, a series that went on to earn him a win at the World Press Photo Awards. We spoke with the man himself to uncover more details about the inspiring love stories of couples and families who have been forced to flee their native countries in search of a better life.
Whether you are a photographer or videographer, more and more content creators are adding constant lights as their go-to lighting setups. Quasar Science recently released their 30-watt T8 bulbs with raving reviews, and today, I explore six useful lighting setups you can build with four lights under $80 each.
Sony cameras have some incredibly powerful and advanced autofocus systems with intricate settings and numerous customization options. At times, however, all those capabilities can almost be a bit overwhelming. This helpful video will show you the ideal autofocus settings for portrait shoots.
In my last "Behind the Image" article I talked about looking where other photographers aren't. This week I'd like to talk about the importance of being ready for just about anything — particularly when it comes to wildlife photography, as well as how images can impact our behaviors.
If you work as a portrait photographer of any kind, it's useful to work with the same makeup artist (or MUA) every time you shoot. You'll cut down on time spent casting and won't have to learn how to communicate in a way that works for a new collaborator every time. But how do you know that your new MUA is the one? Check these key factors that will make them a collaborator you can depend on, time and time again.