The film versus digital debate has raged on for over a decade now. Digital cameras are so capable that it seems silly for anyone to go back to an archaic medium like film. Film is slow, expensive (sort of), lacks many game-changing features found in today's digital cameras, and has lower resolution (sort of). But it has some qualities to it that make it an entirely viable medium for working photographers and enthusiasts alike. One of which that I firmly believe in is that it will make you a better photographer.
We’ve all been there; the studio is set, the model is awkwardly waiting, but the light isn’t quite right and the stress begins to build. With every test shot, the light quality increases and the anxiety level decreases. Finally, like a blast of cool breeze on a hot day, everything clicks into place. The light is perfect.
Surprisingly small changes to the position of your camera can actually make your images much more successful. Ed over at Photos In Color decided to set himself the challenge of trying to make the perfect headshot in studio conditions. While keeping the lighting and the camera distance from the model the same each time, various heights and angles were tested and carefully captured so the differences could be compared.
Have you ever gone to the see a romantic comedy and absolutely fallen in love? Have you ever gone to a romantic comedy and spent the majority of the film’s running time politely sneaking peeks at your watch? Have you ever realized that both movies were essentially the same story and wondered why you couldn’t get enough of the first, and got way too much of the second?
It can be very easy to fall into the trap of thinking elegant and nuanced portraiture requires complex lighting. And while there's certainly nothing wrong with a well-designed setup, it's also important to remember that so much can be done with a single light. This great video walks you through just such a setup.
Photographing an engagement session in a wide open field on a sunny day may seem like a portrait photographer’s nightmare. In this video, on-location lighting specialist Zach Gray touches on a few quick tips for incorporating strobe lighting when photographing a couple outdoors.
Shooting with flash can seem daunting at times, but it also opens up a whole new world of possibilities to take some truly epic photos that just wouldn't be possible with natural light. As a minor control freak, I was drawn to shooting with flash pretty early on in my career because I wanted to have control of the elements that made up my image. I didn't like the idea having to rely on what the sun was doing to determine whether or not I would be able to create the image that I envisioned. I wanted control so I took it. If you’re on the fence about whether or not you should start shooting with flash, this tutorial is for you.
Almost every photographer has created some sort of personal project in their time. In fact, many photographers’ work is comprised entirely of personal projects. Rarely though do I see projects that are truly personal. I mean that in the sense of their projects having a real emotional connection to the photographer that easily shows through in their images. Small Steps Are Giant Leaps, a father/son project started by photographer Aaron Sheldon and his son Harrison, is one of those projects.
There isn't a lot of information about this Adobe App and whether this technology will be added to the desktop software yet, just that it's called Sensei and they have this video to show its potential. It uses artificial intelligence and machine learning to make your selfie or basic smartphone photo look like it was taken by someone who knew what they were doing.