Color gels are a lot of fun to work with and when done well can add a certain oomph to your photo. It can also be intimidating and hard to get just right. And when I say just right, even that itself is very subjective. Some people prefer it to be subtle while others want the color to dominate in the image. There are also photographers who only use it for color balancing.
Today’s corporate hard-hitters are busy people who don’t always have time for an entire photo session when they look to you for business portraits. For this reason, you must be prepared to accomplish a variety of looks in a time-efficient manner. This video from Jay P. Morgan of The Slanted Lens focuses on the importance of making short work of corporate portraits.
It is well known that if your client can hold the photograph, whether in an album or print, they are more likely to purchase it. They can feel it in a much more intimate way than just being on a computer screen. This idea was the very reason one photographer decided to step away from the traditional museum curation and create a pocket version that can be in the hands of art lovers everywhere.
Natural light photography has swelled in popularity as sensors improve, but the persistent battle between off-camera flashes or strobes, and just using available light continues. This video shows Manny Ortiz going head-to-head with Jessica Kobeissi to highlight the differences.
For years photographers and YouTube commenters have been telling us that in order to get the most out of our Profoto B1 and D1 lights, we need to add the Profoto Frosted Glass Dome to our strobes. Today I test this add-on to see if it makes a difference at all, and the results are surprising.
While beautiful, classic family portraits will never go out of fashion, sometimes clients desire something that shows the fun, frivolous nature of their relationships with each other, as well as the lifestyles they love. A fun, outrageous portrait that shows the special family dynamic may be just what your clients are looking for.
Shooting low key portraits is fun. It does not require any fancy equipment, only the right understanding of light and the execution of the idea in mind. In this video from Adorama TV, Gavin Hoey explains his school of thought on shooting low key portraits in a small studio setup.