Nikon's original 14-24mm f/2.8 was a bit of a legend among DSLR lenses, and now, we have an updated version for the mirrorless Z mount. This fantastic video review takes a look at the new NIKKOR Z 14-24mm f/2.8 S lens and the kind of images you can make with it.
Coming to you from Darren Miles, this great video review takes a look at the Nikon NIKKOR Z 14-24mm f/2.8 S lens. The 14-24mm f/2.8 comes with a variety of features, including:
- Three aspherical elements for reduced distortion and increased sharpness
- Four extra-low dispersion elements for reduced chromatic aberrations and increased clarity
- ARNEO and Nano Crystal Coats for reduced flares and ghosting and increased contrast
- Super Integrated Coating for more accurate colors
- Stepping motor for quite autofocus suitable for both photo and video work
- Customizable Control Ring
- OLED lens panel for displaying information like aperture and depth of field
- Customizable L.Fn button
- Electromagnetic aperture mechanism for better exposure stability
- Rounded nine-blade diaphragm for smoother bokeh
- Dust- and moisture-resistant design
Altogether, the 14-24mm f/2.8 looks like a premium option for Nikon shooters that offers professional-level performance. Check out the video above for Miles' full thoughts on the lens.
I have to agree - I much prefer original content. I understand it takes much more time to create but there's much more value compared to reposting videos.
This is a phenomenal feat by Nikon beating the performance of the old lens so badly. It has been a legendary lens for so long with the f mount. I myself purchased the Tamron 15-30 f/2.8 when it came out because of its rave reviews. That was a mistake on my part and now wish I’d gone with the Nikon .
As for why Nikons new lenses are trouncing all over their old f mount line . Well it’s the new Z mount . They new the limitations they were constrained to with the f mount . The new Nikon Z mount is revolutionary and gives Nikon the freedom to create. The proof it this phenomenal 14-24 f/2.8 s , Z mount lens .
Great review, I have though a question: In architectural photography we need almost always a large depth of field, so the F2/8 versus F4 probably does not play any role in such application. And Nikon has the equally interesting 14-30/F4 with flat front element, obviously even smaller and "lighter" on the wallet. How does it stack optically, is there really a reason to get the F2.8 version for this kind of photography?