How to Capture the Effect of Sunrise Instead of the Sunrise Itself

Shooting landscapes, especially at sunrise, is a unique experience that goes beyond simply capturing the light. Being fully present in the moment and letting go of expectations is key to creating expressive and meaningful images.

Coming to you from Alister Benn, this inspiring video focuses on the significance of adapting your mindset while shooting landscapes. Benn discusses how he shifted his approach after a frustrating week of poor conditions and unmet expectations. He stresses the importance of flexibility and embracing spontaneity, using a recent outing on the Isle of Lewis as a case study. This shift in mindset enabled him to approach the scene with fresh eyes, ultimately leading to a more fulfilling and creative experience. It’s a lesson in not allowing frustration to dictate your work but instead using it as motivation to explore unconventional perspectives.

Benn explains how focusing on the effects of light, rather than the direct sunrise itself, can result in more compelling photographs. By looking for the interplay of light on wet rocks, sand, and water, he captures the subtleties that are often overlooked in favor of the “big picture.” Benn’s technique is a reminder that impactful images often come from focusing on the details others miss. He shares that slowing down, observing the scene, and responding to its ever-changing nature can transform an ordinary scene into something extraordinary. This approach keeps you engaged with the environment and more attuned to fleeting moments that add depth and texture to your shots.

Benn also emphasizes the value of using neutral density filters to manipulate shutter speed and capture movement in water. He explains how controlling your shutter speed can create different effects, from smooth, glass-like water to more textured waves. This technique is not just about technical proficiency but about conveying a sense of motion and time in a still frame. The use of filters, such as three-stop, six-stop, or even ten-stop ND filters, allows you to control exposure in bright conditions and achieve the desired look. Benn’s advice highlights the technical considerations that can elevate your work when conditions are right.

As the light intensified, Benn continued experimenting with the scene, moving from one focal point to another. He points out that even when conditions are dramatic, you don’t have to rush to capture everything at once. Instead, choosing to focus on a single, less obvious subject can yield more unique and personal results. His approach to capturing reflected light, for example, resulted in images that were not about the sunrise itself but about the way the light played off the surfaces around him. This level of attention to detail adds a layer of complexity to his images that might otherwise go unnoticed. Check out the video above for the full rundown from Benn.

And if you really want to dive into landscape photography, check out our latest tutorial, "Photographing the World: Japan II - Discovering Hidden Gems with Elia Locardi!

Alex Cooke's picture

Alex Cooke is a Cleveland-based portrait, events, and landscape photographer. He holds an M.S. in Applied Mathematics and a doctorate in Music Composition. He is also an avid equestrian.

Log in or register to post comments
1 Comment

Wow really this video solved my problem always too eager to get ready of big picture . Although I did take some before sunrise but keep standby using tat lens ready for big picture worry tat I may missed the first sunrise . Your explanation help me to change my mindset next time .