In our newest series, we're inviting you the viewer to ask a weekly question for the writers of Fstoppers. Last week, we touched base on what we each individually believe commercial photography to be. Coming from different fields of photography, we all shared similar thoughts on the subject, but with different arguments and approaches.
For the second installment, we're asking each of our staff 'What is The One Light Modifier You Couldn't Live Without?'.
If you have a question you'd like us to answer in this weekly series, feel free to post it below in the comments. They're welcomed to be as broad or as focused as you'd like. One question from the comments will be used for a question in next week's installment of Fstoppers Answers.
A cheap umbrella. It's the most bang for the buck when it comes to simple solutions.
Look what this guy achieves with just one umbrella :
https://www.youtube.com/watch?v=v5RFvBqleLc
Any ceiling or wall nearby that is not black.
GARY FONG LIGHTSPHERE FTW!!!
lol
Definitely a 21" beauty dish for me. Majority of the time, I feather it and/or use a grid. Once in a while I use a sock on it to soften it up, BUT, I gaff tape the grid in front of the sock so I still have more controlled fall off. Try it out!
Hard light, I like the 8.5" reflector on the Einstein, as well as the Profoto Magnum
Great discussion! It´s always interesting to hear what other photographers fancy.
I have just been shooting portraits of musicians for three days straight and I used my Elinchrome Deep Octa (70 cm) for 80% of the shots! Very useful af a keylight for a single person portrait!
www.nikolajlund.com
You're not the only one who loves 70cm Deep Octa. I judged between normal and deep one and then bought the deep one. Immediately I fell love with it. Just amazing light. Second one is a Maxilite from Elinchrom.
I'd have to say I absolutely love my Elinchrom Fiber Lights. It is unbelievable what kind of light control you have when you have 9 heads half an inch thick outputting up to 1200 watts. Great for products, but the 3 kits not to mention lights were extremely expensive. Example of an 18 inch statue shot portrait style with 7 fiber optic heads.The one head on the bottom had an orange gel attached.
Since I picked up a dual speedlight mount I've been shooting my Westcott Apollo Orb everywhere, under every condition. Take off the front baffle and with the silver inner lining and two Kungpao 560s it can battle the sun.
i definitely can't live without 75" parabolic umbrella (silver)
12x12 silk.
My all time favorite is the 22" white interior beauty dish!
Hands down, all time favorite light modifier: A window.
Standard 22" beauty dish. Why are you guys saying 21"? :-)
Any opinions out there on white vs silver beauty dishes?
I prefer the white over the silver. The white is a bit softer, and with less contrast. Sometimes I think the silver has too much pop for my taste. But it really is a matter of preference.
Really down to preference. As Zach said, silver will give harder light. I use a silver dish since most of my modifiers are extremely soft, and I generally prefer to use those if soft light is what I'm after. If I remember correctly, my profile picture here was a quick snap under the silver dish I use.
And my profile picture on here was taken using a white dish.
See how soft it made everything? :-p
Here I thought it was just your amazing complexion, haha.
Alright. thanks for the feedback. much appreciated! I can see how there would be difference between the two.