As I close in on the last eight hours of my very first Kickstarter campaign, I wanted to share some of the knowledge I’ve gained through this amazing experience that might help other people who are thinking of launching a Kickstarter. It’s a daunting experience but one that can hopefully be improved by learning as much as you can before you start.
It's been a week since we launched a Kickstarter campaign for my first book, and what an interesting week it has been. As expected, I'm learning a ton about myself, about Kickstarter, about living on two hours of sleep, and about how amazing it is to have people that you don't know or have never met before support you right here and now in real time.
I've spent the last two years photographing Los Angeles from a Helicopter, in what is surely the largest project I've worked on to date. After a long, extensive and ultimately unsuccessful search for a publisher, I finally decided to scrap that idea and self-publish via Kickstarter. I'll be doing a series of weekly posts about what I've learned and just how insane this whole thing has been.
Last year at my workshop in the Bahamas, my students challenged me to photograph a hotel room in under five minutes. They then wanted to see how fast I could retouch it, and I've decided to do it again, this time capturing it on camera, to show everyone what is possible with only a few minutes on location, a bit of Photoshop knowledge, and of course a lot of practice in the art of previsualization!
Last week I asked everyone on my Facebook page to 'ask me anything' and said that I'd record and post the answers to all the questions left on the page. We had some fantastic questions, some funny answers, serious answers, and everything in between. For anyone looking for my honest opinions on all things architectural photography, check out this video and enjoy!
For a bit over a year now, I have been taking regular flights over the city of Los Angeles, photographing the city from a helicopter. I get a lot of questions about how I'm editing the images to get the look and feel that I am, and the answer is actually quite simple. Using only carefully considered exposures and Lightroom adjustments, I've come up with a consistent and somewhat unique look for the project.
In what surely must be one of the highest budget-to-film-length ratios in history, Airbus put five of its brand-new 300 million dollar A350 XWB planes together for a photoshoot. While most of the clips last only a few seconds, the amount of planning and preparation to pull something like this off is just staggering. With two chase planes, five hero planes, and the stakes as high as ever, watch how Airbus plans and pulls off this truly epic feat of filming and aviation.
Back in February of this year, I was invited on a trip that I had never expected to go on. Kinetis, a non-profit based in Israel, invited myself and five other incredible photographers to travel to Israel to document and share what we found. To be honest, Israel was never a travel destination for me. I have always been drawn to colder climates, I’m not a very religious person, and frankly I just don’t really know enough about the country for it to have ever held any power over me. It never really made great sense to me as a photographic destination either, nestled between sparring countries and set amidst a relatively barren desert.
But alas, who am I to turn down a free trip to a far-off destination?
If you've ever been interested in the field of architectural photography, now is your chance to learn about the ins-and-outs of getting clients, bidding on jobs, building a reputation and learning some post-processing tricks for FREE. I'll be speaking on Creative Live today at 1:15pm Pacific Standard Time, and will be going into detail on how I've built my business from the ground up in just a few short years.
I’m a bit of a dreamer. I’m also a huge aviation geek, and I often catch myself browsing the web at 2am looking up articles on aviation and aviation history. So when I found Anthony Toth and learned more about his life’s work, I knew that I had my next personal photography project in mind. As I'm mostly an architectural photographer, I got bored of waiting around for an airline to hire me to photograph their next ad campaign, so I decided to hire myself into my dream gig.
A little bit over a week ago, I went to Los Angeles International Airport to make a photo. It was a clear day, and I didn't want to waste it sitting inside. Being an aviation fan myself, as well as an occasional pilot and aerial photographer, watching planes, to me, is hardly the worst way to pass the time. As it turns out, making this photo would lead to one of the craziest weeks of my entire life.
I love aviation and I love photography. So the other day, inspiration struck and I ran to LAX to capture a photo that compresses eight hours of airport traffic at one of the biggest airports in the world into a single frame. Here's how I did it.
A few weeks ago Pat, Lee, Lauren and myself went to the Bahamas to get ready for the upcoming Fstoppers Workshop. While we were there, we wanted to film some kind of architectural photography tutorial video, and we're happy to share that it's finally ready. The Atlantis Resort is giving us an all-access pass to photograph anything at the resort for the workshop, and
In today's post, I'm going to walk you through how I build an architectural photograph from square one. We'll discuss composition, lighting, staging, styling, and posing models in an architectural interior in order to create the image that the client has in mind. Despite appearing as a rather simple image, this shot took over an hour to finish on location with multiple steps and a lot of pre-visualization.
I recently visited the Atlantis Resort in the Bahamas with Lee and Patrick to scout out locations for my upcoming architectural photography workshop and we were pretty much given unfettered access by the Atlantis marketing department to shoot whatever we wanted. First on the list? The $15,000 per night penthouse suite. I only brought a minimal amount of gear
In under five years, Andy Frame went from being a photography nobody to running one of the most successful photography operations that I'm aware of. I had a chance to catch up with him and hear all of his absolutely inspirational story so that I can share it with our readers, and so that I can motivate my own self to do better on a regular basis.
A few years ago, the cruise ship Balmoral was extended by shipbuilding company Blohm + Voss, and the company hired a crew to create a timelapse video of the entire process. What may seem like a rather mundane project to many has been beautifully captured by a company called MK Timelapse - I found myself
NYC Photographer Richard Renaldi recently embarked upon one of the most original photo projects I've ever seen. In the series Touching Strangers, Renaldi finds two strangers, whether on the street, in a restaurant, at work - and tells them to get together and pose as if they have known each other for years.
When it comes to architectural photography, there is one that stands above all: Julius Shulman. Not only was he responsible for creating the world's most iconic images of architecture, but he was on the forefront of pushing the boundaries of the art form into what it is today.
National Geographic contributor and wildlife photographer Steve Winter just created what might be one of the most striking photos I can remember seeing in recent memory: A 125 pound mountain lion, staring straight into the camera, with the background illuminated by the lights of downtown Los Angeles.
