In what may well be the most outrageous photo shoot that I have ever seen, Olaf Hauschulz was presented with what must be an incredibly rare opportunity to shoot a Lamborghini Gallardo for Lamborghini Magazine. The setting? High in the snow-covered mountain ranges of Romania, with the car drifting around corners, inches from guardrails
Articles written by Mike Kelley
As I promised when I wrote my Anatomy of An Interior Shoot post a few weeks ago, if the interest was there, I'd continue the series. I'm happy to report that I've got much more in stock for you. If you're interested in kicking your architectural and interiors photography into high gear and adding some special sauce to your photos, this post is for you.
In the days before computer modeling, testing, and digital everything else, NASA had to come up with some pretty clever solutions to test and record results for their multitude of space programs. Using long exposures and creative light setups, they were able to record the results of their testing on their most technologically advanced space suits. And the result?
What have you done to get the shot today? Parked your car, walked into a studio? Plunked down a tripod on a sandy, tropical beach? Fiddled with some macro rails? South African aviation photographer Justin de Reuck unstrapped a good deal of his harness, slid open the canopy, and took photos at what I'm guessing is 100 knots, mere feet from the ground. I'm not sure how that plane actually took off with Justin's balls of steel on board, because man, they must be huge.
We recently interviewed LensRentals and asked them about humorous (or rather, sad) situations in which gear came back totally destroyed or rendered otherwise unusable. Turns out nothing could have prepared anyone at LensRentals for what happened this week in Yellowstone when a bear commandeered a Nikon 600 and D4.
If you’re a regular user of small flashes, you know how overwhelming it can be when it comes time to purchase modifiers for your lights. One of the more popular systems is David Honl’s line of accessories, based around his Speed Strap concept. I’ve reviewed and tested every piece in the line, and I’ve got all the info you could possibly want.
Anyone who has picked up a magazine with photographic content is well aware of the amount of retouching and massaging that goes into many of the photos displayed in advertisements or in editorial features. But at what point does the 'retouching' go too far?
As anyone who has tried to shoot video with a DSLR knows, creating a smooth, professional follow-focus motion can be a bit of a nightmare unless you're willing to shell out for high-end equipment, and then deal with lugging it all around. How about a $45 solution that gets amazing results and works on any DSLR lens?
If you read Fstoppers, you might be a seasoned professional, or you might have just purchased your first camera and are eager to learn. Whatever your skill level, I'm sure that you've all been bitten by the travel bug at least once before, and as a camera owner, you've been inspired to bring home the best you can when shooting in a foreign location. A friend of mine recently sent me a video made by DSLR Traveler which is packed full of tips for anyone interested in improving their travel photography.
Antonio Vicentini recently created this 8-bit gallery of cameras spanning pretty much everything from antique large format cameras through modern DSLRs. It's a cute, semi-retro, nostalgia-inducing piece for anyone who grew up in the 80s or early 90s. What I find most interesting is how many cameras I was able to recognize; though I'm not sure if that means I'm an uber-dork who has spent far too much time in front of old game consoles and camera websites, or I've just got a killer memory. How many cameras do you recognize?
Unless you’ve been living under a rock for the last couple of years, you’re probably familiar with LensRentals.com, which is one of the most popular camera gear rental shops in the world, if not the most popular. We recently had the chance to sit down with the LensRentals team and learn everything about what just might be photography’s most fascinating company.
Videographer/Photographer/Artist Shawn Reeder spent two years in Yosemite creating the footage that would be cut to make this video. Shot mostly under moonlight and with a variety of dollies and cranes, the end result is a masterclass in the art of the outdoor timelapse. It's not often that we get to see such an intimate portrait of a location shot over such a long time period. Be sure to view fullscreen, with HD enabled.
Ready to drop your jaw? Richard Kendall doesn't really care if you're ready or not, and he's decided that it's going to drop. This is seriously cool. He took the bullet-camera idea from The Matrix/X-Games (think the whole "40 cameras in a ring shooting simultaneously" thing that we've all seen a hundred times),
A user on the popular social website Reddit was the first to bring our attention to this enormous Photoshop fail. A recent Target advertisement left one of the models sporting a little something extra. You won't believe your eyes when you see this, nor will you believe that somehow, nobody caught the mistake.
Massoud Hossaini, who is also the first Afghani to win a Pulitzer Prize. Hossaini's work captures the horrors of violence that occur in Afghanistan on a regular basis. The photo was captured just as a suicide bomber took his own life and that of many others in the vicinity. A girl dressed in green screams as blood runs down her face, and she is surrounded by bodies of the wounded and dead.
As Fstoppers' resident aviation dork, I felt compelled to share these incredible images of the last time Space Shuttle Discovery will take to the air. Discovery was recently retired, and has been ferried from her home in Florida to it's final resting place, the Udvar-Hazy Center, an annex of the Smithsonian Institution's National Air and Space Museum. Not only is the entire process of ferrying a shuttle a technological marvel in and of itself, the photos that Nasa takes aren't half bad, either.
When it comes to interior and architectural photography, there is often much more involved than what meets the eye at first glance. In order to create a photograph that is realistic and enticing, careful planning, staging, lighting and a healthy dose of patience is imperative. In this Fstoppers Original, we dive into a luxury interior shot and see what it takes to construct a mouth-watering interior photo from the ground up.
There are some styles of photography which have been beaten into the ground. Take, for example, the trip to an old asylum; it seems like we've all seen a thousand HDR images of the local loony bin. Graffiti-covered walls, derelict operating rooms and spooky wheelchairs ad-nauseum. But every once in awhile, something comes along which makes my jaw drop and revisits what is possible in an ages-old subject. Drew Geraci's Asylum is exactly what I'm talking about.