7 Penny Pinching Locations When Shooting On A Budget!

7 Penny Pinching Locations When Shooting On A Budget!

There are many hurdles that a new photographer tries to overcome early in his or her career, one of which is simply that we don’t have the funding and massive budgets that some of our more well established peers might have. When it comes to choosing a location for our photo shoots we often find ourselves restricted. Here are 7 places you can shoot on a budget!

This article will be more geared to the lifestyle/editorial shooters out there. Certain genres of photography such as beauty and to an extent product work will often be far less demanding of their environment and location. However if you find yourself in a position where you need an environment that compliments or is conducive to your work or even a space that is sheltered from weather and peeping toms, here are some ideas to get you on the right path when money needs to be pinched.

The Great Outdoors

Outdoor-Photoshoot

For years I would advertise and promote myself as a location photographer. When I was starting out I didn’t really have access to any studio spaces nor the kind of clients who were paying me well enough to rent such places in the city. By taking my work outdoors I was able to bypass my need for a large studio space and it usually had little to no impact on my budget.

It is by far the most dynamic “studio space” that you can have. It comes with free lighting thanks to the giant ball of fire in the sky. Soft and diffuse lighting can be found on cloudy days, under some trees, or behind any sun-blocking object such as a skyscraper. On the other hand, if you want a little more edge, free outdoor reflectors can be found thanks to glass, metallic surfaces, water, or mirrors. All these options mean you can get started shooting outdoors with a bare minimum of equipment. That said it is just as easy to incorporate extra pieces to your arsenal as your experience and budget begins to grow.

Items which I have found useful for shooting outdoors include:

-          Large Collapsible Backdrop

-          5 In 1 Reflector

-          Eneloop batteries

-          Sandbags

-          Good stands

-          Simple light modifiers

-          Battery powered flash

Shooting outdoors also has the added benefit of free set design. Depending on the kind of theme you are shooting most of your elements can be found in the outside world. If you want to shoot rustic or old world then a farm might be your ticket. If you want to shoot swimwear then a quick trip to the beach could solve your problems. If you want to create fantasy a heavily wooded area at dawn or dusk with a few props and some costumes would do the trick. Sets that would take a ton of man hours to create in studio can often be found out and about with just a bit of leg work. Of course the benefits to shooting in studio are many, notably the control, but when you are starting out you really can’t be too picky.

Many new photographer’s also get what I call “travelers' syndrome.” When we travel to destinations beyond our normal reach we often look at things with a new perspective. Every day locations look remote and exotic. We get so excited about these distant locations that often when we think about having to shoot on location we completely gloss over what is available to us locally. Sure, veteran photographers have the budgets to pull off a shoot in some of the worlds most beautiful locations, but don’t let that stop your creative spirit from finding beauty in your own backyard. It’s there, trust me. Perhaps you just need to take a weekend in your own neck of the woods and tag along with some tourists.

Community Centers

Most towns and cities of a decent size will have at least one community center which offers classes of all sorts. These community centers will sometimes have a photography course available as well as basic equipment and a small studio space good for ¾ and headshot work. For a small fee you can have access to the course and more importantly the studio where you can often bring in your own models that you might want to shoot.

Shared Artist Space

This is a slightly pricier solution that entails some commitment, but with just a small amount of income you could be the proud part-owner of a studio space. The details of these arrangements vary so you will need to shop around. Most often the opportunity will be available to you as a sub-lease. You will generally sign up for a 6 or 12 month period where you will join several other photographers or artists who share the same studio space. You pay a greatly reduced rate when compared to outright owning your own place and you will also see savings when compared to simply renting a studio space by the day or hour. Depending on the size of the studio, and the quantity of artists sharing it, you can expect to have anywhere from a couple days to a week of shooting time to yourself every month. Having a schedule made up ahead of time will allow you to schedule and plan your shoots on the days which are yours.

Local Business

Local-Business

Business owners are our current and potential clients, however, they can also be a great resource. Businesses often times have beautiful showrooms and vast warehouses which can make for great sets or provide shelter from the outdoor elements.

One of my clients some years ago was a custom sofa maker. They made extremely expensive and high end sofas and took great care to display them at their best in a stunning showroom. After doing some work for this client I had built a strong enough relationship with them that they would let me photograph several editorials using their showroom and sofas as the set.

Stories like this are not unique. All you need to do is tap into your current network of family, friends, and clients to see what resources are available to you. It may even be worth your while to offer up some free shoots to local business in exchange for the use of their space on future projects instead of simply promoting your services with rates. Sometimes early on in your career strategic moves like this will be worth more to you in the long run then a one time paycheck.

Friends Workplace

As photographers, many of us might be self employed, but we probably have a good number of friends who happen to work for someone else. Some of these friends might be in a position to grant you access to shoot at their work place after hours.

I have a good friend and personal fitness trainer who trains and works with his clients from a small but upscale local gym. Any time that I need to do some fitness photography I know that I can call him up and head down to his gym after hours to snap some shots. I have friends like this who work in bars, restaurants, gyms, dealerships, night clubs, country clubs, etc. All places that can make for interesting locations to shoot, and the cost might be some coffee or a lunch.

Community Theater

One of the coolest resources I have been able to tap into are my friends who work in the performing arts. Many of them work in fields such as set design or acting at local community theaters. There are times that I am able to borrow some costumes or even entire set pieces after a show is completed. Not only is this a great resource for materials but you might be able to strike up deals with the theater director to use the space when it is not being used by the cast and crew. I find these directors can be quite open to new talent and are usually generous because they are used to working with developing actors and have a genuine passion for helping up and comers grow. If you can offer to photograph the cast or the show as a bonus then you should rarely have any problems.

Schools

Many high schools and colleges will offer a photography class and will have small studio’s available for the students. If you are an alumni of one of these schools reach out to some of the teachers there. My old photography teacher was always very happy to have her old students return if only to swap stories and help her set up and set down studio equipment. If you don’t mind doing some grunt work, this can be another great way to have access to a studio after hours when the students are not using it. The added benefit is that you can have an experienced teacher on set as an extra pair of eyes.

If you have any creative penny-pinching locations that have worked for you we would be thrilled to hear all about them in the comments section. Till next time! Feel free to visit me anytime at Peter House – Commercial Photographer to follow our work.

Log in or register to post comments

13 Comments

The editor is remiss in clearly stating that the photographer has to seek permission for almost all locations mentioned above. Yeah ... even some recreational parks do charge photographers when it appears the authorities that the gear in use is more pro than hobby oriented.

Mind you just asking a dude on the phone isn't enough. Only a written permission will make you safe and secure.

You can also use services like www.shootipedia.com. Other photographers can share information about locations that they have shot at. This information includes cost, and who to talk to about permission.

In most cases the locations are free and require no permission to shoot at.

This is cool! Thanks for sharing.

Needs to be an addendum for when people call the cops on you for no reason with a 'made up' excuse like your abusing girls ect lol yep happens A LOT..

Andrew Griswold's picture

Its articles like this that caught me on to Fstoppers in the first place and really attracted me to the trade. Always finding ways to create the best with what you have. Thanks man!

Jeff Ladrillono's picture

Where are brick wall and railroad tracks?

Nicholas Bernardsen's picture

You should make VERY sure, that that railroad tracks are no longer in use.
If you know what to listen for, you get about ten seconds warning before your (and your model's) bones turn to pulp.

As always great article!!

If you have any available to you, an abandon building is not only a great place to shoot talent but it is also great for composite shots and getting textures!!

1. great outdoors: sure, but after a while most of your pictures start looking the same with the same backgrounds.
2. Community theater: Need to be a member.
3. Shared artist space: Gotta be a member or you'd be trespassing.
4. Schools: Are you kidding me? You're a grownass man and want to show up at a school without being asked to come with a telephoto lens and tripod? Wear nice clothes so when you end up in the news, you'd at least look good.
5. Local business: Businesses don't like snoops. You may be from a competitor or just an underground reporter.

Lesson: Don't listen to articles. Rent a studio if you need a studio. Make rich friends.

Peter House's picture

1. The same can be said for shooting in studio against a backdrop.
2. Not always.
3. That is correct, as mentioned in the article.
4. The college I attended had students even in their 50's. A grown ass man would not look out of place.
5. I live in an area with a lot of restaurants but a very tight knit community. When I moved here I approached the restaurant next door with exactly such a proposition. Not only were they happy to talk to me and meet a neighbor, they were eager to have some pictures done and share their space. Several months later thanks to word of mouth I was shooting for a good portion of the restaurants here.

Lesson: Life is what you make of it. If you tell yourself you can't do something, you are probably right.

....and what do you do do when everyone says "no", and you don't have any friends? people over 30 don't usually rush to make new friends...not in Florida at least....this doesn't work for everyone!

If you're only doing headshots and/or 3/4 portraits, you can set up a small studio space in your house. There's an extra bedroom at my house that I set up a backdrop and have enough room for a few lights.