With the new year upon us, I found it insightful to reflect on tutorials that not only taught skills, but focused on heightening your attention to detail. Join the Breed has been a wealth of knowledge in regards to editing techniques as well as ins and outs to becoming a successful photographer. This video in particular shows an in-depth breakdown of how to recreate this well-known Kate Moss photo.
Here we are on day five of our 30 for 30 where we are releasing 30 videos to the Fstoppers YouTube Channel the entire month of January. Yesterday Charleston, South Carolina was hit with the biggest snowstorm in over 25 years. I decided to team up with my crazy friend Bryan Young and take ski portraits around town. The resulting images are pretty hilarious and are definitely once in a lifetime photographs.
You've heard the name. Listed among the accolades as one of the greats, Herb Ritts' ability to seamlessly blend together both environment and model set him apart from his peers. A mastery over lines, shapes, and all things pertaining to light that trademarked his work as timeless. He had an eye for capturing a moment and creative intuition for creating one. This documentary gives us a glimpse into the man behind the work. In a sense it is even more intimate then we could've hoped, as it is told by those who were closest to him.
For first time travelers to Kyoto, it can be a bit confusing to choose where to shoot. Unlike my previous posts on Madrid and Barcelona which are about three-hour photo walks, this article will be similar to my Tokyo article which involves five different locations. Here is a link to a great website to give you a better overview of each location and other locations worth a look. For those of you who have been to Kyoto, I would expect you to share your photos or suggest other locations.
So you have a great photoshoot idea that's been burning a hole in the back of your brain. As amazing as it sounds to you, you continue to push it back. Finding the task of planning and executing said shoot has been daunting to say the least. I'm someone who as a beginner found this to be a problem that held me back more times than once. However, I'm here to say that by developing a process of sorts, this obstacle can become a thing of the past.
Let's chat about stock photography. I've used stock sites for nearly a decade while working as a designer and commercial photographer with great success. Most of the options I used in the past left a lot to be desired, which is why last year, I switched over to Adobe Stock. I made the change for many reasons, but the most important was their integration into Adobe Creative Cloud.
For over a year now, I've been the lead freelance photographer for Stock and Barrel Magazine, a food and beverage publication here in Columbus, Ohio. Often, assignments get thrown my way with not a lot of time to get them done before deadlines hit. That means I get to shoot a lot of places in a very short amount of time. Oh the joys of the print world! In this article, I'm going to share with you how I shoot food on location quickly. No assistants, minimal gear, during business hours, and without pissing off the chef. Let's get started.
From the outside looking in, the creative industry can be daunting. We think we need thousands of dollars of equipment to take images on par with our peers – but that’s not strictly true. Here’s a breakdown of how I photographed one of British pop’s biggest acts using cheap lights from eBay.
As Halloween comes to a close and we reflect on all the creative costumes roaming the streets, I think it’s a good time we take a moment to talk about cultural appropriation. We are blessed as photographers to be able to view images from any culture in the world through the Internet. It’s pretty cool that we have access to unlimited inspiration from just about everywhere, something the founding fathers of photography had nothing close to. It's important for photographers to have a vast basic knowledge of cultures, subcultures, and social classes so that we can always use culture with respect and honor in our images.
A few months ago, I took an overnight bus from Pokhara, Nepal, to Kathmandu. Arriving at five in the morning was not a part of the plan; nor was losing a night’s worth of sleep to dangerous curves, heavy rainfall, imminent landslides, and music that blared until shortly before arrival in the city. When I got there, I wasn't in too pleasant of a mood.
What’s stopping you? We all have at least one imperfection that we wish wasn't part of us so that it would be easier to achieve our dreams. I often wonder what my photography and life would be like if my extreme anxiety disappeared, if I had more money, physical strength, and even if I were a man instead of a woman. Our flaws that hinder us are often hard to deal with, but once we embrace them for what they are the outcomes can be surprisingly perfect.
In a recent article entitled "Why You Shouldn't Submit Your Photographs to Magazines," I discussed Vanity Magazines and how, in my opinion, they often fail to deliver enough value to justify the photographer's effort. As a result of that article, I've had the opportunity to talk with the editors of two of the more well-known and better-curated vanity, or submission, magazines, Lucy's and Jute, to find out how their work benefits photographers.
Outdoor on-the-go DIY style editorials are really picking up in the fashion world. It is a good skill to have in your toolkit as a budding photographer. In this article, I want to break down how a small team of talented artists and myself went about producing and shooting two full on-location, outdoor editorials for Bullett Magazine in less than two weeks in NYC.