As an entertainment and tour photographer, Susannah Brittany primarily shoot stills and video shots for some of the world’s top pop and country music artists. This basically involves shooting all day long: while they are doing media interviews or meet and greets, of/during travel on the bus, behind the scenes content of the artists getting ready or in-between shows, and then of course, while they are performing. Her work ends up being used used for new media distribution, including YouTube, social media, and sizzle reels.
Any seasoned filmmaker or photographer will tell you that it’s not the size of your camera, sensor, or lens that matters, but how you use it (or craft your supporting elements like lighting, composition, etc.). But what I’ve come to realize is that size does matter– because impressing a client on set is just as important as impressing them with the final product.
I think it’s probably a fair assumption to make, that at some point during your photographic journey, you’re going to purchase a piece of photographic equipment. With today's World Wide Web, that can be as easy as a few clicks and a wistful look at your decreasing bank account, but I’m here to make the case for your local, “brick and mortar,” camera store. Well maybe not all of them.
For years I’ve heard people saying, and probably have said myself, that if you chase your dreams, find your passion, and only do what you love, you’ll never work a day in your life. But do you really have to? Should you? This video provides an interesting counterpoint to that concept.
From Vogue to People, including Playboy and National Geographic, all these popular magazines are familiar to us and instantly recognizable, but just a few of us know what their first editions looked like decades ago. As time passed by, bringing forth new faces, new fashion, and a whole new way of thinking, magazines needed to evolve with their time and adapt. Some have stayed faithful to their initial visual identity, having only undergone minor changes because they knew what worked for them. On the other hand, other magazines covers have changed drastically, their covers being a far cry from the original design.
When traveling (flying, to be specific) for a photo or video job, there’s a lot more planning and logistics that go into being prepared for not only the job, but living out of a suitcase, sometimes without the support of people available to help you. I’ve put together a checklist of things that I often need to consider when traveling for a gig.
One of the most exhilarating aspects of environmental portraiture, especially when out on assignment, is that you never quite know what your shooting environment is going to look like. If I had a nickel for every time I walked into an awesome location, only to be quickly shuttled off to a closet-like space to do my work... Well, I'd be able to buy a sandwich. But a really nice sandwich. Here are some tips that may save your sanity while trying to compose an interesting portrait in a postage stamp sized room.
Every year, The Knot compiles statistics from thousands of weddings in their annual Real Weddings Study, and we get to learn all sorts of things about the ins and outs of what makes up a wedding in America. While there's plenty of interesting statistics, such as how 83% of couples used a smartphone in planning their wedding, the marquee stat is cost, and for the past five years that number has crept onwards and upwards to a brand new record that's just insane when you compare it to the average wedding in Europe.
For those of you who don't know who Pratik Naik is, you're missing out on an extremely talented and witty retoucher with immense talent. Known by many as Solstice Retouch, his work is seen around the world in many a marketing campaign and commercial work. A little over a year ago now, Pratik started his youtube channel, under the name 'Solstice Retouch' and has posted a variety of different video types ranging from time-lapse videos of his retouching of work, some gear reviews and thoughts, and additionally some downright comical videos. Just recently though he posted a video of his review of the demo of 3D LUT Creator.
Photography is one complex profession which requires many skills, from the technical to the psychological. We have all been faced with unpredictable scenarios which have put us or our clients/models in an awkward position ,or a state or panic. It can be anything: an insecure model, no time to set up your planned light, an equipment which breaks or malfunctions, a sudden rainfall, an unhappy bride, etc. Being well-equipped won’t always save the day. And if we lack self-control, good communication skills, and if we lose creative approach in stressful situations, we could just pack our gear and go home with an unhappy client glaring at our back. Being able to deal with these different scenarios might be surprisingly beneficial both for your photography and business.
Lots of skilled videos editors have started to see the value in being hired for contract work. It’s a great supplement to other income, you can be picky about projects, and most of us enjoy the work. But what about negotiating rates, estimating time, and dealing with files after the job? Here are some tips for the business-side of being a freelance video editor.
Editorial and commercial shoots are usually very lively and put quite a bit of pressure on the photographer. Managing a full crew on set and making sure all the required pictures are well executed is not an easy task. There are a few things to know in order to be certain everything runs smoothly. In this mini tutorial, Alexi Lubomirski gives you all his tips to get you started.
As the next chapter of the American Presidency approaches, the field has narrowed down to a handful of candidates to lead the free world. On each side of the ballot, unlikely and polarizing figures such as Donald Trump and Bernie Sanders have risen as serious contenders to take the seat at the Oval Office. But who are these people that support them? A photographer discovered this for himself.