Perhaps no single photo is more symbolic of America’s troubles during the Great Depression than Dorothea Lange’s “Migrant Mother.” Depicting an itinerant farm worker, Florence Owens Thompson, and five of her children apparently in the grips of despair on the side of the road, this single image came to surmise an entire era.
Following the lead of Billboard and Conde Nast's Traveller, a full fashion spread inside the new issue of Elle Australia – including the front cover – has been shot entirely on an iPhone.
Sometimes the who, what, and how is surpassed by the when. Timing can be everything. It’s a fact of life, even if a rather cruel one.
The one thing we as photographers and videographers do is tell stories. That's the main reason we do it. Whether it's a story of fantasy or a shot documenting a moment in the real world, it's done to make the viewer tell themselves the story they see in the picture. In this video, Mango Street break down how they tell their stories. Instead of focusing on the moments as they organically happen, like shooting a wedding, they took a conceptual idea that inspired them and directed a shoot to execute their interpretation thereof. They used song lyrics as a concept and took it from there. I must say, inspiration can be found anywhere, but this was a very well executed idea that will certainly play part in my next shoot.
In an industry saturated with educational materials, navigating the minefield to find which resources are valuable, and worthy of your hard earned money, can be rough. As a photographer, I have purchased countless tutorials, books, and magazines. I have poured through blogs, YouTube videos, attended numerous workshops and endured some questionable Facebook Live sessions. When I tell you I have discovered a gem, it isn't because this is my first time mining.
Sometimes 30 seconds can change your life. Has the following story ever happened to you?
According to No Kid Hungry, one in six American children don't get the food they need. Because of the relative wealth of First World nations, childhood hunger in places like America often get overlooked. In an effort to raise awareness, viral photography sensation, Benjamin Von Wong, decided to forgo the traditional route of portraits of sad-eyed children and, instead, created something a bit more share-worthy.
Memorial Day is a day set aside in remembrance of those members of the Armed Forces who have made the ultimate sacrifice. This Memorial Day, photographer Kate Woodman released a series called War Widow, that gives an intimate look at the life of those left behind. The series manages to honor the families of the fallen by approaching the pain, grief and loss they suffer with a raw, unflinching eye.
Telling a joke to an audience large or small can be a risk. An edgier joke can offend as many people as it amuses. Using humor in photography carries that same risk. Many photos can have a natural humor, but when a professional photographer is tasked with creating a humorous photo from scratch it can be serious business.
As a professional photographer, money is never too far outside of the frame. But even as the budgets and day rates continue to rise, it is important that an artist never forget why it all started in the first place.
Many photographers’ career ambition is to have one of their photos appear on the cover of a magazine. In years past, magazines were frequently seen as the best place to gain publication and see the best of current photography. Often that was a result of having a visually oriented magazine editor at the helm.
Creative genius rarely erupts onto the scene full force and in your face. Its entrance into the world is often quiet, gentle, allowing only a few to see it and recognize its brilliance. Such is the case with Portland, Oregon-based Kate Woodman, whose use of color in her work produces an instant halt to the ever scrolling feed of images - causing even the average user to stop and appreciate the story unfolding before them.
We’ve all been there; the studio is set, the model is awkwardly waiting, but the light isn’t quite right and the stress begins to build. With every test shot, the light quality increases and the anxiety level decreases. Finally, like a blast of cool breeze on a hot day, everything clicks into place. The light is perfect.
In last week’s article, I detailed my experience interning with photographic legend Art Streiber and how his extensive use of preparation has helped him to create some of the most iconic images in photographic history. In this post, I’ll attempt to take you through my own method of preparing creatively for a shoot so that I can get exactly what I want, and often a whole lot more.
I'm taking a second to reflect on the lessons I learned from working with the legendary Art Streiber. Part one in the series is the benefits of preparation.
San Francisco based commercial and sports photographer, Alexis Cuarezma, has just announced he is launching a YouTube channel with 100 videos on photography. He'll be discussing topics such as lighting, working with models, and taking full advantages of your locations.
Have you ever gone to the see a romantic comedy and absolutely fallen in love? Have you ever gone to a romantic comedy and spent the majority of the film’s running time politely sneaking peeks at your watch? Have you ever realized that both movies were essentially the same story and wondered why you couldn’t get enough of the first, and got way too much of the second?
If there was one thing I wanted to know when I first became interested in shooting editorials, it was "How do I do this?" That seems like a broad question, and it is, but it goes to show what a mysterious subject this was for me. I wanted to know how to get started, and what steps I should take. In this article, I would like to pull back the curtain a bit for people who are interested in getting into editorial work and share what steps I go through to conceptualize, build a team, schedule, and shoot a fashion editorial.
As a professional wedding photographer, I spend a lot of time with people in front of my camera. But because I grew up racing motocross and driving fast cars, I have always been intrigued by automotive photography. So when I was asked by a friend of mine if I wanted to help shoot a 80s-styled cafe racer motorcycle, I jumped at the opportunity. Add to this that the shoot was going to be inside of an arcade filled with old-school machines, and this shoot sounded like one amazing time.
Can photography be more than just work? Can it be a calling? How do you know? And what if that calling coincides with a transformational period in world history and you are called upon to document every move? Lauren Greenfield’s new exhibition and book, “Generation Wealth” is a time capsule a quarter century in the making.
We all know that one of the necessary parts of starting as a photographer is working for free in order to gain exposure. Working for free is a great starting point to build your portfolio, develop your technique, and build a name for yourself as a photographer without the pressure or expectations of a client. The hard part is knowing when to accept free jobs and when to start charging for your services.
The Cooperative of Photography, a photography apparel manufacturer and community-focused online mag, produced a cool new photography series where they asked creative photographers questions and the answer come only in the form of images instead of words.
Over the last several months, the Fstoppers team was able to link up with Clay Cook, an acclaimed editorial and portrait fashion photographer, to produce a comprehensive tutorial teaching his photography techniques. If you want to learn more about the full tutorial and what it offers, check out the store page. One of the key elements of Clay's work is the variety of gear he has used throughout his career. Included in the tutorial, and now available here on Fstoppers, is a peek into the equipment he uses to craft his stunning images.
Meeting face-to-face with a potential client is the best way to introduce them to your work. Here are just a few helpful tips to help you turn that handshake into a profitable relationship.
Photography isn't something you decide as a career path. You rather find photography and then setup your life to do it as a job. It has that effect and it's why it's such a beautiful art form. You'll never be a successful photographer if you are not passionate about it, which is different to deciding a financial adviser or insurance broker. I might be stereotyping, but I am sure there are many who love their job, but also many who do not, but at least get a good paying salary at the end of every month, so they keep at it.
Sometimes the only things standing between us and achieving our photography dreams is... ourselves.
Are you a fashion or beauty photographer looking to get your work out into the world? Well PDN (Photo District News) is at it again with their annual fashion and beauty contest. The Look is a contest, open to anyone, that aims to showcase the most talented fashion and beauty images from around the world. Entries are now open and running until June 8th, 2017.
I pride myself on bringing ideas to life using minimal equipment and whilst working on low budgets. I’m also in the process of setting up my second photography-related business, so I don’t currently have a ton of expendable income to splash on new gear. However, I recently invested in a cheap set of portable lights I found on eBay for a little over $200. Here I showcase a casual menswear editorial I shot using the lights and an inexpensive kit lens, as well as outline what you get for your money, how exactly I used the lights, and how you, too, can shoot professional images without breaking the bank.
Mark your calendars for this Thursday, March 23 at 2 p.m. EST for a chance to talk with Clay Cook, the instructor of our newest tutorial covering fashion and editorial photography. This is a great chance to ask Clay anything you want to know about shooting, lighting, post-processing, and the business side of his work. The event will be held over Facebook live on the Fstoppers Facebook page.
Fstoppers is at it again with another amazing tutorial. This time, Clay Cook is bringing his talent as an advertising and editorial photographer to the table. Based in Louisville, Kentucky, Cook has worked for a variety of local, national, and international clients. However, his work all maintains a common visual style regardless of the end publication, whether it be printed in The Voice of Louisville or used globally by ESPN. Fashion and Editorial Portrait Photography brings you Cook’s start to finish workflow, including his process of working with a retoucher, to show you how you can create similar, amazing images using these techniques.
