It’s time for something different. Ever have that great idea, but you may just let it fizzle away? Me too. But this one wasn't getting away.
The esteemed Italian editorial photographer Paolo Roversi, known for shooting on 8x10 Polaroid, directed the Pirelli's 2020 Calendar. Past calendars have been shot by iconic photographers like Annie Leibovitz, Tim Walker, and Albert Watson.
Adding some video production offerings to your photography workload has become pretty common for a lot of photographers. Even though a lot of the technology is transferable, not all the skills are, and shooting interviews, both in the setup and getting better dialogue, can be difficult to learn.
I get emails almost weekly, asking me about certain light setups. So I decided to start doing a weekly light series on YouTube. I thought, "what's the best light setup to start it with then with one of my favorite lighting set-ups?" Hard Light! I will be rolling out a new lighting setup once a week. They will range from basic to a bit more advanced. I am very excited and happy to do this and teach some of my fellow photographers.
Today, I’d like to share with you a story. A story about a brief moment that was a long in the making.
Whether it was an order from the event's organizer or his own mind, it’s a strange moment in time, though it was supposed to be captured for the world to recognize Quentin Tarantino’s achievements throughout his life.
In this extensive breakdown, go behind the scenes of a 1950s themed shoot and see how I shot, lit, and edited it from start to finish.
It's another day in Puerto Rico and another photography shootout. Last week, we asked you which photo was better, but today, we take you behind the scenes and reveal the winning images. This is a battle for the photography blogs!
A nice portrait is made up of four elements: composition, lighting, post-processing, and subject. The first three are easy to learn about and improve on your own, but after annoying your friends and family and getting sick of Facebook and Instagram, how do you improve?
Even veteran photojournalists grinding it out day after day still find time and energy to develop a personal project and sometimes those projects circle back and grow into more work.
Sarah Tilotta provides some words of wisdom on pitching to a photo editor. It's a short video with some gems worth remembering, like being nice. Seems like the world could use a lot more of that.
A quick trip into downtown Los Angeles allowed me a closer look at one of my photographic heroes.
If you want to continue to grow as a photographer you need to have honest, real time feedback and yes, criticism. Sure, you can ask a friend maybe see if Mom wants to flip through your portfolio and you might get some feedback but more than likely you’ll get some “wow, that’s a cool shot” or “Honey! This picture is lovely!” but no really push back on your composition or lack of. So, go find a photo editor.
What happens when the sun is setting and you want to get a balanced exposure of the setting sun in the background and your subject? The reality is you can't without the use of a strobe and high speed sync. In this article, I’ll share with you how I was able to get a perfect exposure on my subject and the background using high-speed sync.
When you see an incredible location in images, often our gut reaction is, that it must be Photoshopped or that you need to go to an epic location to get great shots. In this article, see how I shot these cinematic portraits on the side of a road in my area by using just one camera and one lens. No fancy lighting or Photoshop.
Have you ever wanted to create a bright, sunny image, but it was rainy and overcast outside? In this article, see how I recreated the sun when I shot this edgy fashion editorial in my small home living room.
Through a matter of circumstance, I found myself working with multiple camera systems to fulfill a variety of assignments over the last month. Here are a few thoughts on why I chose each system and what I learned from the process.
As photographers we tend to always look for the big sweeping image; one that says as much as possible. But sometimes it's the little things that say a lot. In the context of storytelling, the detail shot is often overlooked for its power and simplicity.
Have you ever seen a mind-blowing creative shot and wondered how the artist made the image? In this very informative 10-minute behind-the-scenes video, see how Alexis Cuarezma shot these creative portraits of professional boxer, Devon Lee.
Photography is all about time. It's the only visual art that is able to hold a single moment and fix it for our lasting consideration. To make that happen we as photographers must be keenly aware of both the slice of time that we are capturing and the all the time which leads up to that important moment. To do this well we must look into the future.
Have you ever wondered what went into creating a moody fashion shoot? In this article, go behind the scenes of a fashion shoot I did using a darker aesthetic and mood.
I've always enjoyed seeing what Jonas Rask has to say about the latest Fujfilm gear releases. He's insightful and focuses more on the abstract of the gear than the nitty-gritty numbers and curves.
Including all of the person's head in your photograph is considered to be one of the basic rules of portraits. Clipping off the top of someone's head is considered a rookie mistake. However, I want you to consider taking a different approach to that old standard.
Photographer Magic Owen was offered the opportunity by HUNGER Magazine to set her own brief for a shoot at the gorgeous venue, Castle Ashby. Having been given the chance to shoot in a location that magical with such creative freedom, Owen decided to create a modernized Wonderland style shoot.
This past October award-winning photographer Jérôme Brunet published his 20-year retrospective coffee table book "Into The Light" that collects over 150 of his amazing music images.
"If your pictures aren't good enough then you aren't close enough" Robert Capa
If you rely heavily on HDR for your image processing, I have some news for you: It can be a lazy approach, and you may be using it in the wrong applications. It's time to learn about the limitations of HDR and far better alternatives at your disposal.
I'm a big user of Content Aware Fill in Photoshop. It's hard to take a photo and not want to remove something. But if I'm shooting with my smartphone, I usually don't want to transfer an image to my computer for serious editing unless I have to. My smartphone photos are usually casual and quick, but often retouching is needed on those photos too.
Have you ever wondered what went into creating the most iconic images? In this insightful breakdown, see how photographer Alexis Cuarezma shot one of his favorite images.
Every well-rounded photographer needs to be able to tell a story in three images or less. This is particularly important when shooting editorial content for online publications and in print magazines. On today's assignment, I explore three different focal lengths to capture a well-rounded story of a local musician.
