The one thing we as photographers and videographers do is tell stories. That's the main reason we do it. Whether it's a story of fantasy or a shot documenting a moment in the real world, it's done to make the viewer tell themselves the story they see in the picture. In this video, Mango Street break down how they tell their stories. Instead of focusing on the moments as they organically happen, like shooting a wedding, they took a conceptual idea that inspired them and directed a shoot to execute their interpretation thereof. They used song lyrics as a concept and took it from there. I must say, inspiration can be found anywhere, but this was a very well executed idea that will certainly play part in my next shoot.
In an industry saturated with educational materials, navigating the minefield to find which resources are valuable, and worthy of your hard earned money, can be rough. As a photographer, I have purchased countless tutorials, books, and magazines. I have poured through blogs, YouTube videos, attended numerous workshops and endured some questionable Facebook Live sessions. When I tell you I have discovered a gem, it isn't because this is my first time mining.
According to No Kid Hungry, one in six American children don't get the food they need. Because of the relative wealth of First World nations, childhood hunger in places like America often get overlooked. In an effort to raise awareness, viral photography sensation, Benjamin Von Wong, decided to forgo the traditional route of portraits of sad-eyed children and, instead, created something a bit more share-worthy.
Memorial Day is a day set aside in remembrance of those members of the Armed Forces who have made the ultimate sacrifice. This Memorial Day, photographer Kate Woodman released a series called War Widow, that gives an intimate look at the life of those left behind. The series manages to honor the families of the fallen by approaching the pain, grief and loss they suffer with a raw, unflinching eye.
Telling a joke to an audience large or small can be a risk. An edgier joke can offend as many people as it amuses. Using humor in photography carries that same risk. Many photos can have a natural humor, but when a professional photographer is tasked with creating a humorous photo from scratch it can be serious business.
Many photographers’ career ambition is to have one of their photos appear on the cover of a magazine. In years past, magazines were frequently seen as the best place to gain publication and see the best of current photography. Often that was a result of having a visually oriented magazine editor at the helm.
Creative genius rarely erupts onto the scene full force and in your face. Its entrance into the world is often quiet, gentle, allowing only a few to see it and recognize its brilliance. Such is the case with Portland, Oregon-based Kate Woodman, whose use of color in her work produces an instant halt to the ever scrolling feed of images - causing even the average user to stop and appreciate the story unfolding before them.
We’ve all been there; the studio is set, the model is awkwardly waiting, but the light isn’t quite right and the stress begins to build. With every test shot, the light quality increases and the anxiety level decreases. Finally, like a blast of cool breeze on a hot day, everything clicks into place. The light is perfect.
In last week’s article, I detailed my experience interning with photographic legend Art Streiber and how his extensive use of preparation has helped him to create some of the most iconic images in photographic history. In this post, I’ll attempt to take you through my own method of preparing creatively for a shoot so that I can get exactly what I want, and often a whole lot more.
Have you ever gone to the see a romantic comedy and absolutely fallen in love? Have you ever gone to a romantic comedy and spent the majority of the film’s running time politely sneaking peeks at your watch? Have you ever realized that both movies were essentially the same story and wondered why you couldn’t get enough of the first, and got way too much of the second?
If there was one thing I wanted to know when I first became interested in shooting editorials, it was "How do I do this?" That seems like a broad question, and it is, but it goes to show what a mysterious subject this was for me. I wanted to know how to get started, and what steps I should take. In this article, I would like to pull back the curtain a bit for people who are interested in getting into editorial work and share what steps I go through to conceptualize, build a team, schedule, and shoot a fashion editorial.