How Many Megapixels Do You Need to Print a Billboard?

How many megapixels do you need to print a billboard? Much less than you probably think.

Every year, our cameras are packed with more and more resolution. When asked why we need this many megapixels, most photographers use the same excuse: "well, I need the extra resolution in case a client wants to print one of my shots on a billboard." Is this true? Haven't billboards been around for hundreds of years? Long before 50-megapixel cameras? 

PPI Versus DPI

Before we get into the exact resolution needed to print a billboard, let's talk about ppi vs dpi. Most of us use these terms interchangeably, but they aren't technically the same. 

What is PPI? 

PPI is pixels per inch, and as photographers, this is what we are most accustomed to. A pixel is simply the smallest unit of a digital image that can be captured by a digital camera or that can be seen on a digital display. A "megapixel" is one million pixels and by multiplying the vertical and horizontal pixels of an image, we can determine how many pixels we are dealing with altogether. The Nikon D850 will produce a digital image that is 8280 pixels wide by 5520 pixels tall. If you multiply those two numbers, you will get 45.7 million pixels or 45.7 MP.

The important thing to remember is that an abstract pixel itself does not have a physical size; it's simply the smallest unit of a digital image. 

Pixels per inch becomes useful when we take a digital file and bring it into the real, physical world. Let's use a computer monitor as an example. Our computer monitors have a fixed resolution. A small 1080p monitor will have more pixels per inch than a larger 1080p monitor even though they have the exact same amount of pixels (1920x1080). A 4K monitor will have two times the pixels per inch of a similarly sized 1080p monitor. This means that the same image viewed on different monitors will appear to be different sizes and will have a different ppi based on the pixel density of that specific monitor. Printers are slightly more complicated because they can't produce individual pixels, instead, they must mix tiny drops of ink to reproduce these pixels. 

What Is DPI?

DPI is dots per inch, and although most photographers and designers use DPI to describe pixel density, it's technically supposed to represent the resolution of a printer. Many printers only have four colors: cyan, magenta, yellow, and black, but miraculously, they are able to produce the millions of colors in our photographs. To do this, the printer squirts out billions of microscopic drops of ink. Together, these drops (or "dots") are able to recreate the pixels that make up an entire image. Have you ever noticed that your photo printer has a draft, normal, and high-quality print setting? In most cases, these settings are changing the resolution of your printer. But let's assume that for all of your prints, your printer will be set to the highest quality. This means that regardless of the image that you are printing, the DPI or dots per inch will remain constant whether you are printing a high or low-resolution image. 

Most photo printers these days are able to print at over 2,000 DPI which is far more resolution than the "average" photograph that is printed at 300 DPI and in most cases, more expensive printers can print with even more resolution. Some printers though, like billboard printers, print with much less resolution. On the billboard in the video above, the dots were so big we could actually see them with the naked eye. 

Viewing Distance

As you can see by the chart above, the human eye is only able to resolve a certain amount of resolution based on viewing distance, and there is an equation we can use to figure this out:

If we were to use this equation to figure out the maximum resolution the eye could see at one foot (12 inches), we would get 573 PPI. Although some photos are printed at 600 PPI, you have to ask yourself: how often are people standing 12 inches from a photograph? As we double the distance from the print, the human eye is able to resolve half the detail. This means that at two feet, you will only need 300 PPI of resolution and at 10 feet, 60 PPI. Some fine art prints can be enjoyed at a distance and up close, and so, ultra-high-resolution prints may be called for. Billboards, on the other hand, are never enjoyed up close, and viewing distance plays a huge roll in deciding print resolution.

What Is the Viewing Distance of a Billboard? 

The data I have found online suggests that the average billboard is viewed from 500 to 2,500 feet away. As we can see by the chart above, once we get beyond 650 feet away, the human eye can only resolve one pixel per inch. Going all the way out to 2,500 feet, a billboard would only need .229 ppi. This means each pixel would be about 16 square inches. 

How Many Megapixels Do I Need to Print a Billboard?

In the video above, we are standing approximately 150 feet away from the print. From this distance, we were significantly closer than you would be to the average billboard while driving down the highway, but even from this distance, we would only need four pixels per inch to produce a sharp looking print. The billboard itself is 14 feet x 48 feet in size, which comes out to 96,768 square inches, and we want to multiply that by 4x4 pixels (16), and we come up 1,548,288 pixels or 1.5 MP. At a viewing distance of 2,500 feet and approximately 16 square inches per pixel, that's only 6,048 pixels or 0.006 MP. Even at a closer viewing distance of 650 feet, that's 0.09 MP. The Nikon D850 has about 472 times that resolution.

But this makes sense, doesn't it? Billboards have been around long before these fancy DSLRs. Did billboards use to look blurry, and now, with the creation of the Nikon D850, become ultra clear? Of course not. The truth is that billboards are probably the lowest resolution images we come across on a daily basis.  

So, Megapixels Are Worthless? 

Not necessarily. If you were only shooting images for billboards that were going to be viewed at over 100 feet away, you probably wouldn't need a high-resolution camera, but some ads are printed large and can still be viewed at close distances. I always liked viewing the wall-sized ads in the subways and bus stops of NYC. Sadly, even these ads never seem to be printed at a very high resolution. But maybe one day, a company will come along and start printing ultra-high-resolution subway ads, and if you have an expensive new camera, you'll be ready. 

So what is all of the extra resolution good for? Are you printing gigantic wall art that can be viewed from a distance and up close without losing perceived resolution? You're not? Well, then you probably don't need a 50-megapixel camera. But hey, it's nice knowing that if you ever wanted to make a print that large, you could.  

If you're passionate about taking your photography to the next level but aren't sure where to dive in, check out the Well-Rounded Photographer tutorial where you can learn eight different genres of photography in one place. If you purchase it now, or any of our other tutorials, you can save a 15% by using "ARTICLE" at checkout. 

Lee Morris's picture

Lee Morris is a professional photographer based in Charleston SC, and is the co-owner of

Log in or register to post comments

but the Nikon D850 is new and shiny and the kid next door bought one so i need it. i notice photographers these days are more doing the " i got a bigger dick i mean camera then you have show" than actually creating images that are worth it,.

Oh but you need to switch to Sony.

like OMG,. im old school i still shoot with a classic nikon D750,. DSLR its doing a comeback.

like nikon D850 outsold the Sony 7R3 by a landslide. i notice prices dropping on the sony and you can now even buy them per lease with 0 % interest,. but i know what you mean. new is better because the advertisements say so. and you cant take pics on a 2 year old camera right ?

Oh but if you don't shoot Sony you're no good!

yeah right, thats what the advertisements said,. OMg, i have to switch now. atleast until next version ill be an amazing photographer cause my pics and skill will double over night just by opening the new shiny sony camera box,. oh joy,. (tears in eyes out of sheer joy )

I have a Fuji S5 Pro. And also a Sony. Try and figure that one out. ;)

I actually am interested in getting like a Fuji as I only hear good things about them and I would love to get a mirror less camera so as not to be taking my DSLR everywhere with me all the time.

like i said,. something like the size of a rx-100-5 or a6500. something small with good pic quality and video at 120fps,. guess its going to be a sony a6500. you can change the lens,.

Yeah I was also looking at that one as I want a camera for video too and 120FPS looks fun haha.

just saw a test between the 7r2 and the a6500. the difference, i had to look twice, zoom in at 400% etc. for a youtube video the quality is more then enough, the 120fps is a bit standard. 4k , you dont need that for a youtube video but downscaling to 1080 should help the quality.

I have a small dick, but I don't care. I can do amazing things with my small dick. I can take out my small dick in public and shoot all day and nobody really notices. I would like a big dick but generally, people find those intimidating.

#camerasizematter starting a new movement, i have a sign and i can scream real loud

This was a great article. One of my clients I do design for does billboard prints for their club in Atlanta and thats how I started to catch that you really don't need all the resolution. I figure about the only time I actually catch the resolution is when I walk by an Abercrombie or some other retail store that show cases a huge hero image at the front of the store. Great content!

I did billboards with 2 megapixels around Detroit 20 years ago, cropped from 4-16 Mpx. cameras.

Even subway billboards are changing as they go digital so there is even less need to get a high MP camera.

Of course, if you're doing art prints IMHO, then it quite essential.

BTW, great article.

Thank you! I've been wondering about this for years. I was certain that *distance* would play the biggest part in the "what if you wanted to print a billboard" megapixel argument.

Just print your damn photos!

Great topic and article/video! Very timely for me as my company is starting to do very large banner ads at events. Great info!

Nice article Lee!!! I guess I don't need to buy those Nikon D850's now!!!

Well hold on now... we could use that affiliate commission ;)

That's if D850's are available! LOL

The D850 is an amazing DSLR camera body that has an impressive list of features and specs, however if you are only buying it for the resolution, you should probably save your money. You need to be a pretty accomplished photographer to utilize the capabilities of this camera.

YES!! This is a great article! I will direct people to it when they question me "but you've only got 20MP?"

Really? You've only got 20MP? ;-)

he must be joking, 20mp is so 2016.

Someone had to finally say this. Well done, Lee!

"Finally"? I've heard and known this for years. :-/

Reading mainly Fstoppers, it's the first time i see it here. And, by the way, most of us, who work professionally, know this information very well. It's nice to have it well organized and said out loud on this website too.

Those of us who need to know, do. But it's all good.

Great video and article. we have a lot of grand format printers in house. sometimes its hard to make a client understand they don't need such high resolution for their 10'x40' banner. LOL

we also have a couple 16' wide printers.

Do you happen to know the printers dpi resolution at this size? I can't find that info anywhere

Not sure about billboards but when designing wraps I work at 1/10 scale at 600dpi. So printer is seeing 60dpi at full size.

Not ppi. I'm interested in knowing the resolution of the dpi or drops of ink from the printer head.

Print resolution Up to 740 x 370 dpi (apparent in XL quality mode and sample mode)

Not sure if I'm watching fstoppers or vsauce -_-

Love Vsauce!

I guess I'll just throw my Phase One in the trash then.

Where do you live and when is garbage day? :-)

Well, most of us are not shooting billboards where it's impossible for viewers to get close. For those of us who make prints, what I observe is that viewers who like a print will mozy as close as physically possible. Unlike other print art, people expect a photograph to reveal more and more detail as they get closer to it. I saw a guy at a gallery once whip out a loupe to examine a landscape. If a portrait head is printed large enough and people can physically close enough, they expect it to resolve facial hairs. If a landscape is printed large enough and people can get close enough, they expect it to resolve blades of grass and leaves. Oh...and there is also cropping, which is nice to have available. So there is always room for more resolution in the original image.

I've had 10 MP photos printed on billboards a few times. I had to really work the files, but they looked fine.

Great stuff Lee Morris (@ mentions!)

Great article Lee Morris, simple and straight to the point!

I used to love having high megapixels back when I was often doing heavy compositing. Having way more resolution than I needed meant that when I downsized an image after I masked it, imperfections in the mask were vastly reduced without as much manual work needed.

Since I've stopped shooting composites I moved from the D8XX line to the D750 and I am perfectly happy with the smaller images. Though I do miss many of the "pro" features the D8XX line had that the D750 doesn't such as more AF coverage.

As for resolution. Personally, I've always preferred printing big. As you mentioned for images that need to be viewed close PPI needs to be really high. For example, if I wanted to print a 24x36 print for my wall that someone would view from arm's length away at full resolution I'd need something like 75mp to do it without any upscaling.

But yeah, for any billboard not designed to be viewed by say pedestrians walking by a few feet away, big resolution simply isn't necessary.

I was just double checking the math for this example Ryan. For my calculation I used the approximate length of an arm as 3 ft, although that is variable. At 3.3 ft the chart is showing the eye can resolve about !80 ppi, but for my calculation I bumped that up to 200 ppi.

When I multiply 24 x 36 x 200 x 200 I get 34,560,000. So when divided out it comes out to just under 33 MP.

The D750 shoots at about 24 MP so that gets you well on your way. Arms length may not be quite possible with maximum sharpness, but another foot or so back would probably be pretty good.

I wouldn’t hesitate to print wall art at that dimension from my D750.

For me, the question is not why more, is more like, why not?

I love to watch photos in my screen and zoom in on places and discover details that are invisible in a medium size fullscreen view. I simply enjoy that experience.

I'm working now with 16mp (Olympus m4/3), and when I'm retouching I wish I could have more elasticity. You learn to work with what you have, and you know your gear limitations, of course, but that doesn't mean that you can't benefit from more resolution.

If a client wants a photo to print a billboard I know that I don't have to rent a medium format camera, I can do that with mine. But the fact that the final result doesn't need more resolution is not a reason for me not to have it if I can. If the archive in my hard drive is 50 or 100mp, I'm more than happy. Perhaps and most probably, I don't have to use it never, but perhaps the client want that same photo in a wall in their office's building, where people are going to pass by at little distance and then that extra resolution makes a great difference.

I think what's important is like photographers and professionals, to know what we need and have at least that minimum in every project. "at least that minimum", but if you want overkill resolution even when you don't need it, there's no shame on that. The experience shooting and working with different equipment and different resolutions are not the same and some of us value a lot the experience.

And that's my two cents, I LOVE RESOLUTION, I don't have to need it to enjoy it. But I decided to invest in a place and studio lighting instead of in changing gear because I knew that even if I love it and want it too much, it wasn't necessary for my job soo...
But if my studio some day start to making any benefits I will start working with Medium Format Mirrorless cameras, will see :)

When I owned a lab and regularly printed large format prints we were ALWAYS involved in discussions as to how much res was needed.

The answer was not much. Even on large fine art prints depending on the subject.

We were printing billboards of images with horizontal crops from a vertical 6MP Canon 10D file. Even today, an iconic image used by a local business is generated from a 6MP file.

Of course that did ot stop me from buying and happily using a Canon 5DsR for my architecture work. The cropping ability has saved me a couple of times when a client changed their minds about the aspect ratio of an ad.


Hey! So correct me if I'm wrong, but I did up this chart and if I understand correctly;

If I am to view a 30x20 at 5 feet, the only required amount of megapixels is 8? So if I use an 8MP camera, snap the photo. Which roughly translates into 3436*2291 pixels [in a 3:2 ratio]? If I was able to capture the same image on a different camera at 24 megapixels and print as a 30x20 yet again, I wouldn't be able to discern the difference in quality at that distance [5ft away]? Also the megapixels are rounded! Thanks!

Also at the bottom is the megapixels of the D850, just ignore it. I threw in a rounded number to see if it came out correctly. It does accurately show the correct width * height pixel count for that megapixel amount in a 3:2 ratio. It was just to confirm if my formula was correct.

Alex Cooke is the math genius

More comments