One of the interesting trends in the comments on a previous article on the rule of thirds was a reaction not just to that rule specifically, but to “rules” more generally. That got me thinking a bit. What are “rules”? Where do they come from? Is breaking them an act of rebellion; or one of self-destruction?
Has the rule of thirds influenced your compositions? It has mine at times. Yet, with each application I wonder, why should placing things near the thirds of an image be appealing? In fact, it turns out that the link between the rule of thirds and aesthetic appeal is weak. Is the rule of thirds dead?
Many interesting ethical issues arise across the photographic genres from the perspective of the photographer, their subjects, and their audience. This video on the broader subject of art and ethics, generally, presents a number of questions and thought experiments designed to get us thinking about the roles that art and ethics play in our lives.
Let me first say, for reasons that will become clear momentarily, that I’m a six-foot-seven-inch tall male who weighs approximately 200 pounds and has about a week’s (…okay, week-and-a-half’s) worth of stubble. And my favorite color is pink. Did you just do a double-take?
Camera sensors are incredibly complex pieces of engineering prowess, bringing together mankind’s attempt to replicate the behavior of the human eye in perceiving light, but there are still many limitations. Cameras are rarely good at capturing decent photographs of rainbows, but some cameras are significantly worse than others, thanks to a strange quirk of science.
Contrast extraction is one of the most important aspects of visual processing. It plays a tremendous role in how we view images, where our eyes are drawn to first, and where they linger. In this article we'll learn a few simple tricks to create more engaging photographs — and why they work.
What do oversize truck tailpipes, paleolithic sculpture, and the vibrancy slider have in common? And what might they have to do with helping us create more engaging photographs? Why do some abstract paintings move you and others don't? Why should we react to an abstract work of art at all?
In most lenses, the center of the frame might be razor-sharp, but the corners and edges always appear a little soft. It’s something that’s been a problem for thousands of years within optical devices, with many researchers giving up hope until a recent breakthrough from a Mexican physicist, who has now developed a formula that will change how lenses are manufactured.