In today’s age, it’s safe to assume that more people are taking pictures with phones than with actual cameras. I’m not here to say that the practice is wrong or that it’s right. I am just here to identify Amazon’s number-one selling mobile printer so you can bring some of those images stored on your phone to life.
Some artists have dreamed about having their work on display in art galleries since they were young. Others dream of the fame it will bring the moment the doors extend on opening night. There are few inbetween that know the true reality that one does not always follow the other. So how do you know if having your art in a gallery is the right step for you?
Hanging a photograph from your wall will always have its appeal. Make that photograph the work of a famous and respected artist, and the appeal starts to rise. This is why well-established artists can demand such a high price tag for their work. But this entire process relies heavily on the person purchasing the piece to actually enjoy the art. If the photograph does not resonate with you, then it loses a lot of its value. With that in mind, would you buy a photograph without actually seeing it first?
Camera resolutions are soaring in recent years, with Canon unleashing a 50-megapixel DSLR and Phase One showing off the new XF 100MP back. The unending argument of why manufacturers bother with such resolution swirls around one thing: printing. Photographers argue that a higher resolution camera will produce a better print with more detail. Technically, that is absolutely true, but most photographers aren't printing much these days.
Spending countless hours on your client's gallery to present to them during the reveal means nothing if you cannot show them options to display. Creating the right line that works with your studio and brand to present to the client will increase sales, as well as referrals from that client. It is all about the workflow and how smoothly the process is during your sales session. (Codes for free gift at the end!)
Printing photos is a technical and complicated process, especially when it comes to getting accurate colors on paper. If you want to print your own photos, your monitor, the software you use, your printer, and the paper type should be in harmony to get the same colors and depth you create on screen. To make the color matching process easy and hassle-free, EIZO has created a software solution in collaboration with Adobe, Epson, and Canon: EIZO Quick Color Match.
Nick Carver is no stranger to going big. Not only does she shoot big negatives on big cameras, but he's immensely passionate about printing and framing and making sure work both fills and compliments a space. In this video he goes through the process of scanning a panoramic 6x17 Portra 160 film negative, sizing up a space on the wall for the final 6-foot print, and even building a custom frame for it.
Online photo community Photocrowd.com, which recently launched a platform allowing photographers to create their own online store and sell prints of their work, has just gone public with a crowd-funding campaign. Fstoppers thought it was time to take a closer look at this community that’s drawing favorable comparisons with the likes of 500px and Flickr.
Color management can be one of the most boring topics to learn as a photographer, right up there with topics like digital asset management and accounting. They all have one thing in common, however: they’re important parts of being a photographer. Learning how to manage color doesn’t have to be difficult, however. Consider this your crash course introduction in learning how.
It's strange to think that I have been a photographer for over 10 years now, yet I have never printed my own work larger than an 8x10. Unfortunately we live in an age where sharing low res digital photos on social media has become the end all be all for the majority of our images. Recently I decided to celebrate some of my favorite personal photographs by printing them LARGE and installing them in the Fstoppers Studio. The resulting 60"x40" acrylic prints I made through WhiteWall.com has me wondering why it has taken me this long to install fine art on my own walls.
I'm generally not a fan of the opt-out model. It's an easy way to push unwanted features, changes, or price increases onto an end user, often without them noticing until it's too late. It's like someone slipping a steak into my all-vegetarian cart at the grocery store when I'm not looking. Unfortunately, Zenfolio just slipped a big T-bone into its users' carts.