Printing isn't something most of us do when we're first starting out, but as our careers develop it becomes more and more important to deliver the highest quality images to clients for them to print and use for advertising in magazines, posters, and maybe even billboards. But does size really matter?
I know that many of us get caught up looking for the next piece of gear to buy or searching for our next portfolio shot, but it's possible the most satisfying thing you can do in photography is to print your own work.
Welcome to the second official entry in my exploration of fine art printing, paper, and why we're meant for more than cell phone screens. In this entry, we're looking at a paper that absolutely blew my mind from the very first test print I ran.
We own two Canon PIXMA Pro 100 printers at the Fstoppers office and love them. They print fantastic looking prints, are dependable, and for a limited time they are being sold for only $60.
Your work is greater than a Graham cracker sized cell phone screen and you know it. When it comes time to select which paper you print on, you've got a lot of options. Let's take a closer look at a few things to consider when making your choice and examine one example up close.
Do you really need all those megapixels in that shiny just-released camera, or is your current 20-something-megapixel camera still just as good as the day you bought it? Let's talk a little about why the megapixel race is great for some photographers and might not even matter for others.
If you’re anything like me, you love to print your photos. The Polaroid ZIP is an inkless photo printer that is ultra portable and easily fits inside your pocket, but is it really worth the price it's selling for?
Photographer Adam Karnacz is a landscape photographer who loves seeing his work come to life on print. No really, listen to him! May we all be this passionate about something.
The digital age has pushed some of us away from printing our photos, but at the same time, better technology and cheaper prices has made it more possible than ever to make your own high-quality prints at home. This helpful video will give you some tips to help and mistakes to avoid in the process.
Ask yourself a pretty simple question: how hard do you work? If your honest answer is that you work pretty darn hard then it's important to come to grips with the idea that social media will never be able to showcase that hard work; you need to be printing your images.
If you're into tinkering gear and customizing things to the way you like them then this might be your kind of video. Be prepared though as it requires quite a bit of technical know-how to fully understand and that's before we even start talking about trying to replicate what he achieved! However even without trying to attempt your own version I am sure you'll find this to be a rather interesting video to watch.
You've used your inkjet to print edge-to-edge A4s and A3s, then wanted to upsize, so you went to an online printer for a canvas or a poster. They get pretty big at 45" by 30". Wanting to go bigger? Try a wall covering!
There's nothing quite like holding a high-quality print of your own work in your hands. Except, maybe when it's something that you've printed yourself.
Color calibration is a necessary step in getting the very best results in your photography, yet many photographers avoid it altogether, leaving the final color edits to their printing lab, and basically turning over the outcome of an entire session to a complete stranger who knows nothing about your editing style or desired end result.
It is well known that if your client can hold the photograph, whether in an album or print, they are more likely to purchase it. They can feel it in a much more intimate way than just being on a computer screen. This idea was the very reason one photographer decided to step away from the traditional museum curation and create a pocket version that can be in the hands of art lovers everywhere.
