Every photographer today has a digital portfolio of some kind but only a very few have spent the time to create a printed book. In this video, we look into three very differently designed printed portfolios.
Printing your own photos is one of the most satisfying ways to enjoy the fruits of your hard work as a photographer, but doing so comes with its own set of rules and considerations to make sure your prints are just right. This great video will give you a straightforward guide to properly managing color from camera to print.
Now that we're firmly in the digital age, printing photos has been relegated to an optional step in the photographic process, one that many photographers rarely (if ever) take advantage of. This great video talks about why one photographer feels printing photos is so important (even in this age) and how he goes about it.
Getting your prints to look exactly how they should is a constant battle for many photographers. Minimize the amount of time and money wasted on reprinting by downloading these free templates and using a traditional technique borrowed from the darkroom.
Everyone likes to see their images in print, but what about printing them significantly bigger: what do you need to know?
Every photographer out there needs a portfolio, but times have changed, and with digital technology growing at a fast pace, the way people look at our work is changing too. Does this mean that the printed portfolio is dead?
Printing isn't something most of us do when we're first starting out, but as our careers develop it becomes more and more important to deliver the highest quality images to clients for them to print and use for advertising in magazines, posters, and maybe even billboards. But does size really matter?
I know that many of us get caught up looking for the next piece of gear to buy or searching for our next portfolio shot, but it's possible the most satisfying thing you can do in photography is to print your own work.
Welcome to the second official entry in my exploration of fine art printing, paper, and why we're meant for more than cell phone screens. In this entry, we're looking at a paper that absolutely blew my mind from the very first test print I ran.
We own two Canon PIXMA Pro 100 printers at the Fstoppers office and love them. They print fantastic looking prints, are dependable, and for a limited time they are being sold for only $60.
Your work is greater than a Graham cracker sized cell phone screen and you know it. When it comes time to select which paper you print on, you've got a lot of options. Let's take a closer look at a few things to consider when making your choice and examine one example up close.
Do you really need all those megapixels in that shiny just-released camera, or is your current 20-something-megapixel camera still just as good as the day you bought it? Let's talk a little about why the megapixel race is great for some photographers and might not even matter for others.
If you’re anything like me, you love to print your photos. The Polaroid ZIP is an inkless photo printer that is ultra portable and easily fits inside your pocket, but is it really worth the price it's selling for?
Photographer Adam Karnacz is a landscape photographer who loves seeing his work come to life on print. No really, listen to him! May we all be this passionate about something.
The digital age has pushed some of us away from printing our photos, but at the same time, better technology and cheaper prices has made it more possible than ever to make your own high-quality prints at home. This helpful video will give you some tips to help and mistakes to avoid in the process.
