We own two Canon PIXMA Pro 100 printers at the Fstoppers office and love them. They print fantastic looking prints, are dependable, and for a limited time they are being sold for only $60.
Your work is greater than a Graham cracker sized cell phone screen and you know it. When it comes time to select which paper you print on, you've got a lot of options. Let's take a closer look at a few things to consider when making your choice and examine one example up close.
Do you really need all those megapixels in that shiny just-released camera, or is your current 20-something-megapixel camera still just as good as the day you bought it? Let's talk a little about why the megapixel race is great for some photographers and might not even matter for others.
If you’re anything like me, you love to print your photos. The Polaroid ZIP is an inkless photo printer that is ultra portable and easily fits inside your pocket, but is it really worth the price it's selling for?
Photographer Adam Karnacz is a landscape photographer who loves seeing his work come to life on print. No really, listen to him! May we all be this passionate about something.
The digital age has pushed some of us away from printing our photos, but at the same time, better technology and cheaper prices has made it more possible than ever to make your own high-quality prints at home. This helpful video will give you some tips to help and mistakes to avoid in the process.
Ask yourself a pretty simple question: how hard do you work? If your honest answer is that you work pretty darn hard then it's important to come to grips with the idea that social media will never be able to showcase that hard work; you need to be printing your images.
If you're into tinkering gear and customizing things to the way you like them then this might be your kind of video. Be prepared though as it requires quite a bit of technical know-how to fully understand and that's before we even start talking about trying to replicate what he achieved! However even without trying to attempt your own version I am sure you'll find this to be a rather interesting video to watch.
You've used your inkjet to print edge-to-edge A4s and A3s, then wanted to upsize, so you went to an online printer for a canvas or a poster. They get pretty big at 45" by 30". Wanting to go bigger? Try a wall covering!
There's nothing quite like holding a high-quality print of your own work in your hands. Except, maybe when it's something that you've printed yourself.
Color calibration is a necessary step in getting the very best results in your photography, yet many photographers avoid it altogether, leaving the final color edits to their printing lab, and basically turning over the outcome of an entire session to a complete stranger who knows nothing about your editing style or desired end result.
It is well known that if your client can hold the photograph, whether in an album or print, they are more likely to purchase it. They can feel it in a much more intimate way than just being on a computer screen. This idea was the very reason one photographer decided to step away from the traditional museum curation and create a pocket version that can be in the hands of art lovers everywhere.
Have you ever wondered what it took to make your vision come to life? In this personal project, in the last four weeks of my senior year, I captured 365 portraits of my high school class and brought together an entire community through the portraits.
In the digital world it may almost seem as though selling albums or wall art would be a thing of the past. The majority of clients will want to post their session to social media and go about their day. As photographers, it is up to us to educate the client about the importance of having a physical piece of art as well as the right type of art for their home.
Around two weeks ago, Lee and I made a bet over my image, "Atlas and the Sun." In a limited 50 print run the goal was to sell 49 in ten days and make Lee buy the last one to place above his desk.
With the new Adobe Photoshop CC 2018, a new image enlargement algorithm, “Preserve Details 2.0,” came as an improvement over the previous upsampling algorithm that had been in place since 2013. The 2.0 version provides better details when it comes to preparing the images for large-scaled prints and potentially reduces the need for an ultra-high-megapixel medium-format camera for large prints.
Almost a year and a half ago, I undertook the most technically challenging photo shoot of my career. I was fairly proud of the results and the community rallied around it but Lee and Patrick have publicly criticized the image. This will hopefully settle the debate between us.
Have you ever wondered why magazine publishers and other printed material producers ask you to submit your images in CMYK color space instead of sRGB or Adobe RGB? If you haven’t thought much about the “why” before now, you might be interested in the tidbit of info in this video.
Are you starting to print your photography? Are you looking to sell prints for the fans of your work? This new video gives a great rundown of colorimetry, papers, and the value of the print.
Clients these days prefer to stare at your work on their phones rather than a framed work of art to pass on for generations. This is where the art of selling prints comes in to play. In just five simple steps learn how to take your print sales to the next level and see why once you start selling prints, you'll never look back.
How many megapixels do you need to print a billboard? Much less than you probably think.
Let's face it, these days most of us don't print the majority of our photographs. Typically they will live on forever on the Internet whether it be via social media, cloud storage solution, or your own website. In today's world, people rather compare sensor technology by pixel-peeping and zooming in to a photograph at 300 percent, criticizing the camera for not rendering a leaf out perfectly half a mile away on screen. What if we took a step back, away from our crazy magnification, and actually hit Cmd+p and looked at how photographs were meant to be viewed: printed.
Would you agree that no one likes the idea of the slimy used car salesman? Have you ever stopped to think about and analyze why no one likes that person? It's because that person has no vested interest in the product they're are selling or the people they are selling to. He or she has no interest in the customer or in the car. As a photographer, how do make money selling a service and product to your customers while never treating them like the car salesman would? The answer is pretty simple: take time to find the products that you're actually passionate about and then share that passion with your clients.
In this video produced by The Guardian, Australian Photographer Adrian Cook shows a reporter how he utilizes a mobile darkroom to produce striking images using the Collodion Wet Plate Process. It’s a short video but it has a wonderful tempo to it, mimicking the excitement one might feel when creating an image using this technique. It starts off slow and thoughtful, but the music builds towards an exciting crescendo while the plate is sensitized and exposed, then settles again as the plate is bathed, magically revealing the beautifully toned scene superimposed on the aluminum sheet.
This is a simple yet very personal and special project you can do at home for your clients, family, or your own walls. Traditional online canvas sales proceeding a photo session can be bland and impersonal. So if you have some time to spare for this project, it creates a connection like no other with your clients. I think of projects like this as the cherry on top of a photoshoot. It's one of the few ways to carry your artistic ability all the way through to the hard copy. This technique is usually used in the fine arts and street art world, so adding this to digital photography is a cool way to merge the two worlds. Essentially, with this you will separate your photo's ink from the paper to leave it floating in clear acrylic medium.
The importance of printing your own images cannot be understated. There are a number of reasons, but I believe that it mostly comes down to perspective. Currently most entry-level cameras have at least 24-megapixel sensors, however, most screens are full HD which is only around 2 megapixels in resolution. Even a 4K screen is only around 8 megapixels. Seeing your images on any screen can never truly express the image as effectively as possible whether that is due to the colors or resolution. For this reason, printing your images can not only improve your perspective but also help with regards to improving your photography.
Today I’m testing out a direct to aluminum print from Zor.com, which is supposed to bring out vibrant colors and incredible image clarity. The 3mm Dibond is fashioned from two thin sheets of aluminum, with a low-density core of polyethylene. This makes the print sturdy and durable, but also very lightweight. But to be honest, I’m awfully skeptic of printing on anything other than fine-art papers. Call me a conservative printer. Let’s find out if Dibond can change my mind.
In the age of digital photography, very few of the photos we take will ever make it to print. There is something special about holding a tangible print of an image you have created in your hands. Here are some great tips for how and why you should be printing more often to become a better photographer and literally enjoy your images in a new light.
When I first discovered ShootProof, I loved it. The idea of handling all of my file delivery as well as print sales from an online platform easily through my website was just amazing. But after a good amount of time, I grew frustrated with a couple flaws in their system that were deal-breakers for me. I then switched over to Pixieset and haven't looked back. Pixieset isn't near the giant that ShootProof is (yet), but ShootProof could take a few lessons from the up-and-comers.
Printing images almost became a thing of the past with the digital era. However more and more photographers are helping their clients embrace the idea of hard copies to hang on the walls rather than in a drawer on a flash drive. New mediums for printing are becoming popular as unique options compared to the standard print. Are you sure you are setting up your files correctly for the color shift issues with printing on these new mediums?
