Electrophotography is a medium that was never intended to be used for photography. Electrophotography, later changed to xerography, was originally intended for use as a photocopier. This video follows Tom Carpenter as he uses the electrophotography method to create a portrait. The results certainly won't be putting Canon out of business, but they are interesting from a creative and experimental photography standpoint.
A lot of us became photographers not so much for the pay check but because we were passionate about photography. Still we all have to pay the bill and please our clients which means a lot of the time we have to shoot whatever comes our way. But every once and awhile we get the opportunity to do something fun and inspired like this creative collaboration by photographer Steve Shaw and painter Gregory Siff for Treats! Magazine. I know not everyone will get what these artist have to say and there will be plenty of trolling but when peers come together to create, how can we not want to celebrate the process?
In this age of an increasingly competitive photography market, we shooters need to utilize every tool possible to make us stand out in the pack. My buddy Matthew Jones has gone back to basics with his printed pocket portfolio. He has found that in a world of modern digital portfolios, these printed books allow prospective clients to not only have something that they can take home and remember his work by, but it even easily fits in their pockets! Jones shares his thoughts on the benefits of having a pocket portfolio below.
Yes, the instant print camera popularized by the one and only Polaroid is back and in a new form factor for 2015. The long awaited Socialmatic doesn't use film but rather snaps and shares your photos via the web and social media options along with delivering nifty adhesive prints of your photos. Wrapped in an Android based OS that shares to Facebook, Twitter and of course Instagram, I'm interested in seeing how people respond to its release come January.
Let's face it, it is about to be 2015. As in, 15 years after the change to the new millennium. We are firmly in what we used to call "the future" when I was a kid, and technology is overwhelming us with brutal amazingness every couple of weeks. The youth of today have no idea what life is like sans smartphones (read: access to almost every piece of information in the world at any time in your pocket) or social media platforms. To them, life is one big pile of over shared, overseen and overly celebrated schlock mixed in with useful bits of knowledge, and it is all taken for granted. The digital world isn't coming, it is here, and has been. So who in the right mind gives a crap about a printed photograph anymore?
Each year, TIME Magazine picks and highlights the best photography books of the 12 months prior. This year, they’ve put a special focus on the growing trend of bucking the traditional publishing system as many of their choices fall in the realm of self-publishing and self-promotion. This was made most evident when many of TIME’s editors picked the same book for the top spot, Magnum Photographer Peter van Agtmael’s self-published Disco Night September 11, an often brutal look at America post-September 11.
Flickr's tumultuous history has been well documented over the years, but this photo sharing site has been fighting back with revamped designs, generous storage for users and new photographic services. Among these initiatives is a new Wall Art service, allowing users to make prints from a mind blowing 50 million freely-licensed Creative Commons images as well as Flickr hand-selected collections. While this service provides an opportunity for photographers to have greater exposure and to make money from their work, some are very upset with how their photographs are being treated.
Over the past couple of decades, technology has changed every aspect of modern life both at work and at play. We now live in a digital era dominated by high-end digital cameras, mobile phones, smart tablets and even intelligent watches. However, what we often forget is that each shutter click on these devices captures a slice of history, a moment which felt significant enough to pull out our gadget and press that all-important shutter button. Most of these images stay rooted deep inside our device’s memory never to be viewed again. That is until now, where next month we see the release of ZenCam, an application which enables intelligent printing for portable devices.
Prynt, a startup company based in Paris, is working on a unique smartphone case that houses a built-in photo printer. Not only will you be able to pass around your snaps in physical form, but the Polaroid-type prints will also support augmented reality video playback through their app. Launching on Kickstarter soon, will the Prynt case makes prints cool again?
I absolutely love seeing the photos I have taken hanging up in my client's house. However, I dread the time it takes to get together and try to sell large prints or canvases as I know I could be using the time for other things. Finally, I've found a solution that I am super excited about that will make the experience for both my clients and I enjoyable, quick and easy. The end result is a win-win for both of us. Swift Galleries is about to change everything!
I’ll never forget the email; I was on a plane somewhere over the Florida coast, on my way to the Bahamas for the Fstoppers Workshops 2014. Just before I left the States, I had signed on with the artist consulting firm Wonderful Machine. The first step in preparation for a press release was to tear my website apart. The critique was tough and they slashed it hard… here I am in one of the most beautiful places in the world, feeling a truck load of anxiety. For years, I had thought I had a clean and straight to the point website, but it turns out I needed to strip it down even more.
Announced this morning, preceding PhotoPlus Expo, is the brand new Epson SureColor P600. Kicking off the new SureColor P line, the P600 uses Epson's UltraChrome HD Ink to deliver high quality and affordable prints from your home. However, the biggest announcement from this 13" printer comes in it's black intensity, at black density with L values as low as 2 (~10 shades of black density).
All this week at the Photoville NYC festival, Tyler Stableford is hosting a gallery exhibition featuring his work from "The Farmers" project. This Saturday there is a reception which is free and open to the public if you'd like to check out some of the amazing prints from Tyler's latest passion project. This behind the scenes video gives you a look at the photography as well as the printing process involved in making this work come to life.
Growing up in the family's studios and labs, I learned a thing or two about mounting and framing prints, and I also ruined a lot of them in the process. In this video, I'll demonstrate a version of my process so you can skip the lab and mount your own prints, fresh from your home or studio printer.