As I stumbled, sleep-drunk, in to my bathroom this morning I had what I would categorize as my first photography shower thought.
Gear Acquisition Syndrome is something we've all had at some point. Unfortunately, it's a steep gradient with some of the most desirable gear costing small fortunes. The Arri Alexa sits near the peak of the mountain.
A lot of cityscapes and cinematography of urban settings are moody and it's a very popular aesthetic. Here's how you can achieve the look with your own images using Lightroom.
I asked people in the industry what their unpopular photograph opinions are, and I got a lot of interesting answers. And some controversial ones.
Exporting photos and videos for use on different platforms is a pain, but unfortunately, it's a necessary one for now.
Studio backgrounds can be either expensive, boring, or both. However, with small adjustments you can make them look far more cinematic and interesting.
It isn't fearmongering to say that one mistake, and not even necessarily your own, can bankrupt your photography business if you're uninsured. So Fstoppers have teamed up with Insurance Canopy who have created Full Frame Photography Insurance to go over the issue and offer some insight.
It's a bizarre question that can be applied to any of the arts. Typically, creatives are seen as passionate creatures, but is it essential to a career in the industry?
Photography is a wonderful hobby, but for some, a hobby just isn't enough. Some of us get so infected with the craft that we instantly know we want to one day spend all our time on it. So what skills should a hobbyist photographer focus on?
I love what I do and pursue my passions fervently and in all directions. While you're starting out and not achieving much, you feel a wealth of support, but with success comes a type of guilt I've labeled, Dreamer's Guilt.
Macro photography can be useful to many disciplines, but mastering the craft can require some heavy duty gear, and some in-depth knowledge. However, one mistake I see a lot of macro photographers make is also the easiest to fix.
We've all seen the incredible first image of a supermassive black hole, but how on earth do you capture something so far away and that, by its very definition, consumes light?!
One of Darwin's most seminal remarks on evolution, quoted en masse throughout the internet and various text books, is a profound piece of advice to any photographer looking to build a lasting career in the industry. The only catch is, he didn't actually say it.
We've all heard of saving less than perfect images by turning them black and white, but when should you really do it? Here's how I decide.
Something I muttered to myself one cloudy afternoon on my garden ended up being a mantra I have had with me for over a decade.
There was a time when this question would have been laughable. Now, if you laugh it off, you're either in a a specific niche that dodges renders or computer generated imagery (CGI), or you don't understand the problem.
I enjoy taking headshots for people, and I shy away from the commercial, copy-paste, white background styles where the deliverable image is straight out of the camera. However, last month, I combined my preferred style of headshot with the number of subjects you'd typically see with a large corporate, straight-out-of-the-camera shoot. Here's what I learned.
In a crowded industry, standing out can be difficult. Chris M Forsyth, Montral-based photographer specializing in capturing unusual spaces, manages to do just that, and with aplomb.
I have seen some bizarre cameras in my time, and a caravan is strangely not number one, but watermelon and pineapples are most certainly up there.
There's something exhilarating about getting a new client. I love the buzz of working with a new creative direction, team, and objective. But new clients are expensive, and repeat clients are where businesses thrive.
