Articles written by Jennifer Tallerico
The stores are already stocking holiday decor with faux trees and the leaves have barely fallen. The holiday season sneaks up on business owners quickly with an influx of calls for sessions. Is your business ready and do you know how to weed out the fake calls or emails?
"Say cheese" might be one of the most common things you think of when it comes to standard portrait photography. In the days of mall studios or even class pictures, this phrase is something we can all attest to hearing at least once in our lives. With more modern day photography, there has become less and less forced smiles and bribery in order to get that perfect image.
Editing your images can be a love/hate relationship depending on how you feel about post production. Getting tied down in your workflow can be a result of not having the right displays and shortcuts for better visualization of the final result. A few key tricks will lay out your most used tools and displays to get you in and out of Photoshop.
Studio spaces are sought after by many photographers. While some love shooting in client's homes or in hotel spaces, many do want the tranquility of a defined boudoir space of their own. Building a boudoir studio does not have to be overwhelming or come with expensive price tags. While a brick and mortar location in a downtown area works for some, for others, creating a spot in your home can be the best option for your company.
Wide angle lenses are favorites for real estate, landscape, and underwater photographers. The AF-S Nikkor 16-35mm proves to be versatile in wide angle focal lengths with a maximum aperture of 4.0 allowing consistent illumination. Curious how it would perform below the surface, it tagged along in a recent shoot.
Composites are one of the best ways to give your image a whole new look and feel. It can take something from the ordinary to the extraordinary. Understanding how to create these images to stack in a realistic way is all about understanding how to blend your subject seamlessly.
For quite some time one of the only way to get color effects was through gels. However, the pain of having to carry around these different gels may be a thing of the past. The staff over at B&H tested out the Luxli’s new Timpani for color changing effects in still and video photography.
Creating new jaw-dropping images or video can be daunting when it seems as if everything has already been done. During a recent scroll through an underwater photography forum the mouths of many underwater photographers hit the floor with a poetic dance underwater using prisms to tell the story.
There was a time in my life that weddings were my main source of income. After being laid off from my job as a scientist, my hobby soon turned into a career. When I was first starting out, I took any and every gig I could to make ends meet. However, I held a secret during that time that I would never had admitted until now. I hated weddings.
During that important pre-consultation with a client, most likely, she will ask to see an entire session. They have seen your amazing images on social media, but usually just one or two from a session. If you only show a few images from each set, how does your client know if those just weren't the best of the best?
Retouching is one of the main reasons most photographers use Photoshop. Understanding how and when to use the specialized tools can be trial and error until you find which works best for your workflow. A few tips on what each tool is doing behind the scenes can help with these choices.
A few weeks ago in a boudoir forum I came across a subject on what was the most time-consuming portion of most photographers' flow. The majority of the comments referred to culling and editing. So if you are looking to speed up your own workflow with minimal editing this video is for you.
Circulating daily on social media we see turtles caught in plastic, beaches bathed in piles of garbage, or decaying wildlife that make hearts heavy because we can easily relate to those species. However, there is another ocean issue that does not get enough coverage but it is dissolving many of the unseen organisms every day.
Taking risks is the joy in what creative minds live for. Creating something different and unique keeps the photographer from feeling as if this is just another job. When I came across an underwater portrait photographer's recent work it made me stop for a moment, which is extremely rare these days.
Finding the right underwater lighting system can be tricky if you do not understand how light is absorbed. The same concepts on land can be applied, but with a few extra steps. Testing out new lights can be eye opening if you are tired of using a four-strobe setup which can be a workout on its own.
While having a brick-and-mortar studio is nice, it isn't always feasible. Photographers create backdrops out of their homes, garages, or on set to disguise the location using stands with muslins, seamless paper, or even collapsible options as well. In searching for other options, I found a portable wood look to be the perfect fit.