The claim is that NFTs got rid of gatekeeping in photography. Anyone can pick up a camera, mint a few NFTs, and make money. But what does this actually mean?
Custom-made, hand-painted backdrops were all the rage a few years back. I personally could never justify the price of one, but that doesn’t mean I haven’t wanted to try it out.
It can be frustrating when, as a new photographer, you want to work with models. You put your little ad up on Facebook and… nothing. What do you do?
Photography authorship has historically been very one-sided. In this video, Vuhlandes is quick to confess that making photographs has historically been a medium for those few people who had the resources by way of money and time to make images.
When I was first starting out, I got deeply into conversations about style. What is this thing that will get me hired? How do I get it? Recently, I’ve realized that a photographic style isn’t the be-all and end-all magical thing that many beginner photographers think it is.
The age-old question resurfaces: is film better than digital? In this video, the victor is crowned once and for all.
Photography is a high. The magic that some of those first images a photographer takes is difficult to put into words. The joy that comes from image-making hooks you, and often, there is no turning back.
Being a photographer means being able to adapt to any given lighting situation to create images that are remarkable. In this video, Sophia Carey shares some of her insights with a behind-the-scenes look at a night portrait shoot on film.
Jordan Blake is a black artist originally from Nigeria. He has lived in Baltimore, USA for several years. After finishing college, he made the move to New York to better figure out and explore who he is and what type of images he wants to create. Of course, it doesn’t go unnoticed that New York also offers greater opportunities for collaboration and sharing of work.
As you get better and better at photography, you learn more and more. This has the negative effect that there then exist fewer and fewer new things to learn since you already know most of them. I was surprised to find this video by Alex Kilbee where he shares some lesser-known photographic phenomena.
In an age where content is king, it can feel overwhelming to constantly churn out post after post ad nauseam. Is there an alternative?
Growing as a photographer means finding new and more creative ways to shoot. The best way to do this is to challenge how you normally do things and mix it up with small changes, such as shooting at a different time of day.
In digital photography, chimping is when you take a photograph, look at the LCD screen, and then adjust your exposure settings (ISO, aperture, shutter speed) if they are a bit off. In this article, I will tell you why you shouldn’t be doing this.
The current state of the world can easily be described as challenging. How can art and photography fit into this broader context of current affairs?
Frank Döring is an architectural photographer based in Kentucky, USA by way of Frankfurt, Germany. He also focuses on personal documentary projects with a focus on the Anthropocene.
As creatives, we are often focused on just that: creating works that help us relate to ourselves, others, or the world around us. Unfortunately for some, this means that creating takes precedence over some other tasks.
Vision and talent are often valued in creative circles as the means to a career in photography. Work on your craft and the jobs will come. This is true to some extent, but it is also a fair bit of rubbish.
If you hop on the internet and look for tips on how to get better at photography, you’ll be bombarded with ideas. It can get a bit overwhelming if I’m being honest. In this short video, Edward Gilbert speaks to one easily applicable tip to becoming a better photographer.
Photography is less than 200 years old but has produced some amazing artists and masters of the craft in that short time.
Edward Weston began his career making soft, almost out-of-focus images that emphasized patterns and light. After a trip to Mexico in the 1920s, he decided that photography was really about details and realistic depictions of the world. He made a complete turnaround in his work and began making work that was simple and focused on tones and textures. He got so into "straight" photography that he didn’t even believe in cropping his images.
