Frank Lee blends mundane domestic visuals against the backdrop of equally repetitive sounds to create not mere actuality, but reality.
Defining and cultivating photographic style is a "long term" endeavor. Samuel Elkins shares his personal journey through this process.
Most photographers starting are happy to create an image, stick it on their social media platforms, and call it a day. This doesn’t really cut it once photography becomes more of a career, though, so in this article, I’ll talk a bit more about how to pitch your ideas.
Seb Agnew is a German-based photographic artist. His practice is based on creating tableaux imagery, which is set in the real world, but with elements that make the ordinary extraordinary. His characters challenge the human experience and often face moments of disorientation and solitude.
TFP, Time For Print, Time For Photos; All these terms and initialisms can become a bit daunting and overwhelming. What do they all mean? I definitely can’t pay rent with exposure dollars. So why is everyone always offering exposure for compensation?
Being a creative professional, in my experience, is about harnessing this constant need to create. It’s almost as if there’s a little creature inside which comes up with little ideas and if I don’t act on at least some of them, they’ll bubble over and die — leaving behind awful regret and emptiness.
Good photography is much less about the gear you don’t have and much more about using the gear you do have.
“I only shoot natural light. I’m a natural light photographer.” I can’t even begin to count how many times I’ve heard some variation of this statement. It doesn’t get any less silly each time I hear it, though. Why would anyone want to box themselves into doing only one thing?
Every few years, some brilliant young mind at an ad agency decides that the best way to promote the imaging capabilities of the latest and greatest upcoming smartphone is to create a series of campaign images on the phone. At this point, it’s a convention but proves the point: “This camera is so great that anyone can take great images with it. You know you want to be that person!”
Almost everyone has a cell phone these days and by extension, a phone camera. This means that anyone with a phone can create a decent enough image. To clarify, I’m not trying to debate whether someone is a “real photographer” or not. Instead, my intention is to persuade you to approach photography in a more considered and intentional way.
RuPaul’s Drag Race is the Emmy-winning global phenomenon taking reality TV by storm. The show is in its 13th season but boasts several spin-offs including All Stars, as well as localized seasons in Canada, UK, Thailand, Holland, Spain, and Australia. Drag race, as it is called by fans, is a reality competition that challenges contestants to find the drag performer who possesses the perfect blend of charisma, uniqueness, nerve, and talent.
Marc Klaus is one artist who has a voice uniquely his own. He has used visuals and storytelling to create a meta-narrative; the video has no words but acts as a deeply insightful look into Klaus's process through clever camera work, in-camera collage, and performance art.
Recently, I was lucky enough to have a portfolio review with a photography agent. It was only my second review ever and I wasn’t quite sure what to expect — so when four agents from the one agency popped up in the Zoom meeting, I was a little intimidated. They were lovely and warm and welcoming though. I just wanted to knit them a hat.
Photography can sometimes become a bit of a gear measuring contest. Who’s got the biggest lens? Which body has the most megapixels?
Photography struggles with truth as a concept. With other art forms, truth is generally a non-issue. We do not question whether a painting is real. We do not question whether a dance is real. We are generally able to discern fictional texts from nonfiction; furthermore, we’re generally able to sift through multiple nonfiction texts and combine them with our own experiences to arrive at a conclusion of truth. But not with photography.
In 2016, Kim Kardashian broke the internet with a mother’s day selfie. We’ve all seen the picture; she’s stood in front of a mirror wearing pretty much her birthday suit. It becomes such a big deal that Emily Ratajkowski and Kim Kardashian go on to recreate the thing. Break the internet twice! Why is this such a big deal though?
The saying goes that you need to practice 10,000 hours before you master something. I think this is a bunch of rubbish.
In Walter Benjamin’s 1935 essay, “A Work of Art in the Age of Mechanical Reproduction,” he argues that the reproduction of an art object diminishes its "aura," or unique position in time and space. What this means is that if you make something with your hands, you only have a singular of that thing, so that makes it something special. It is "one of a kind."
Given the global pandemic of COVID-19 (and the year that shall not be named), I very quickly found out that I am indeed, contrary to previously held opinions, an extrovert (and not an introvert). But given the situation, I wasn’t photographing people. What could I make that would work well with the images I already create? I do quite a bit of fashion and beauty work, so why not products that go with those?
