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Dylan Goldby
Dongdaemun, 11, KR

Articles written by Dylan Goldby

Hardware LUT Calibration for Dell Wide-Gamut Monitors

Reading Bill Peppas' recent article here on Fstoppers got me thinking about calibration again. For the most part, it's a fairly simple process to improve the accuracy of colors on your display. A good many of us simply need to invest in a Spyder or ColorMunki system and allow it to do its job. Correctly calibrating a monitor with a hardware Look-Up Table (LUT) is a little more involved, and I wanted to share the procedure for calibrating a Dell Monitor with the X-Rite i1 Display Pro.

5 Non-Gear Gifts for Photographers

Holiday season is upon us, that curious time of year when money we don't have gets spent on so many things we don't need. Sale after sale is already bombarding us, convincing us to buy the next shiny thing. The world of photography is an expensive one, and sales can convince photographers to go that step further in acquiring the extra gear and accessories they think they need. If you're looking for a gift for a photographer, skip past the shiny things and look for something more meaningful. Here are a few ideas to get you started.

How to Work with an Assistant or Second Shooter

At some point or another, most of us photographers will have a chance to work a job that requires us to hire help. It may be a one-off, or perhaps your studio has come to a point where hiring a full-time assistant makes sense. There are so many factors that go into hiring another person, even full-time. Thinking of the expense, the role that person will play, and how they will fit into your style are just the beginning of these considerations.

Your December Photography Project: Reflection

In many of the world's cultures, the coming of a new year is celebrated as a time of renewal and reflection. It is a time to share with family and friends, a time to celebrate, and for some, a time of contemplation. Although it can be a hectic time for many of us, with so many preparations and celebrations, it is also a great time to look back. I encourage each of you to use this month to reflect on your art from the year to date.

Why I Moved to Fuji X Cameras for Engagement Work

As mirrorless cameras get better and better, the temptation to lose the weight and bulk of the DSLR is becoming very large for many photographers. Wedding photographers like V Opoku are opting for the smaller footprint of the Fujifilm X-Series, as is famed Music and Editorial Photographer Zack Arias. Humanitarian Photographer David DuChemin also has them in the mix, and much of his beautiful work in northern Kenya was shot on these small and light cameras. I have had a slightly tumultuous relationship with these cameras, but have come to love using them so much that I have found ways to work them from a toy for personal work into business.

Travel Backup Photography Kit

With some lengthy upcoming trips for personal work, I have been doing some research into ways to keep my photographs and video footage backed up in the field. One of these trips involves a three-week stint in remote villages. A particular concern on this trip is data loss; so, I have been working to create a backup system that is durable and can run without access to mains power. Today, I will share my solution with you.

Your Desire to Create is Stifling Your Creativity

Photography is tough. There's no doubt about that. The gear and the numbers are the easy parts. These can be practiced, learned, and applied over time. Creativity is at the core of what we do as photographers and that's the tricky part. Jose Rosado's article here on Fstoppers talks about bridging the creative gap and pushing through challenges. Today, we're going to talk about something a little more introspective. Receptiveness.

5 Reasons to Print Your Photography

In the digital age, we spend a lot of time in front of screens. Many of us retouch our own work, distribute it digitally, and even only have a digital portfolio. Some sell prints of client work, or fine art prints. And, some get published in magazines. In a past article on reinvigorating your love for the craft, I touched briefly on printing your work, and would like to expand on that today.

Your First Editorial Photography Assignment: Part 3

Editorial photography is a wonderful place to flex your muscles and test your abilities. You don't often get to shoot such variety and have such control on a single assignment. Over the past couple of weeks, we've discussed ways to approach the photography of your first assignment. Check those out here and here. This week, we'll be taking a look at getting your foot in the door and what to charge.

Your First Editorial Photography Assignment: Part 2

Welcome back to this series on editorial photography. Last week, we discussed the basics of preparing yourself for your first editorial assignment and shooting individual frames in a variety of different ways. There were a couple of questions in the comments, which I will be addressing in next week's post. This week, we will focus on multiple frames and making them work together. Specifically, we'll be looking to tell a story using multiple photographs.

Your First Editorial Photography Assignment – Part 1

Editorial photography is still alive and well, despite what the cynics will tell you. It no longer has the budgets it used to, and there are not as many publications to go around, but you may still get called on from time to time to shoot a series of images for a magazine. Editorial assignments can be extremely varied, and a challenge to do successfully, but they're extremely rewarding and often lead to meeting interesting people along the way. But where do you start when you get the call?

Fstoppers Reviews the Fujifilm X-T10

The Fujifilm X-Series cameras have made quite a stir in the photography community over the past few years by asking us to take mirrorless cameras seriously. Since the debut of the X-Pro1, Fuji has released numerous iterations, but has really showed it was serious with the X-E2 and X-T1. Now, we have the X-T10, a scaled back X-T1. Where does it fit and who is it for?

Will National Geographic's 'For Profit' Status Harm Its Reputation?

After 127 years as a purely for-information, not-for-profit publication, National Geographic has been pulled into Rupert Murdoch's media-industry fold. In a $723 million deal, 73 percent of shares in National Geographic were bought up by the media mogul who owns companies such as 21st Century Fox; only 23 percent of shares remain with the Geographic Society. Although announcements from Murdoch's son James have stated that the integrity of National Geographic will remain intact, skeptics are voicing their opinions.

Four Questions from David duChemin

All of us, from time to time, get to a point where we wonder what we can do to improve our work. We take class after class on technique, and study our gear until we know it inside out. We hone our skills, practicing lighting and post processing until we have developed our work to a point we can be proud of. Yet, when all that is said and done, our work still lacks something. Where do we go next?

A Stunning Time-lapse of Seoul That Took Three Years to Complete

Seoul, the capital city of South Korea, along with its adjoining cities houses and employs approximately half of Korea's 51 million residents. With high-rise apartments being the norm for housing, and a three to four hour traffic jam twice a day, it's easy to see that Seoul is a city of epic proportions. Seoul-based photographer and videographer Noe Alonzo's time-lapse superbly captures the magnitude and pace of his city.

The Phone Camera That Will Make You Put Away Your DSLR

Or at least that's what the salesman tried to sell it to me as. You see, LG's new G4 sports a pretty incredible camera for a phone. Its 16 MP 1/2.6" CMOS sensor has an f/1.8 lens in front of it for light-gathering goodness. If this wasn't enough, the full manual controls of Android's new camera have been implemented. This all sounds impressive. But, just how capable is it?

Tips on How to Choose Your Next Lens for Photography

One of the questions that crops up often on photography forums, sites, and even in photography conversations over a pint is "which lens should I buy next?" It is said with such sincerity and met with so many recommendations that are, in the end, mostly meaningless. It even rears its ugly head in the form of "What is the best lens for 'X' photography?", as though somehow, another person's answer will guide the asker to greatness.

Reasons You Should Do a Documentary Project

With the democratisation of photography and the near ubiquity of camera toting humans, there has been no better time than now to record the human condition. Not everyone is going to be the next Sebastião Salgado, traveling the world in order to document the atrocities of man kind, and again to celebrate the wonders of the world. However, in our own small ways, we each have the opportunity to describe our corner of the world the way we see it.

How Your Web Browser Affects the Way Colors Are Rendered

Color management is constantly an issue for photographers, digital artists, and videographers. We spend money on great monitors, only to know that we have to calibrate them and our input devices and our output devices as well. Some of us even opt for a wide gamut monitor designed specifically for those who work in the digital arts, allowing us to adjust brightness, color, and contrast like we would an image. This introduces one more, slightly more insidious potential problem: color management within our web browsers.

Fujifilm XF 16mm f/1.4 R WR Review

Fujifilm's lineup of fast primes is what sets it apart in the world of mirrorless cameras. Starting with the amazing XF 35mm f/1.4, and following up with the XF 23mm f/1.4 and XF 56mm f/1.2, Fuji have continued to impress with their small, lightweight, fast, sharp primes. The XF 16mm f/1.4 (24mm equivalent field of view on full frame), long talked about, was released in May this year to the excitement of many Fuji shooters. But does it hold up to the other primes in Fuji's lineup?