Fujifilm's XF 50mm f/2 WR is the third addition in the series that have affectionately become known as the "Fujichrons." These are compact, lightweight, weather resistant, and have extremely fast autofocus. Made up of nine elements in seven groups, and formed in Fujifilm's classicly-styled telescoping design, it is another diminutive lens that should appeal to X-Pro shooters and anyone looking for a tiny addition to their bag. Comparisons may be drawn to the other lenses in this series, and of course the daddy of X System portrait lenses, the 56mm f/1.2. Let's take a look at this lens and then see how it fits into the Fuji line.
Articles written by Dylan Goldby
I recently posted an article about getting the most from the Fujifilm X system cameras. One of the points of discussion and contention that came up in the comments was that of autofocus. Other issues, such as flash system and software support were also raised. The flash system is a matter of needs. All manual systems are supported and HSS/TTL is also becoming more fully developed. As for software, although Adobe's support is still in a developing state, speed has increased somewhat, as has...
Creating and maintaining backups of our data is essential in the business of photography. There are countless articles out there about the importance of backup, and anyone who has lost precious data will feel that need acutely. Data loss is not a question of if but a question of when. We need to take the necessary steps to prepare for that loss. How we do it, and the tools we can use are about as varied as the types of photography we all do. Today, I'll run you through my workflow.
The Fujifilm X Series Mirrorless Interchangeable Lens cameras have gained a dedicated, almost cult-like following over the last few years for their colors, ergonomics, image quality, and firmware updates. However, getting into the Fuji world, especially from a DSLR user's standpoint, can be a daunting experience. Here are a few things you can do to make sure you get the most from your Fujifilm X Series system.
Mainland China-based Godox Photo Equipment (also sold under FlashPoint in the United States) announced the latest in their series of challengers to the dominant flash makers, the Wistro Pocket Flash AD200. As with the other units in the series, the AD360 and AD600, the AD200 offers stable color temperature across all power levels and fast recycle times. It packs 200 Ws of power, which makes it significantly more powerful than any unit in its size or price range. Perhaps the most interesting feature, however, is the dual flash heads (more on that after the jump).
Since the end of the Korean war, North Korea has been a closed nation. So closed, it is often referred to as the world's most reclusive nation. It shocks and delights the world almost every day with propaganda and anti-propaganda that peppers our news reports. It's a place that heavily regulates visits and the activities during those visits. Each tourist requires special permission and a guide that sticks to them like glue to visit anywhere in the nation. On top of that, you have to pick from a list of government approved locations, you can't just go for a walk or cycle the highways. So, what possessed Slovenian-born, London-educated, Matjaž Tančič to take his already difficult 3D workflow into a place that restricts movement and photography so much?
In 2012, Leica created a stir in the photographic industry with the release of its Leica M Monochrom. Half of the Internet was up in arms about the ridiculousness of the concept (and, of course, the price tag), while the other half praised Leica for its bold move in the modern market of high-contrast, over-saturated camera phone images. With names like "poor man's Leica" and "the new Leica" being thrown around Fuji forums all over the Internet, the question was put to Fuji asking if they would consider a monochrome-only version of one of their cameras.
W. Eugene Smith was an American photojournalist who was active from the 1930s to the 1970s when he passed away. He was, as Ted Forbes states in the video, one of the most prolific photographers of his time. Smith is well known as being a master of the photographic essay, and much of his career was spent on the types of longer assignments that are few and far between in the modern world of photography. His works for LIFE Magazine (including Country Doctor) and later the Jazz Loft Project are some of his most well known and enduring projects. Not to mention he was a Magnum photographer as well.
There are countless hard drives of all shapes, sizes, types, speeds, and capacities flooding the market now. As professionals, it's often quite a task to wade through the hype about every new offering and decide what's really the best drive for us. For users of the new line of MacBooks, things got a lot more difficult recently, as drives with native USB Type-C ports are few and far between so far. A few scattered offerings are around, and the Caldigit TUFF is a drive squarely aimed at being compatible with future devices, as well as a good option for professional on-location use.
Some may say I'm squarely in the Fuji fanboy camp. I love their cameras and lenses, and will sing their praises whenever I feel it is due. However, today I'm going to write about the one camera I haven't liked in the lineup so far: the X-Pro2 (aside from the X-Pro1, which was a very immature realization of the X system). I have been looking for a second body to go alongside my X-T2 for a while now, and an exceptionally good sale in Australia meant I could pick up an X-Pro2 for $600 off the retail price. This was too good to pass up, and I ordered one as my second camera.
Last year, I came up with an idea. A far fetched idea though it may have been, it was something I really wanted to do. I wanted to combine all of the things I love into one project, and make it a reality. Those things were photography, helping those less fortunate than myself, physical printing, travel, traditional cultures, and the sharing of knowledge. The culmination of these would be both a hardcover and a softcover book. The publication of the results would be self-published using funds from a Kickstarter campaign. It might seem like a crazy undertaking for one person, but it's very doable if you plan it right.
I promised a while back that I would do a comparison between the Profoto B1 and the Godox AD600 head to head. I have finally had the chance to rent and spend some time with the Profoto B1 again, and I am ready to give my thoughts on the two as they pertain to the way I shoot and the situations I spend my time in.
Off-camera flash is a great way to augment your existing photographs. There are so many times when existing light just doesn't give you the result you desire, and that flash could be a solution to creating the image you have in your mind. When you first start, however, the options can be quite overwhelming and it can be difficult to know exactly what you'll need. Let's look into a simple but versatile kit that will allow you to stay mobile and work in many different situations.
There's a question I've been getting in my inbox every couple of days since the release of the Fujifilm X-T2: Is it ready for professional use? There have been several articles floating about and a lot of opinions in forums, but the honest answer to this is the same as it is for absolutely every camera body and system on the market. It really depends on the type of work you do.