Articles written by Dylan Goldby
Photography can get very expensive very quickly. Once you've invested in a body and a couple of lenses, don't expect it to stop there. For those interested in artificial lighting, the who process starts again with lights, stands, modifiers, and triggering systems. But is it all necessary?
I first got in touch with Yuribert Capetillo Hardy of YoSoyVideo when I found his breathtaking short film Roller Coaster chosen as a Staff Pick over on Vimeo. Since then I have been watching in the hope that there would be another gorgeous short coming out of his editing room. With the release of Strained Lebanon, it was the perfect time to reach out for an interview.
Now that the Fujifilm X system is more mature, plenty of lenses are available not only from Fujifilm themselves but third-party manufacturers are also starting to provide quality options. One such company that has just released it’s first native Fujifilm X mount offering is Venus Optics with their ultra-wide Laowa 9mm f/2.8 Zero-D.
Fujifilm's brand new X-H1 mirrorless camera is the company's first serious attempt at making a body that is capable as both a stills and video camera. It has been causing quite a stir in the photography community recently. Just who is it for? What is it capable of? Would it be a good addition to your kit? This video will show you what it can accomplish.
Fujifilm has once again revolutionized the X-series with its latest release, the Fujifilm X-H1. Since its humble beginnings with the original X100 and X-Pro1, Fuji has taken aim at the professional content creators market. The quality of still images coming from Fujifilm X cameras has always been spectacular, but their video capabilities have always lagged behind offerings from other manufacturers. This is where the Fujifilm X-H1 comes in, but it’s not only video that sets it apart.
It has been just over a year since the release of Fujifilm’s entry into the digital medium format market, the Fujifilm GFX 50s. Fstoppers reviewed the camera a few months later, and I talked about it as a travel and portrait camera a while later. It’s an exceptional machine, there’s no doubting that. But after a few solid months of using it, how do I feel about it? The initial “wow” that comes with the honeymoon phase is over now, so what’s left?
Fujifilm set the bar for APS-C portrait lenses with their phenomenal XF 56mm f/1.2 a few years back and they have done the same for digital medium format with the GF 110mm f/2 R LM WR. The GFX system is an exceptional fit for those shooting high-end portraiture and the GF 110mm f/2 is quite possibly the perfect portrait lens for this application.
There are all kinds of photographers out there. Those who shoot fashion, products, street, editorial, and all manner of other genres. There are those who trust Canon, those who worship Sony, and those who swear a Leica is the only camera you need. We all have our different gear and varied subjects, but there is one thing that unifies us all. We all make photographs. What is it that makes all these different photographers with their myriad gear make photographs? Why do they release the shutter?
CalDigit, a company known for its high-quality devices aimed at working professionals, have just released the latest update to their popular Thunderbolt Station line of products. Fstoppers took a look at the last iteration, the Thunderbolt Station 3, in August of last year and it was a good device that lacked a few simple things that would make it a great device. I’m glad to say that a lot of that has been fixed with the new release and there have been some exciting additions as well. Let’s dive right in and check out the new CalDigit Thunderbolt Station 3 Plus.
Photography is complex. I’ve mentioned it before and I’ll state it again: it is not easy. There’s so much to learn in order to become proficient in the art. Cameras, composition, light, and subject interaction. These are just some of the things that will decide if you’re able to do well. The key to learning each of these things is time. Time, and a sprinkle of perseverance, will get you so much further than any new gear purchase you can make. Today, I’d like to take a look at how we can learn some elements of our photography and further our craft.
It seems that every time I close my eyes, Godox releases a new product. Their array of hot-shoe flashes, portable strobes, modifiers, and other flash gear seems to have no end. The great thing about a company like this with a fast product cycle is that technology develops very quickly. Starting with basic flash triggers just a few years ago, Godox now offers multiple solutions and supports TTL and HSS technologies for all major brands. Their new Godox XPro trigger series is no exception, with versions for Canon, Nikon, Sony, and Fujifilm already on the market. Let’s take a look at the Fujifilm version of the trigger today, the Godox XPro-F.
With the advent of digital cameras, drones, the Internet, and social media, video has become much more a part of every facet of advertising and our general content consumption. Even Fstoppers began by sharing behind-the-scenes videos of photographers at work to inspire and educate people all around the world. Everywhere you look, now, video is always present. Today's behind-the-scenes video comes to you from Parker Walbeck, the guy responsible for flying the LG V30 on top of a Red Weapon to compare the video output. In this video, he takes us on a real-estate video shoot and walks us through his gear and process.
As I head into the new year of photography, I’ve taken the opportunity to think a lot about composition and how it relates to my photography and to photography as a whole. It is true that every picture has a composition, whether the creator intended it or not. Some spend much of their time thinking on how to compose, others do it instinctively, and others pay very little heed to it. Whatever your approach is, your photographs do have a composition, and it is worth considering how it affects the way your images are interpreted.