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I promised a while back that I would do a comparison between the Profoto B1 and the Godox AD600 head to head. I have finally had the chance to rent and spend some time with the Profoto B1 again, and I am ready to give my thoughts on the two as they pertain to the way I shoot and the situations I spend my time in.
Off-camera flash is a great way to augment your existing photographs. There are so many times when existing light just doesn't give you the result you desire, and that flash could be a solution to creating the image you have in your mind. When you first start, however, the options can be quite overwhelming and it can be difficult to know exactly what you'll need. Let's look into a simple but versatile kit that will allow you to stay mobile and work in many different situations.
There's a question I've been getting in my inbox every couple of days since the release of the Fujifilm X-T2: Is it ready for professional use? There have been several articles floating about and a lot of opinions in forums, but the honest answer to this is the same as it is for absolutely every camera body and system on the market. It really depends on the type of work you do.
A lot of us have been there, especially when we're first trying to build our businesses in the beginning. A job lands that you feel like you can pull off really well, and you quote accordingly. The client then comes back and lets you know that their budget is significantly smaller than what you quoted, but they really want to work with you. On the one hand, you need the money, but on the other hand, you realize you're being forced into an uncomfortable corner. How do you answer this?
The 5 Day Deal team is back again with another giant pack of photography resources. Included this time are materials from Trey Ratcliff, Nicole S. Young, Lindsay Adler, Joel Grimes, and a host of other educators and resource creators. If you haven't checked them out before, this is a great time to get on board and score a huge collection of photo swag while supporting some great charities. As an added bonus, they're also running a giveaway that is sponsored by industry giants like Adobe and Fujifilm.
Joey L. has been a household name in the photography industry for many years now. Whether it be through his captivating personal work or world-class commercial work, he has carved out a niche for himself in the industry that makes him one of the most sought after working photographers today. Ever since his early days photographing his friends' bands, Joey L. has used his capital to reinvest in his craft through his personal work, but in 2013, he launched a Kickstarter to help fund his typically ambitious film project "People of the Delta."
I recently funded the printing of my first book via Kickstarter. It was the wonderful culmination of a year of hard work on the project itself and almost six months of preparation and promotion for the funding campaign. In the end, it was funded well beyond my goal. The whole process of creating, funding, and then realizing the project was quite surreal. I am still pinching myself from time to time as I pack the books ready for shipping to my backers and the recipients of the project. I wrote a while back about changing your mindset, knuckling down, and just doing things. Today, I'd like to talk a little about another thing that makes work happen: the word "yes."
The world's fastest zoom lens for 35mm full frame cameras is the Sigma 24-35mm f/2, and it's one way to follow up from making the world's fastest zoom for APS-C. Sigma has been making hit after hit for a few years now, leaving their "budget" lens brand stigma in the dust behind them. Having a 24-35mm may seem like an odd focal-length range that wouldn't be too useful, but I have found it to be an excellent range for a lot of the work I do in editorial and family portraiture. Let's start with just how it fits in my camera bag.
As a solo business owner, I find a good portion of my time has me tethered to a screen. For me, that means being at home in my office as I work on a desktop. I prefer having a large monitor to work on and the cost/performance ratio of laptops was prohibitive when looking at a primary machine. Recently, I also have found myself wasting a lot of time in between shoots - either waiting for the next shoot to start, or on public transport twiddling my thumbs - that could be used much more effectively. So, I decided to invest in a new laptop, and my searches took me to the Dell XPS 15 UHD.