Photographer Evan Ranft has years of experience when it comes to shooting products at home. Here are seven excellent tips to help you lift your game.
Time-lapse and hyperlapse photographer Matthew Vandeputte recently shot a 24-hour time-lapse from his London balcony only to discover that a small creature appeared to have done a few laps over his images during shooting, ruining the entire sequence. Was it a worm on his sensor? Can you explain what happened?
Spy agencies have come up with some ingenious means for capturing images in enemy territory and this fascinating interview with a former CIA chief shows how pigeons and fountain pens were useful tools for gathering information through photography.
Knowing how to communicate with models and set up your lighting are crucial to shooting portraits, but what are some more practical tips for creating a striking body of work? This video lists 10 great ideas to get you inspired.
Viltrox has quietly announced its new 85mm f/1.8 STM lens for Nikon Z cameras, making it the first third-party lens for the mount that features autofocus.
We’ve all seen videos of experienced photographers paying tiny sums of money to have their photos edited via an online marketplace, but what happens when someone quotes you video editing services at a cost of just $2 for every minute of the final video?
The Canon RF mount isn’t blessed with many third-party lenses which is why the Meike 50mm f/1.2L RF is an interesting proposition — especially when it’s $2,000 cheaper than Canon’s own 50mm f/1.2 lens. For such a tiny amount of money, is it something you should consider buying?
In what has become something of a festive tradition, Chris Nichols and Jordan Drake of DPReview TV sit down to play drinking games and cast their verdict on the year’s best and worst camera gear.
Back in September, Nikon announced its fast ultra-wide zoom lens: the Nikkor Z 14-24mm f/2.8, completing its trinity of fast zooms for Z-mount cameras. How does it perform?
Sigma recently announced a trio of not-so-fast primes for Sony and L-mount cameras, the most curious of which is the 65mm f/2 DG DN Contemporary. Ås either a long standard or a short telephoto, it’s not your typical length, but how does it perform?
Shooting a hundred-year-old camera that is also a darkroom is unusual but this fascinating story becomes more remarkable when you consider that the photographer earned a living for decades creating portraits in Kabul, the capital city of Afghanistan. 65 years later, he’s still taking photographs.
The daguerrotype was one of the earliest means of capturing images onto a surface and was the first photographic process available to the public. Using a piece of silver-coated copper and a 35mm film camera, this videos shows you how to make your own.
With such good deals currently available on the Sony a7 III, buyers are faced with a tough decision: should you take advantage of the low prices to grab yourself a deal, or is it better to hold off until Sony releases the shiny new A7 IV next year?
Tamron has just announced a unique lens for Sony APS-C cameras: the 17-70mm f/2.8 Di III-A VC RXD.
Sigma has just announced its new 35mm f/2 lens for Sony and L-mount lenses. Is it a better choice when compared to similar lenses from Sony and Samyang? This detailed review should help you make a decision.
The number of mid-range mirrorless full frame cameras has exploded in the last year and if you’re trying to figure out the right option for you, check out this comparison of the best cameras currently available.
Sigma has announced three new compact prime lenses for Sony and L-mount cameras — 24mm f/3.5, 35mm f/2, 65mm f/2 DG DN Contemporary — ideal for those on tight budgets or who simply prefer to travel light.
Sony users are blessed with a smorgasbord of affordable lenses, and Yongnuo has added another to the list: the YN 85mm f/1.8 S DA DSM for Sony full frame cameras. At only $200, is it any good?
Photokina, the photography trade show that’s been running in Cologne since 1950 has announced that 2018 was its final year.
A lot has changed since Sony announced the a7 III back in February 2018 with competitors offering solid competition to what is arguably one of the most influential mirrorless cameras ever made. Given its current price, how much value does it offer in today’s market?
