Following 320,000 submissions from more than 200 countries and territories, the winners of the Sony World Photo Awards 2018 have been announced.
With the arrival of what's arguably the year's most important camera, the big question being asked is how it compares to its immediate competitors. In this video, Tony Northrup rattles through his thoughts on how the Sony a7 III stacks up against the best of the rest. For anyone who's not constantly geeking out with the industry's latest specs, this is a really useful guide.
Instagram is reported to have started rolling out a new feature in its mobile app that allows users to reshare posts — albeit to Stories, not Feeds. A small number of users have seen the arrival of the new option and TechCrunch has received confirmation from Instagram that resharing is being live tested.
On March 24, a unique archive of photographs of the Beatles will go on sale and is expected to fetch at least $350,000 at auction. Photographer Mike Mitchell was just 18 when he shot the Beatles' first US concert in 1964, and the 413 negatives with full copyright are available to purchase. Mike's story of how the photographs came about is compelling.
Late last year, Imatag announced a new means for photographers and image-makers to protect their work: their service allows customers to embed an invisible watermark which is then tracked on the web, alerting the copyright owner each time that the image is published online. I put their service to the test.
Perhaps in keeping with its name, Later has caught up with Hootsuite and now allows users to automatically post images to Instagram, joining a small number of social media management tools that offer this feature.
What would you do if one of the proudest photographs in your archive suddenly took on a very dark association? In 2004 I sold an image of a parkour athlete to Adidas to launch a new line of trainers. That athlete is now a convicted sex offender.
Twenty four photographs from the early 20th century by sociologist Lewis Hine sold at auction recently, giving us a reminder of the impact of his work on life in America.
Photographer and artist Tyler Shields has announced in a short video that "celebrity photography is dead." No stranger to divisive statements, Shields is exploring the discussion around the democratization of photography and the implications of a new generation of celebrity photographers creating images of themselves and others.
As the Winter Olympics draws to a close, Getty Images has offered this fascinating insight into the logistics of covering this remarkable and incredibly cold event. Battling geography, climate, and equipment while coordinating a huge team of photographers is an immense challenge.
A few weeks ago, I wrote about my love for Canon's 40mm pancake lens. Clearly, Kaiman Wong was reading and, it being Pancake Day recently (aka Shrove Tuesday aka Fat Tuesday aka Mardi Gras), he was inspired to dig out his 5D and take it for a walk through the streets of central London.
“It’s like a Mercedes-Benz. You drive it off the lot, it loses half its value," says artist Peter Lik, describing his own work. This brutal article from the New York Times examines the extraordinary amounts of money that people continue to spend on Lik's work and how he has created his own speculative — and lucrative — economy.
Rooftops hold a certain allure but it's not just urban explorers and extreme sports narcissists that are drawn to the tops of buildings to capture this alternative view of the city. Photographer and Artist Alain Cornu drags a 4x5 field camera onto the rooftops of Paris to create stunningly beautiful images that feel like portals into another world.
Pressure to produce quality content for social media profiles is contributing to the unnecessary injuries and deaths of many adventure sports athletes, according to Marc Peruzzi, a former competitive rider writing for Outside.
If you've ever considered uploading your work to Unsplash, you should probably watch these two videos, or at the very least, familiarize yourself with the points raised by legendary commercial and editorial photographer, Zack Arias. If nothing else, Arias wants photographers to understand the risk of facing a lawsuit as a result of uploading their images to the site.
"I get invited into strangers' bedrooms to photograph real sex," shouted the headline. A few days ago, I encountered the work of Roxy Hervé, a London and Paris-based artist/photographer who had been interviewed by Vice. The headline wasn't accurate (and has since been changed), but as I found out from speaking to a few other photographers, it did lead me to discover how easily boudoir photography can turn into something else.
As a minimalist (read, "simpleton"), there's something that appeals to me about prime lenses. Unfortunately, the other side of being a minimalist (read, "cheapskate") means that I tend to avoid using gear that doesn't offer flexibility. When I randomly treated myself to Canon's budget, plastic 40mm f/2.8 pancake, little did I realize how much joy it would bring me.
Instagram co-founder and Chief Technology Officer Mike Krieger made a rare response on Twitter this week to deny accusations that the social media platform deliberately withholds and then drip-feeds likes in order to keep nudging users to return to the app.
One of my regular gigs is photographing the training events hosted in London by Parkour Generations. Winterval, a day of hard training outdoors regardless of the conditions, takes place every January and shooting it can be a daunting prospect; winter in London is often grim, with short, dark days made grimmer by drizzle or worse. This year we got lucky with glorious sunshine, albeit accompanied by a biting breeze.
Drugstore chain CVS Health announced today that it will stop using photo manipulation in the promotional images for its store-brand makeup and will require all other companies to follow suit by 2020. Companies that continue to use manipulated imagery will have their adverts labeled by CVS to help customers understand that the photograph has been altered.
