You want Hollywood-grade shots but you don't have the money? The bad news is most of the time you can't do anything about this. The good news is there are cases when with the help of some VFX you can go a long way, as in this case. This video will help you recreate that orange desert look from "Blade Runner 2049."
Articles written by Tihomir Lazarov
Understanding the internal light meter of my camera is one of the best skills I've ever learned. It helps me to shoot in fully manual mode, so that I rarely look at the back of my camera. Let me tell you how to get a correctly exposed picture from the first click just by using your camera's internal light meter.
Whether you are making a video blog, a wedding video, a documentary, a commercial, a tutorial, a short film, or a feature film, there are times you make a bad one. Here are a few tips that will make sure you are consistent in making a bad video every single time.
Canon's C200 has been on the radar for quite some time as an affordable cinema camera. This review shows if it's really worth buying it because of its advertised key features such as ability to shoot raw footage, dynamic range, build improvements from previous models, and others. The test has been performed by the guys from The Slanted Lens on a sunny day outside in the city. The reviewers mostly shot in Raw Light format although they've got some files in AVCHD, so they could compare the results later.
Whether or not you are a filmmaker, making-of videos will always teach you new things. You can see how scenes have been shot, what cameras have been used, what lights were set up, if visual effects were used or it was a real shot, how the set was designed, and more. In a series of videos we will take a peak behind the scenes of the movie "Blade Runner 2049."
RED made a surprising announcement a few months ago, entering the smartphone market with its Hydrogen phone. What the company didn't reveal then was how its innovative "holographic" display looked. This kept us interested and anticipating what this might be. Now, however, RED lifted the curtain up a little bit more, showing us the concept behind the display.
Recently we wrote the sad news that Lexar was going to close doors. Now we hear that it's going to live. Technically speaking, it will be the same brand name, but resurrected with another heart. Will that heartbeat manage to keep the company running at top speeds?
I'm not a strong supporter of business cards nowadays. It's not because they don't do any good, but because most people are throwing them in the trash bin without even visiting your website and seeing what you do. Despite of that it's good to have some in your pocket. Here is my solution to using a special type of business cards that your potential clients may not throw away.
Do you have images or films that are sitting on your file servers and nobody, except for your team and the client, knows you did them? Even if you don't, you will eventually have a few some day. How would you handle such requests to not publish images and can you take any advantage of that?
You don't have a dolly, a steadicam stabilization system, or a gimbal, but maybe you have a tripod and a camera. It's more than enough, really, but you need a story. That's what this short film, "Incident by a Bank," is all about. The story has been carefully orchestrated and recorded as a single 12-minute long take from a camera on a tripod.
Long takes in films are always impressive because they show a continuous performance of the actors within the scene without any cut. This requires very focused work both from the actors and the people behind the camera. I say "people" because it's not only the camera operator, as you can see in this behind the scenes from the movie "Atonement." It shows how they achieved a spectacular five minute long take that involved hundreds of people, horses (even dead ones), and an abundance of historical props. I thought it was all shot by a steadicam operator walking with the actors but I was surprised that it wasn't that easy.
When I first started in filmmaking, I didn't want anyone in the world to know how I made my first video because I knew filmmakers usually have expensive tools and expensive software. At that time I didn't have either but I made that video anyway. Today I'm going to share the details with you.
You may have just started your journey in photography or you have been on the market for quite some time, and you still wonder if your website has more to do with getting more clients than you might think. The answer is yes, but only to some extent. Let me tell you what I thought was important for my website and what I think is important today.
Fight stunts are not something that I'm into when shooting video, but I'm always curious how the pros do them. In this video the stunt coordinator of the "Atomic Blonde" movie, Sam Hargrave, breaks down how the fight moves were choreographed. Not only that, but being a second unit director, he also gives insight of how they shot and cut the footage from these scenes.
Full-frame cameras are superior to the crop sensor ones. There's no doubt. Most of the professional photographers out there are making a living with full-frame bodies and thus those cameras are considered professional. What if you shoot with smaller sensor cameras? Let me share my own story.