Ron Jaffe is the stills photographer for a multitude of popular television shows, and occasionally, he’s asked to recreate images that could have been taken decades ago. I asked him what process he goes through to take us back to pre-war USA.
Photographers and people love bokeh. There are several discussions on how to achieve creamy bokeh backgrounds in your shot and even recommended lenses to achieve this look. Many will tell you to get an 85mm lens or lenses with a longer focal length, but what do you do when you want to incorporate more environment into the shot?
If you think of a task like changing the color of an object, you probably automatically default to using Photoshop to accomplish it. It turns out that with a little ingenuity, however, Lightroom can handle it quite easily, as this great tutorial will show you how to do.
Some Lightroom panels and sliders can make drastic shifts in the look of your images, while others provide more subtle nudges that can give your photo that final touch. This great tutorial will take you through the ins and outs of the Details panel in Lightroom.
Moiré is that really annoying thing that happens when fine patterns seem to produce a rainbow (frequently purple and green) of bizarre colors that clearly don't belong to the actual object. This video will show you how to quickly and easily deal with it using Lightroom.
One of my favorite features in Lightroom for local adjustments is the Auto Mask feature, which can save a ton of time when used in the right situations. This great trick will show you how to get way more mileage out of it to save even more time in your edits.
Creating drama with your edits can be challenging, especially if you are short on time and don’t have the resources to sit in Photoshop all day editing a single photo. Using this technique has simplified my workflow and enabled me to make images stand out with very little effort.
It is nearly impossible to take a photo in some locations without people or cars disrupting the image. Of course you can edit out these objects, but did you know that Photoshop has a tool that does this automatically?
No matter the sneaky techniques you use to get around it, sometimes eyeglass reflections are just impossible to avoid when photographing people. It’s always best practice to have the client remove the glasses for a single shot so that you have some bare eyes to work with in Photoshop, but for times when this is just not possible or you simply forget to take that extra step, this video will guide you through some great ways to fix that glare, without a ton of cloning or eye-swapping.
There are a lot of times when you might want to change the color of something in an image, whether it's clothing, the sky, or something else. This great tutorial will show you how to do just that using only Lightroom.
The character of your portraits is conveyed by many different elements, but a crucial one is the eyes of your subject. In this short tutorial, I’ll show you how to make eyes pop without making them look fake.
One of my recent articles was on how developing a niche can help you make more money from photography. I received a lot of emails and questions over the next week and a strand that run through almost all of the contact was about making the transition to full-time professional. I was pleased with the interest in this question, but I wasn't overly surprised as I tackled the very same issue for several years. There's no exact formula, but there are some important tips I can give. Sadly, most of these I learned along the way, but hopefully some readers can use this to make that leap to professional feel more like a hop.
There is such a variety of plugins these days it is hard to know which ones are the most useful. Each user will find ones that work better for their own needs, however, these few choices here are perfect for everyone using Lightroom at any capacity.
Over the past few years and into the future, our Photo of the Day feature continues to be a cornerstone of Fstoppers. Featured on the front page as well as being published out over our Twitter and Instagram accounts, Photo of the Day’s goal is to give enthusiastic attention to the creative talent found throughout the Fstoppers Community. Fstoppers has the greatest readers and we love showing off the incredible work you create. If you are interested in having your photo featured as PotD, here are some guidelines to keep in mind for how they are selected.
I have always wanted to shoot editorial work. Getting my work in print has always been my number one goal. In my opinion, it is the mark of having "made it" as a photographer. The problem was that I never knew how to get my work in front of the right people to even be considered for an assignment. I had read articles in industry photo magazines about how to make brilliant and eye-catching marketing materials to nab that client that you are after.
Dustin Chew has not created any lists.
![Recreating 1930s Photography on a Television Set [NSFW]](https://cdn.fstoppers.com/styles/med-16-9/s3/lead/2018/06/ron-jaffe-gun-1930s-lighting.jpg)
