For both artistic and commercial work, a mid-range zoom is virtually an essential piece of kit. Sony’s 20-70mm f/4 puts a new spin on the traditional mid-range formula, but is it really that good? In this review, I look back on the last year of using this lens and consider whether it truly has a place in the E-mount ecosystem.
Recently, Godox launched the V1Pro, an upgrade to the popular V1 flash. But with the V1 already at the top of the pack, was there much to improve? In this review, I’ll be comparing the Godox V1 and V1Pro to determine which you should consider adding to your flash photography kit.
The Godox X3 is a premium flash trigger, with a crystal clear OLED touchscreen and minimalist design. But does this trigger have the brains to match the beauty? In this review, I'll test the X3 versus Godox's previous flagship trigger and help you figure out which option is best for your flash kit.
Looking for a gimbal that's capable of stabilizing your mirrorless camera, phone, or action camera, all without taking up too much space in your bag? Zhiyun's newly announced Crane-M2 S brings the unique features of the larger M3, including a fill light, USB-C fast charge, and a built-in display, to the more compact form-factor of the Crane-M2. Want to see what makes this gimbal such a powerhouse?
DJI’s Mavic 3 is an amazing drone, but DJI’s pricing for their filters isn’t so amazing. Fortunately, companies like PGYTECH have made a range of filters compatible with the Mavic 3’s unique mount and camera setup. Are they worth pairing with the high-performance camera the drone is equipped with? I put PGYTECH’s Mavic 3 filter series to the test in this review.
While it’s always fun to window-shop $14,000 lenses, the best value for the dollar can be had from some simple $30 or less accessories. Over the last year, I’ve found 4 pieces of gear that have earned a permanent place in my bag — here are my favorite cheap and functional accessories that can all fulfill a variety of roles.
If you’re into astrophotography, a drone typically isn’t your camera of choice. That’s why I was surprised to see Haida’s release of a light-pollution reducing filter for the new Mavic 3, which they’re calling the NanoPro Clear-Night Filter. Does this filter change the experience of shooting with a drone at night?
The L-bracket is a pretty simple idea: have a way of mounting your camera vertically or horizontally to the tripod. Between that simple idea and the actual product, however, is a big difference in execution. I recently tried out Smallrig’s L-bracket for the Nikon Z6 and Z7 series, and I was really impressed by how it elevates that fundamental concept to accessory perfection.
The reviews on Intel’s 12th Gen Core desktop processors, named Alder Lake, have all come in, and the results are surprising. Whether you’re looking to upgrade your computer or just want to stay up to date on tech trends, you’ve got to see how these chips performed.
Nikon’s recent lens announcement, the Z 28-75 f/2.8, came as a bit of surprise. Notably absent from the roadmap, with few rumors or speculation in the run-up to its appearance, this lens is an odd duck in more ways than one. Is this a promising development for the Z system or a missed opportunity?
Lightroom was one of the first serious photo-editing tools I used when I was getting started with photography, and it’s still a mainstay of my editing workflow. Whether you’re new to Lightroom or a veteran user, there are several unique considerations of the software: some are quirks of the program, while others are more recent changes that can impact your established workflow.
If you’re into macro photography, you might be wondering why so many macro lenses emphasize a wide aperture; f/2.8 is nice to have, but when focused down to 1:1, it’ll leave you with no depth of field. From my point of view, Venus Optics seems to have had the same thought. They built a macro lens with a spec sheet that’s focused on delivering macro results. Is this the new best option for macro photographers?
Just about every important image I publish or send to a client passes through Photoshop. It’s an essential part of my workflow, and if you’re like most photographers, I’m sure it’s a part of yours. There are, however, a number of cases where I’ve just found a significantly better tool for the job, one that’s worth paying for. Want to see why you should consider snagging these programs that beat Photoshop at their own game?
Zhiyun is no stranger to interesting camera stabilization options, with past products featuring innovative designs that put a twist on the traditional “stabilized stick” form factor of gimbals. Their latest launch, the Crane-M3, brings a number of firsts to the Crane lineup and just might reinvent how content creators approach rigging up a video setup.
Whether you’re shooting macro subjects like jewelry and flowers or landscapes on the latest high-resolution bodies, controlling depth of field can be essential. Focus stacking, where you combine multiple exposures at different focus points, can completely change the game when it comes to tricky depth of field situations. When you don’t have to worry about stopping down or picking what’s in focus, you can be even more creative. Fortunately, it’s easier than ever to properly focus stack. Check out this guide to the best field and post-production practices.
Announced back in June, Nikon’s first macro lenses for the Z mount appeared to be typical successors to their F mount predecessors, covering 50mm and 100mm focal lengths. The Z 105mm, as before, is a more premium choice, offering a few more features and a more choice designation. I’ve finally gotten my hands on one, and after some thorough testing, I’m ready to share my thoughts on this recent entry to the Z lineup. Whether you’re a macro specialist or Z photographer, you’ll want to check out this review.
The season of red, orange, and yellow leaves is just about here. Whether you’ve already gone out and taken some photos or are just about to, it can be really helpful to keep a few key concepts in mind. In this guide, we'll be taking a look at what to do when you’re behind the camera, as well as in front of the monitor editing those shots.
While there are dozens of options for filters, covering different effects, sizes, and manufacturers, I’ve found that I only need a few key filters for a landscape shoot. I like to use neutral density filters and circular polarizers, both of which are impactful and less easy to replicate in software. Haida’s NanoPro line has delivered great results in my past experience — can their magnetic filter line deliver the same quality?
Whether you’re using your iPhone or regular camera, shooting through windows and transparent surfaces can be one of the trickiest situations you’ll encounter. With just a few simple tricks, you can greatly improve the results next time you try photographing through a window.
If you’re looking to get into macro photography, the first party lens options can seem too expensive for a lens with a more niche use, particularly on the latest Z and R mounts. Laowa, however, has a very promising 100mm lens that even exceeds those other 100mm options in one notable way. hould it be the lens you choose when shooting up close?
