Articles written by Michelle VanTine

Judging by my title, you'll be shocked to know that I have always been a Canon loyalist. From learning with the Canon A-1 inherited from my grandmother in 1999, to the latest mirrorless models, I have been a devoted customer and an advocate of the brand for over two decades. That is, until the Canon EOS R5. The Canon R5 is where my bond to the brand was systematically dismantled as the hardware itself did.

When was the last time you fulfilled a print order? When I think of print sales, I envision awkwardly contrived meetings where proofs have been held hostage and finally revealed as leverage, using the client's emotions to maximize profits. I know in-person sales is an effective strategy, and photographers bankroll this method frequently. However, for the majority of photographers who don't want to take that approach, providing an online client photo gallery and a few simple suggestions can help you maximize your profits without the pressure of in-person-sales tactics.

Have you ever walked by a beauty image on the shelf at ULTA or scrolled by a brilliant shot on Instagram and thought: “I want to make images like that”? Or perhaps you are a photographer who saw a picture and thought: “I could have shot that better!” You have the skills, but you don’t know how to break into the commercial market. In this article, I’ll share about how to break into the market and disclose tips and tricks to succeed in the commercial photography space.

Tim Tadder is widely revered as a bold and visionary photography icon. With numerous accolades to his name and a client list ranging from Amazon to Nike, he is recognized as a leader in advertising photography and beyond. Since late January, though, he has turned into a highly controversial artist in the industry with his work in AI. I sat down to chat with him about the polarizing pieces he has been creating.

We all know Mark Mann from the close-up, soul-bearing portraits of what feels like every celebrity, public figure, and president in current times. Prolific seems a fitting word that should be permanently grafted to any discussion of the artist’s work. Today, however, we are getting to know Mark Mann in a way that you never have.

Once upon a time, Sigma was a brand thought of by many as the compromise lens if you couldn't afford the household names. Times have changed, though, and Sigma has gone beyond offering competitive lenses to making remarkable lenses and even some notable industry firsts. Being a photographer who works heavily in product work, I decided to put the Sigma 70mm f/2.8 DG Macro Art lens in a shoot-off against the Canon EF 100mm f/2.8L Macro, and the results were... well, read on and find out for yourself!

Have you ever seen the camera pan across the photographers during the World Cup and wondered: "How did they get that job? What is that lens they're shooting with?" Well, Fstoppers, I have all the answers for you. I had the privilege to chat with Ammar Hassan, who covered not one, but four World Cup championships, and he was gracious to tell us all about what it's like to photograph the world's most watched sporting event.

It's a mystery how this little one-inch wonder remained unknown to me for so long. I finally discovered it when — bemoaning my fate to spend over two thousand on a Canon tilt-shift macro — a colleague suggested trying an extension tube.

Have you ever seen images and wondered how they create an editorial look that you just can't seem to recreate? It's clean, it's crisp, it may be edgy or sleek... you can't quite put your finger on it, but whatever "it" is, you want it for your work. Here are a few tips, from composition to post-production, that will upgrade your images and give you a more professional look.