Articles written by Darren J. Spoonley

Landscape photography often carries a widespread myth—the belief that bad light equals bad photos. Many photographers, especially those starting out, follow the conventional wisdom that only certain times of day, particularly golden hour, produce the best images. This belief has been perpetuated by social media, tutorials, and even some photography experts. But here’s the truth: the myth of “bad light” is limiting, and it’s holding you back from expanding your creative potential.

I’ve spent some time testing the Reolink Go PT Ultra to see if it’s a viable option for use as a remote wildlife camera, particularly in woodland areas. With 4K video, pan/tilt control, and 4G connectivity, it looked promising on paper. In practice, the footage quality is superb, but the battery performance in real-world conditions—especially shaded woodland—is a significant limiting factor.

In landscape photography, inspiration can come from many sources. Over the years, I’ve found that studying the work of other photographers—whether through social media, books, or in-person interactions—has been invaluable in refining my own style. But rather than passively consuming images, I approach them critically, dissecting what makes an image stand out and how I can apply similar principles in my own way.

Seascape photography isn’t just about showing up at the right location with good light—it’s about knowing exactly when to press the shutter. Capturing the ocean in a way that feels dynamic and intentional isn’t just about where you stand—it’s about when you click the shutter and how long you leave it open.

As a landscape photographer, I've often found that some of my most valuable lessons come from moments of failure. Over the years, I’ve encountered countless setbacks—blurry images, blown highlights, and misjudged lighting conditions. While these moments can be frustrating, they’ve ultimately shaped my skills and perspective.

Giving away a book for free might seem like a strange decision. After all, writing a book takes months of work—planning, researching, writing, editing, and refining. Then there’s the effort that goes into designing the layout, selecting images, and making sure the final product is something worth reading. So why give it away when I could sell it?

As a landscape photographer based in Ireland, I've come to realize that capturing a compelling image is about more than just pointing a camera at a beautiful scene. It's about understanding the subtle nuances of light, atmosphere, and the rhythms of our natural world. It’s about feeling the crispness of the air in autumn or the gentle warmth of a summer evening.

Sigma has continued to enhance its reputation for crafting high-quality, affordable optics, and its new RF-mount lenses—the 30mm f/1.4 DC DN Contemporary and 56mm f/1.4 DC DN Contemporary—are no exception. Designed with APS-C sensors in mind, these lenses aim to provide a balance of portability, performance, and cost-efficiency, making them highly appealing to enthusiasts and professionals alike. Here’s a closer look at what makes these lenses stand out, their practical performance, and their specific pros and cons.

As photographers, the importance of reliable eyewear goes beyond simple aesthetics or sun protection. Spending countless hours in varied lighting conditions—from the harsh midday sun to the subdued glow of dawn or dusk—requires sunglasses that offer both comfort and performance. Adidas sunglasses provide a mix of practical features and thoughtful design, making them a useful tool for us photographers who depend on clear vision and reliable gear.