Being a photographer with a “real” camera always carries risk. People well within their rights to photograph in public are harassed online all the time. I’d argue, though, that being a brown person in the United States adds an extra layer of risk that other photographers don’t face, namely fears that you’re a terrorist taking photographs to plan for a future attack.
When I’m working with new photographers, something I’ve noticed is how carefully they store their DSLRs by removing the lens, placing caps and covers on everything, and gingerly ensconcing their entire setup into a branded bag. Sometimes they’ll even remove the battery and SD card, too. I can’t remember the last time I’ve stored cameras this way.
For years I’ve been rocking the same DSLR bodies as my main cameras — a Nikon D750 and a D700. They’ve never been wanting for anything I shoot. But recently I had the occasion to spend some time with the Canon EOS R and I discovered the one major advancement I’ve been missing out on as a DSLR shooter: Eye-Detection AF.
If you store your videos and photos in the cloud, or at least in Google’s version of the cloud, you may want to think twice about that. A recent privacy breach may have sent your videos to the wrong person.
Like many 30-somethings, I came of age during a time when photography was transitioning from film to pixels. Entire years of my life were captured with early consumer and professional-grade digital cameras, and now I’m left feeling like that was a big mistake.
While some 360 cameras such as the Insta360 One X and GoPro Max 360 have become household names in the budding immersive photo/video market, there are plenty out there to choose from, most though from brands you’ve never heard of. YouTuber Ben Claremont cuts through the noise and takes a look at what some of the best options are in early 2020.
Whether you're a new photographer looking to create some interesting photos on a budget or an experienced shooter that's looking for a little out-of-the-box thinking for your photography, there are many ways to use household objects to spice up a shoot.
While DSLRs seem to be losing ground to mirrorless cameras as the years go on, they are still the go-to tools of many photographers because they are often the best for the job. The recent spate of announcements from Nikon and Canon make it clear: It’s probably the best time ever to buy a DSLR.
It’s no secret that the photography industry is struggling right now. People are taking more photos than ever, but not on actual cameras. That’s where the photography community can step in and change things by adopting this new year’s resolution: introduce a loved one to photography this year.
I’ve always known about Google’s Night Sight mode on Pixel phones as a method to take pictures in near darkness, but it seemed somewhat overkill in daylight. As it turns out, it can actually push your pictures to DSLR-like levels of detail and sharpness if you use it right.
There are a plethora of 360 cameras that can do a fine job creating immersive content for under $500. But when you need to move from “do a fine job” to “do a really awesome job,” there you’ll find the Insta360 Pro 2, waiting for you.
I’ve been exploring alternative workflows to Adobe Photoshop ever since the company forced a subscription model on its users several years ago. For all its bugginess and performance problems, I keep coming back to it, because it still spits out the highest quality images for my purposes. But some of the competition is nipping at its heels.
In 2019, it’s almost unthinkable not to be shooting 4K video, even if it’s not the final resolution of the video you’re delivering to a client. While I’ve made 4K editing work on something even as lowly as a 2013 Macbook Air, chances are, you’ll want a little more horsepower than that. Here’s a video that has you covered on building your own budget 4K editing PC.
It must have seemed like a gift from the business gods when Google didn't include a wide angle lens on its Pixel 4 series. It meant that third-party phone lens manufacturers such as Moment could sell a boatload of their own take on this specialty lens to new Pixel owners jealous of the iPhone's new third lens.
It’s Black Friday, and while many times, that means camera companies just printing their regular prices in large, black type and calling it a sale, here’s one that’s a legit screamin’ deal: The Nikon D750 is now on sale for $997.
There’s no question that the New York Times photo of American diplomats William Taylor and George Kent, where they detailed their uncomfortable and suspect dealings with President Donald Trump’s handling of a phone call with the president of Ukraine, is going to be one of the iconic ones of our time. There’s also no question about who overwhelmingly seems to dominate the photojournalism field based on this photo: white men.
There’s been a lot of deserved praise heaped on the Google Pixel 3 and 3a series of smartphone cameras. But since those smartphone photography juggernauts came out, the landscape has shifted a bit. Does that mean that Google is still on top?
The Canon EOS R gained Sony-like AI Servo Eye AF with a firmware update earlier in the year, and now, photographer Manny Ortiz takes a look at how it performs. The short answer is that it’s definitely way better, and he says as much, but the real reason to watch the video is to see Ortiz in action on a portrait shoot. It’s fascinating.
I’ve been impressed with the computational imaging I’ve seen with the Google Pixel’s “Night Sight” mode. I’ve also been scared, because there are times where the images that it captures have no correlation with reality, and therein lies the danger of this emerging technology in smartphones.
In the course of being a visual journalism educator, I’ve come to realize that while here at Fstoppers my colleagues and readers might be attuned to 360 cameras and imaging, by and large most of the viewing public is not, but perhaps it's time they should be.
