Going Back to a DSLR for Sports Photography for a Day
In 2019, I wrote about how I would never quit full-frame DSLRs. Back then, I complained about mirrorless cameras for wonky bodies and mediocre autofocus. Today, I’m eating crow.
In 2019, I wrote about how I would never quit full-frame DSLRs. Back then, I complained about mirrorless cameras for wonky bodies and mediocre autofocus. Today, I’m eating crow.
It's been a few days since a swath of the United States was engulfed by the solar eclipse. Internet traffic dropped drastically as everyone turned their (protected) eyes to the sky. And of course, photographers feverishly figured out how to photograph the dang thing without properly preparing. Well, most of us, anyway.
When I was a young photo student studying in college, my professor gave us a scavenger hunt for photography of sorts. One of the categories was "shoot from the hip." I thought it was strange, but in hindsight, it was prescient advice.
As a photojournalism professor, one of the questions I get asked most by beginning photographers is, "What camera should I buy?" As if there's a single, definitive answer to that. The answer I always give is: What do you want to do? There's a camera out there for everyone, and here's a guide for what to look for when you're starting out.
Sometimes, photographers like to make things harder for themselves for no good reason. Whether it's shooting film in 2024, or pretending to shoot film in 2024, sometimes the exercise itself is part of the fun.
The battle in the video editing world has historically been between Apple's Final Cut Pro X and Adobe's Premiere. The two companies have leapfrogged each other for years when it comes to the war for video editors' hearts. But in 2024, there are a lot more wallet-friendly (read: free) options out there, and two of those duking it out right now are CapCut and DaVinci Resolve. But which one is worth giving a shot?
Too often it's easy to overlook the beauty of natural light instead of controlling that most important photography variable. But in the words of YouTuber and photographer Tung Bui, "Natural light portraits shouldn't be a challenge ... they should be enjoyable."
I’ve heard many a photographer scoff at using lighting equipment for portraits, labeling themselves a “natural light photographer.”
Whether you're shooting groups of people or groups of birds, making sure you nail that depth of field just right to get all your subjects in focus can be challenging.
Oftentimes, film photographers cite the slower, more considered pace and style of shooting film as one of the biggest reasons to shoot it. While that may be the case, it's a limitation that you can bring to the digital world with little lost in the process.
I'm a bit of a neat freak when it comes to my gear. Anyone who has bought any of my used gear has usually told me it looks like new, save for maybe by the tripod mount, which I usually attach a plate to while I'm camped out by lighthouses.
There was an interaction I had at the bagel store on Martin Luther King Day, when I went to photograph a pro-Palestine rally in New York City, that most accurately captures my often conflicted view about what’s happening these days in front of my lens as a photojournalist.
While some New Year's resolutions focus on hitting the gym or changing up a bad habit, for photographers, it's often about learning something new in the world of photography. If you're listening to art photographer and educator Scott French, one of those things to learn might be how to find your own style.
I'm envious of the fortunate people who live near Maine's beautiful landscapes. This proximity provides numerous opportunities to capture the perfect shot of some of my favorite lighthouses. But what happens when you make the trek and the skies simply don't want to cooperate?
360 cameras have become jacks of all trades, but there’s a specific reason that photojournalists might want to consider carrying one in the field: to replace a wide angle lens.
I’m always trying to connect with my kids through shared interests. Video games have been an easy one. Mani-pedis, not so much. They’re at the age now where I can make an honest go at real photography, though.
Kandao made quite a splash with the QooCam 3 earlier this year, undercutting its nearest competition by quite a few dollars to make a very good case on value versus performance. Kandao just announced that camera's bigger brother, the QooCam 3 Ultra, and it looks to take the same formula and amp it up.
Perhaps spending $100 on gifts for your photographer friends was a bit much. It's OK. We've got you. Or rather, UK-based photographer and YouTuber, Jay Ducker, has got you. Here are a few useful tools for under $30 (with one exception).
I have been a longtime user of the iMac, indoctrinated into the Bondi Blue clan since late high school. I've owned a 27" 2009 model, and a 27" 2013 one. But there's no longer a clear, linear upgrade path for longtime users of the big iMac.
As the holiday season approaches, you're going to see some fire-sale prices on previous gen hardware. One of these that's probably on the mind of a lot of Canon shooters is the EOS R6, as it's going to be a lot cheaper than its newer sibling, the EOS R6 Mark II. Is it worth saving the money?