DSLR cameras with a focus on video don't get enough respect. Often regarded as a less-than-serious tool by professionals, and perhaps too complicated for photographers, they occupy an interesting but important middle-ground for content creators. So which brand is doing this genre right?
Sony's a bit of a niche player in the smartphone market, but with their latest offering, they seem to have managed the impossible, which is cramming a 1-inch sensor into a very thin cell phone.
I've been pretty keen on the Insta360 GO 2 for a while now, and now the company has given users a reason to be twice as keen about the camera, with a new 64GB version that doubles the memory of the original.
Nikon India accidentally posted the release video for the Nikon Z 9 flagship just a bit early, and while they were quick to remove it, photographer and YouTuber Tony Northrup was able to get his hands on it and do a deep dive into the uphill battle against Sony and Canon that the camera will face.
It's the holy war of the photography world: Mirrorless versus DSLR. It's also, these days, a largely irrelevant question, as both technologies are pretty far along and end up doing about the same thing. Photographer David Bergman takes a look at a reader question and offers his thoughts on what's better.
It looked like 2021 was going to be somewhat of a dry year for virtual reality content creators, and then out of nowhere, Canon drops the RF 5.2mm f/2.8 L Dual Fisheye lens aimed squarely at creators of 180 VR content. It's now possible to more easily shoot this kind of content in 8K, but beyond that, what other new features does it bring to the table? Expert VR content creator Hugh Hou explains.
On the surface, it doesn’t look like Insta360’s latest entry in the GO lineup is all that different from its previous model. Looks, in this case, are very, very deceiving. The Insta360 GO 2 fixes every issue with its predecessor and in the process, has become a versatile and eminently usable camera in its own right.
One of the first lighting techniques I learned in graduate school was Paramount lighting. It's an easy way to come up with consistently solid portraits of almost anyone. Here's a quick tutorial from Adorama and fashion photographer Lindsey Adler on how to get that just right.
In the mid-2000s, compact cameras were all the rage. Everybody had one, and they were all pretty much the same — small sensors and lackluster features. I’ve lost count of how many Canon PowerShot ELPH cameras I’ve owned that fit this mold.
In the world of drone photography, it’s hard to remember that there are players in the market that aren’t DJI. But maybe you are in the mood for something different. Maybe you’re just starting out. It might be worth it, in that case, to check out a few other options.
There's a feature with flashes that if you're in the know, is a lifesaver. High speed sync is something that allows you to shoot beyond what's considered the maximum sync speed of your camera, and to shoot wide open with flash in bright light, it's often a necessity to balance the exposure.
As a photojournalist, I often have subconscious blocks against excessive editing that seep even into other genres of photography. That’s why I often try my hand at toy photography when I want to flex my editing muscles.
Photography is about growth, and there are many times I wish that I could tell my younger self a few things about photography. While I'd start out by saying "You're not as good as you think you are," there are a few more practical tips in this video from Gear Focus.
The Micro Four Thirds system isn’t my go-to system for night sky or astrophotography, but if it’s yours, you can do far worse than photographing that sky with the Venus Optics Laowa 7.5mm f/2 lens for Micro Four Thirds.
The year’s been pretty quiet for 360 cameras, which is why the launch of the Kandao Obsidian Pro, a 12K 360 camera made up of 8 APS-C sized sensors, is pretty much an extinction-level event this year as far as 360 cameras are concerned. The specs put it easily above other all-in-one 360 solutions, but how does it stack up in the real world?
Photojournalism is ostensibly about capturing the world as we see it, as close to reality as we saw it. That reality often includes color, and the question is: does black and white photography have a place in modern photojournalism?
I have always appreciated the photo road trip. While there’s always a little bit of photo in every trip I take with family and friends, nothing beats time spent on the road in the middle of nowhere, with no one else but your camera and the scenery dictating what to shoot.
I’ve been a longtime Panasonic Lumix shooter, and while even though it may seem like Micro Four Thirds may be a standard that’s in its twilight, there are still a lot of good deals to be had for filmmakers on a budget: Witness the Panasonic Lumix G85.
Capturing the world in 360 has been a thing for years. While companies such as Ricoh and Insta360 have made the process far easier than the days of specialized tripod heads and sophisticated software, it’s still not an easily understood process or format. Vecnos aims to change that with its new IQUI 360 camera.
There are so many places I’ve wanted to fly a drone, but it’s just not possible what with all those pesky FAA regulations, permit requirements, insurance, and all. But filmmaker Karen X proves that you don’t always need a drone to get a drone-like shot. You just need some creativity.
