While I personally enjoy eating my food, there are times where that food is worth a photo as much as a bite. That said, if it’s a field you are looking to get into, there’s a right way and a wrong way to go about it.
The internet is a strange and wonderful place. While there are a lot of tutorials about how to become a better photographer or what piece of gear is better than the other, sometimes, you just need to have a little fun.
There’s no shortage of lenses to choose from when it comes to the Micro Four Thirds mount, and so, for one to stand out, it’s got to offer something special. The Venus Optics Laowa 50mm f/2.8 Ultra Macro APO is a lens that just happens to have a few tricks up its sleeve to make a case for itself, namely 2:1 magnification for macro photography and the computer chips to make it play nice with Micro Four Thirds cameras.
When the pandemic started, as a professor I had a plan to record all of my lectures in a professional-style studio setup with proper mics, lighting, background, etc. While it was mostly kids and life that got in the way of doing it that way, a huge factor was also the complexity of setting up all the necessary equipment to make it happen.
Years ago, I taught a workshop on editing video for scientists. We primarily taught the shooting part of things with an iPhone and the editing part with iPads and iMovie because it would be easier to learn, not because they were particularly good tools. My how things have changed now that the new M1 iPad Pro is out.
When Canon launched the RF mount with the EOS R, your choices were limited to that one camera if you wanted to buy into Canon's stellar new lens system. While it's a bit long in the tooth, it's definitely still a viable camera, and possibly the best camera to get if you're starting out in the system.
If you're in the market for a new mirrorless camera, there are a plethora of options, and most of those options are broken down right here in this handy video from Engadget.
The floodgates for artificial intelligence’s interference (or improvements, depending on your point of view) in digital photography have opened up since Apple and Google made it mainstream, with advancements such as Portrait Mode and Night Sight. Adobe took it another direction when it added an A.I.-powered “enhance” feature that enabled the enlarging of photos beyond what’s naturally possible. But is this making photography less real than it should be?
The new iMac is here, and of course, it’s sporting the fancy new M1 processor that’s inside everything Apple these days. That’s great news all around, but I have a feeling that Apple’s got something even bigger up its sleeve for the real creative set.
With a global pandemic precluding many from physically visiting places, you’d think that 360 cameras would move beyond niche status into the mainstream, as the immersive aspect can somewhat create an effect of being somewhere in-person. While that hasn’t really happened, maybe capturing those spaces in 12K 360 video will change that. At least that’s what Kandao is hoping for its new Obsidian Pro 360 camera.
While a $20 Best Buy tripod might seem like a good value, that’s not the case when in just a few short years you have to buy 6 of them because they keep breaking on you. I know from experience. After missing enough shots because my tripods kept breaking, I broke down and bought a professional tripod and haven’t looked back since.
Here’s an interesting thought exercise: Given the same amount of money, is it better to buy a low-end new camera, or a high-end old camera?
When I first wrote about using mirrorless cameras for journalism in 2014, the Sony Alpha series had just been launched a few months before in 2013. Panasonic was just hitting its stride with the GH series of cameras and Fuji had just really started kicking off its X-Series cameras. Things have certainly changed.
Hasselblad has had a storied history in the camera business. Even today, they’re making some impressive cameras, such as the medium-format X1D II.
As the discourse around Black Lives Matter and police reform grows ever coarser, racism is revealing itself through protests in all small corners of the country. And that means communities unfamiliar with the role of photojournalists are encountering firsthand the consequences of exercising free speech to spew hate in public spaces.
Though my current Mac lineup has been more than adequate for heavy-duty photo work, I’d be lying if I haven’t given an M1 mac a look or seven.
It's the battle of the best of the best from two titans of the photography industry. No, I'm not talking about Sony versus Canon. I'm talking about the Canon EOS R5 versus an iPhone 12 Pro Max, and the results are surprising, to say the least.
Times have really changed for 360 shooters. When the cameras first came out, there was no ecosystem of products to make shooting easier. In 2021, that's definitely not the case, and YouTuber and 360 shooter Ben Claremont looks at some of the gear that will make life in 360 a little bit easier.
While the Canon EOS R5 and the Sony Alpha 1 may represent different classes of cameras in their respective company hierarchies, there's a lot more that's similar about the two than initially meets the eye. It's with that in mind that Tony and Chelsea Northrup put the two cameras through the gauntlet to see how they compare on the big stuff.
As a photography and video educator, I’ve advised people to “zoom with their feet” more times than I can count. On its surface, it makes sense. But photographer Matt Granger gives us a few reasons why that’s not necessarily the best advice in his latest YouTube video.
