A reliable 35mm lens can elevate your work significantly, especially when you shoot environmental portraits, travel images, or video. A lens like the Canon RF 35mm f/1.4 L VCM might promise top-tier results, but does it truly deliver enough to justify its price?
Coming to you from James Reader, this practical video covers real-world use and performance of Canon’s RF 35mm f/1.4 L VCM lens. At a beautiful location in the Italian Dolomites, Reader demonstrates how the f/1.4 aperture offers subtle depth and clarity, helping your subjects stand out naturally against backgrounds. Reader appreciates the lens’ exceptional color reproduction, emphasizing its neutrality compared to warmer or cooler primes in Canon’s lineup. However, the lens also reveals some imperfections, notably its heavy reliance on digital corrections to manage distortion and vignetting.
Reader then provides a direct comparison to the cheaper Canon RF 35mm f/1.8 lens. Interestingly, while the pricier f/1.4 lens does yield sharper results and smoother backgrounds, the improvement might not be as dramatic as you’d expect, hinting that the f/1.8 is already a robust performer. Reader notes the 35mm f/1.4 delivers remarkable center sharpness even wide open, and edge-to-edge clarity emerges impressively by f/2.0, suggesting strong suitability for studio photography as well.
Key Specs
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Focal Length: 35mm
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Aperture: f/1.4 to f/16
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Angle of View: 63°
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Minimum Focus Distance: 11.02 inches
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Magnification: 0.18x
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Optical Design: 14 elements in 11 groups
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Aperture Blades: 11, rounded
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Autofocus with VCM motor
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Image Stabilization: No
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Filter Size: 67mm
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Dimensions: 3 x 3.9 inches
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Weight: 1.2 pounds (555 grams)
Travel photographers will appreciate the lightweight, compact design of the lens. Reader highlights how it pairs effortlessly with Canon full frame bodies, comfortably fitting into smaller camera bags. Its versatility makes it effective not only for travel photography but also landscapes and street photography, pushing you creatively through careful composition and layering. Autofocus, driven by Canon’s VCM technology, is swift, silent, and precise, ideal for critical moments like wedding photography or dynamic street scenes.
On the video side, the RF 35mm f/1.4 shines, despite lacking image stabilization. The aperture ring, a first among RF primes, offers quick and smooth exposure adjustments in video mode, adding considerable convenience for filmmakers. Reader particularly values its minimal focus breathing, maintaining smoothness and accuracy in autofocus transitions—essential for professional video capture.
Yet, the lens isn't flawless. Reader openly acknowledges certain compromises, notably prominent flare when shooting backlit scenes and heavy vignette correction required in post-processing. While digital corrections fix most issues effectively, they introduce potential noise in astrophotography, where the lens struggles slightly at frame edges under demanding conditions. Check out the video above for the full rundown from Reader.
1 Comment
There are two camps when it comes to lenses being overly reliant on digital corrections. The compensators / 'who cares 'guys are always saying but we use digital tricks anyway so no big deal. Then you have the people who are used to manufacturers actually trying to make a good lens and being appalled at the charade that is the set of Canon VC lenses.
I come from the second camp. I would never buy one of these lenses because it's a scam.
Of course this is not the only one out there, however is still feels pretty egregious considering the price. Canon is releasing lenses that don't feel the image circle and and not even bothering making optics.
This is a choice that Canon made to rip off their users. And that's not even the pricing, and these lenses don't even have stabilization. They'll be plenty of commenters making all kinds of excuses for the limitations that Canon was beset by... poor poor manufacturer :/
Myself and my other fellow Cannon shooter have both invested in other mounts thanks to B&h deals last week. I opted for L mount and he opted for sony. I love my r5, and the zealots can chant all they want about Canon being the greatest, but I would never invest in products like this.
Again that's just me, everyone gets to choose what they do with their money. I'd rather put that cash into other mounts.