The Fujifilm GFX 100S II: Medium Format Marvel

The Fujifilm GFX 100S II brings significant improvements at a reasonable price point, making it an attractive option for medium format photography enthusiasts. Here's a detailed look at what you can expect.

Coming to you from Dustin Abbott, this detailed video highlights the GFX 100S II's strengths and limitations. With a base ISO of 80, the new sensor improves image quality, especially in dynamic range. The camera also boasts better battery life and enhanced in-body image stabilization, rated at eight stops. The improvements and cost reduction make this camera a compelling choice.

Abbott points out the camera's design and handling features, noting its moderate size and excellent grip material. The GFX 100S II's body size is comparable to a large full-frame camera, making it accessible for many users. The build includes dual UHS-II rated SD card slots, a top-mounted LCD screen, and a tilting rear LCD screen. However, the touch capabilities remain limited, and the autofocus system, although improved, still lags behind competitors in speed and accuracy.

The camera inherits tracking capabilities from the GFX 100 Mark II, but the system can struggle with fast-moving subjects. Abbott found that the camera performed reasonably well with birds in flight but noted occasional issues with initial focus acquisition. The buffer depth is also limited, making it less suitable for action photography.

The video capabilities of the GFX 100S II are not as extensive as those of the GFX 100 Mark II. The maximum video resolution is limited to 4K at 30 frames per second, and while it supports high bit rates and Fuji's F-Log2, it lacks some of the more advanced video features found in other models in the line. Despite these limitations, the camera produces beautiful video footage thanks to its exceptional sensor.

Abbott concludes by emphasizing the outstanding image quality of the 102-megapixel BSI CMOS sensor. The sensor delivers incredible resolution and dynamic range, making it ideal for landscape, architecture, and portrait photography. The camera's ability to produce stunning images with excellent color and detail sets it apart from full frame alternatives. While it may not match full frame cameras in autofocus speed or burst rates, the GFX 100S II offers unparalleled imaging performance for those who prioritize image quality. Check out the video above for the full rundown from Abbott.

Alex Cooke's picture

Alex Cooke is a Cleveland-based portrait, events, and landscape photographer. He holds an M.S. in Applied Mathematics and a doctorate in Music Composition. He is also an avid equestrian.

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1 Comment

But you only need 12 megapixels, right????
Wrong. Higher resolution is better for many genres, not all, but most. Think to the future next time you buy a new or used camera, forget about the past.

Until then shoot with what you've got. Record your loved ones, your life, your interests, and your desires. In forty years you'll realize that YOU are your favorite photographer as all of the most important moments and things to you were captured with your camera, with your eye. Those will be your favorite photos, that body of work will have value to you surpassing all others. For that they all work. Phones, film, 35mm or 8"x10"s, Fujis, Nikons, Sonys or whatever, just shoot !!