Medium format cameras are known for their stunning image quality and large sensors, but they often come with a hefty price and bulky bodies. The new Fujifilm GFX 100S II is trying to change that, offering an impressive balance between high-end features and a more compact, affordable design.
Coming to you from Christopher Frost, this thorough video explores the features and performance of the Fujifilm GFX 100S II. Frost highlights its 102-megapixel medium format sensor, which provides sharp, detailed images with incredible dynamic range. Medium format isn’t just about resolution, though. The 4:3 aspect ratio and smooth background blur give images a distinct look that sets them apart from full frame cameras. While the GFX 100S II borrows much from the pricier GFX 100 Mark II, including advanced autofocus and in-body stabilization, it cuts back on a few features to stay more affordable.
One of the most notable aspects of the GFX 100S II is its size. At 883 grams, it’s lighter than many medium format cameras, making it easier to carry around for longer shoots. However, the lenses are still large, and some might find the overall package a bit cumbersome. The viewfinder, though slightly lower in resolution than the GFX 100 II, still impresses with its sharpness and size. Customization is another strength, with multiple buttons and menus that can be tailored to your workflow. The top screen is also a standout, offering a bright, high-resolution display that provides all the info you need at a glance.
Frost points out that while the camera excels in image quality, there are some trade-offs in video features. If you're into video, you might notice that it only supports 4K at 30 frames per second and 1080p at 60 frames per second, which may not be fast enough for some video projects. Serious videographers looking for 8K or higher frame rates might prefer the more expensive GFX 100 II. Still, for most users, the 4K video quality is more than sufficient, and the in-body stabilization ensures smooth footage even with longer lenses.
Frost also touches on some limitations, like the slower buffer when shooting in high resolution. If you’re shooting uncompressed RAW images, the buffer fills up quickly, and the camera takes a while to clear it. The autofocus system is solid, although Fujifilm still lags behind other brands when it comes to overall speed and stickiness, especially in fast-action scenarios like wildlife or sports photography. Check out the video above for the full rundown from Frost.
