New gear, new techniques, exciting shoots, and financial success are all parts of a fun and successful photographic life. However, it’s equally important to maintain our passion for our art form and continue to feed our creativity in the long term.
So what’s it like to shoot in 12K video? This was just one of the many questions I had which inspired me to take the Blackmagic Design URSA Mini Pro 12K out for a spin and see how it would perform in the real world.
As Nikon shooters worldwide await with bated breath the announcement of the brand’s flagship mirrorless camera, Nikon has dropped a first look preview that gives us a clue as to their priorities.
A random hunch leads to a positive reminder about what gear does and does not offer the creative process.
After the honeymoon period, where we obsess over every new technological innovation the camera market has provided, what matters when we get to set?
A great deal of ink is spilled on these interwebs talking about the latest in photography gear and what you should or should not buy. But photography means more than just technology.
Today, I’d like to have a brief word with all the newbie photographers out there.
Here's a quick look at a few of the less-heralded and far less expensive items in my daily camera kit.
Today, I’d like to discuss a camera that I’ve talked about once before. After my initial glowing review, how has the Canon EOS R5 held up after six months of operation in the real world?
Beware, those with gear acquisition syndrome. Blackmagic Design has just dropped the price of their URSA Mini Pro 12K to $5,995.
This month, I’ve gotten a chance to spend some time shooting with one of Nikon’s two new macro lenses, the NIKKOR Z MC 105mm f/2.8 Macro.
Making a living in an oversaturated marketplace can be a challenge even without a global pandemic present to further shrink the marketplace. It takes a lot of tools, even some unexpected ones, to make it the distance.
Sometimes, to grow as a photographer, you have to take two steps back to go three steps forward.
I got a sneak peek at a pre-production version of the new Nikon Z fc and thought I’d share a handful of thoughts.
An overabundance of junk email this morning reminded me that turning a passion into profit sometimes means returning to one very basic concept.
This week, I got a chance to connect with Blackmagic Design to discuss some best practices when approaching color grading video footage through DaVinci Resolve Studio.
I make a habit of spilling as much ink as possible in this column towards extolling the virtues of making your gear purchases based on business needs rather than emotion. In today’s article, I will do the opposite.
Today, a short story about how forcing yourself to look at art from a different perspective can sometimes help you see the whole picture.
Sometimes, photography, like life itself, can be a dance of one step forward and two steps back. So, allow me to divert from the nuts and bolts of camera gear for a moment to talk about something just as important to sustaining a career.
A short walk leads to a short story about how bigger isn’t always better.
Having spent a long and exhausting, but fruitful and necessary, weekend going about the chore of reorganizing my overly cluttered garage, I found myself with time to think about a basic question. Why exactly did I become a professional photographer?
With more and more amazing lenses being introduced at a dizzying pace, I find myself asking a very basic question: How many lenses do I actually need?
This is another brief story about the possibility of progress over the course of a photography career.
Having now had at least one of the second generation of Nikon Z cameras, either the Z 6II or Z 7II, in my possession for almost a year now, I thought I would share three of my favorite things about the cameras so far.
I often write about the careful process of making sure you get the most bang for your buck when shopping for photo gear. Well, sometimes you just get lucky.
Being a successful artist can sometimes mean being both determined and flexible at the same time. But how can such a duality exist over the course of a career?
After a long day of shooting, thought I would take a moment to write a short piece about one of the most important tools in my kit.
Recently, I got a chance to shoot with the new Nikon Z 50mm f/1.2 S and compare it to its little brother, the 50mm f/1.8 S to see which is the best fit for my camera bag.
In an industry where every day seemingly brings the announcement of a new camera system promising to up your photography game while simultaneously depleting your bank account, it can be hard to know what is really worth the investment. So today, I’ll have a quick look at three areas where I’ve found you almost always get an appropriate level of bang for your buck.
Today, I’d like to discuss one of the most overused and most misunderstood concepts in photography. What exactly makes something a “professional camera”?
Despite being a long-time Nikon shooter and a fan of their latest mirrorless offerings, it’s only fair to keep an eye on what the competition is doing. So, with the right level of begging, I was able to get my hands on the Canon EOS R5 and thought I would offer a few brief thoughts.
So, you’re starting to think that you really want to grow and try something new with your photography, but don’t have the funds for a new camera? Well, there’s a good chance that you can make significant upgrades to your productivity without breaking the bank.
While March might be a bit early for me to already be filling out my holiday wish list for Santa Claus, the recent announcement that Nikon is developing a Z 9 to be released this year already has me in a festive mood.
After a series of articles detailing when and what to buy, today, I’d like to have a look at the other side of that equation.
As an unabashed proponent of the Nikon D850, specifically my own personal D850, as being the greatest DSLR to ever come off the assembly line, the prospect of ever actually trading in my beloved camera for a mirrorless option has always been met with a healthy dose of skepticism. So, today, having had both a Z 7II and a D850 in my possession for a couple of months, I thought I would try to
