Erin Babnik is known internationally as a part of the nature photography team Photo Cascadia. Her work grew from experiences as an art historian and archaeologist, photographing in museums and at archaeological sites throughout Europe and the Middle East. Here she discusses her must-have gear, the value of museums, and when fixing it in post isn't cheating.
Aaron Anderson has built a career shooting for major corporations like Sony, Fujifilm, and Bosch through collaborations fostered on Instagram. Here's how he did it, and how you might too.
Nikon USA Ambassador Audrey Woulard is known for her distinctive lighting style and natural, expressive portraits. Woulard's commercial clients include Pottery Barn and IAMS, and her work has appeared in People, InStyle, and Better Homes & Gardens. Here she holds forth on the best advice she's ever gotten, the importance of steady hands, and how simplicity led to success.
On the developing the skills that enabled him to work with Sony PlayStation, Monster Energy, Husqvarna, Bosch Global, Fujifilm USA, and why you should always spit out your gum before shooting.
Sam Abell has pursued a career in documentary photography, spending 33 years with National Geographic. He concurrently taught and authored numerous books, including The Life of a Photograph, Seeing Gardens, and The Photographic Life. In 2024, Sam received the Lifetime Achievement Award from The Photo Society and was inducted into the International Photography Hall of Fame. Here, he explains why he shoots in an automatic mode, sticks with shorter lenses, and why Dorothea Lange is his North Star.
Lynsey Weatherspoon is a photojournalist and portraitist whose work has been featured in such publications as The New York Times, USA Today, The Wall Street Journal, The Washington Post, Time, and ESPN. A Canon Explorer of Light, she is often called on to capture heritage and history as it happens. Here, she shares why you should buy less stuff, question everything, and always pack a multi-tool.
Tamara Lackey, Nikon USA Ambassador, book author, PBS show host, and philanthropist, has used photography to establish Beautiful Together refuges for children and animals in need in Ethiopia and North Carolina. Here she weighs in on finding your voice, overcoming creative block, and camera bag essentials (don’t forget the candy).
Creating an emotional connection with your subjects leads to stronger images and more business. Psychologists have a technique that helps you quickly establish that connection.
Kevin Jairaj has been the Official Photographer for the College Football Playoff National Championship since its inception in 2015 and has become sought after for sports, weddings, and events in London; Trinidad and Tobago; the Bahamas; the USA; and, especially, his home state of Texas. Kevin has covered multiple Super Bowls and the Olympics. He shares why double exposures aren't artful, why panning skill is essential, and which standard piece of gear is "obsolete."
Paris-born Mathieu Bitton, a Leica Ambassador, has photographed some of the world’s most celebrated artists, including Quincy Jones, The Rolling Stones, Kendrick Lamar, Lady Gaga, and Bruce Springsteen, as well as designing and art directing albums, posters, books, and promotional materials — earning him three Grammys. Here he explains how to break through a creative block, why rules of composition are meant to be broken, and why he burns sweetgrass over used equipment.
Alison Conklin is a Fujifilm creator who has spent more than two decades capturing emotional, candid imagery for weddings, engagements, families, and editorial clients including Martha Stewart Weddings, The Knot, and Brides. She tells us what gear is indispensable, what she learned from Linda McCartney, and why instinct tops technical skill.
Dixie Dixon, the international fashion, lifestyle, and advertising photographer, is known for the glamorous images she creates for elite brands such as Disney, Virgin, and People magazine. She answered our Ten Questions, telling us what gear she can’t do without, what inspires her, and why Vaseline is indispensable.
The business value of social media can’t be overstated, but not everyone wants to vamp in videos—the common path to stardom. Luckily, you don’t have to, says Janis McGavin, director of marketing and social media for the Los Angeles Center of Photography. “How do I know this?" she said. "I’ve done it.” She took the LACP’s following from zero to 18,000 followers (and growing) without appearing on camera. If you follow a few basic principles, you can expand your audience and your business without stepping in front of the camera (and even more if you do).
In my first portfolio review, my critic was drawn to the cat photos, “because I know how hard that is,” he said. I didn’t let on that it’s not so hard. I volunteer at a local shelter and have learned a trick or two. And it turns out that best practices for cats also apply to dogs, horses, birds, and, come to think of it, people.
People may be scrambling to find the automated AI holy grail of one-touch, realistic, high-end skin retouching, but you can have my dodge and burn technique when you pry it from my cold, dead Wacom tablet.
