[BTSV] An HDR, 35000 photo, 7 month Time-Lapse (for the love of it)

Here's a brief behind the scenes video featuring Andrew Geraci and Drew Breese in a Q&A regarding their haunting video, "Asylum". This HDR time-lapse was created from 35,000 photos over 7 months. If you missed this last week on Fstoppers, it's here in the full post. As the BTSV reveals, Drew and Andrew made this for no other reason than the love of shooting. That alone is worth your attention.



Asylum

"Take a dark journey into the forgotten, where time stands still. The paint has peeled off the walls and the only occupants are the souls of those left behind. This is the Asylum.

Opened in the early 1920s, the Asylum closed down and was abandoned decades ago. Rooms remain untouched – left as they were when the last of the employees departed. These buildings stand as a testament to the horrors and miss treatment that patients had to endure during the time of its operation.

Our 7 month journey into the Asylum led us on many adventures; from dodging security vehicles, ghostly figures and even a meth head. This is no place for the faint of heart. Asbestos blanketed every room we entered like new winter snow, so shooting was sometimes difficult.

This project is a combination of traditional HDR, tone-mapping, and standard time-lapse techniques. With the use of the Dynamic Perception Stage Zero and a Merlin head, we were able to capture the grit and the grime of this wondrous place, like it had never been captured before. Every single frame in this production is a still photograph, no video was shot. It took nearly 35,000 individual frames over 7 months to complete this project.

Many thanks to, Russ Scalf, Chris Griffin, Nick Kurtz, Brett Cote, Walter Wayman and Laura Buchta.Without you, this project wouldn't be possible.

Original Score by: lenn9o9n featuring Eyeway"

The Gear: (with poster notes)
-Canon 5D Mark II (still an amazing camera at 2/3rds the price of the Canon 5D Mark III)
-Canon 16-35mm f/2.8 II (a wickedly fun lens to shoot with! Try one, buy one.)
-Canon 24-105mm f/4 (meh. Good enough but the Canon EF 24-70mm f/2.8L II will be sick.)
-Canon 50mm f/1.4 (Best bang for the buck. This is the first 50mm I've bought and I've never seen a need to upgrade.)

via [ISO1200]

Kenn Tam's picture

Been holding this damn camera in my hand since 1991.
Toronto / New York City

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