LinkedIn has announced its acquisition of Lynda.com , a popular online education platform that teaches technology skills such as how to use Photoshop or how to code in Java or use CSS. The $1.5 billion move will enable the company to offer a broad range of education services as it transitions from simply identifying skills needed for a position to also offering ways to gain those skills quickly and efficiently from with a trusted and proven method.
There are few companies and applications that give you constant updates and are constantly pushing the limits, but VSCO definitely ranks towards the top of them. Whether it's introducing new actions and presets for VSCO desktop or presets on VSCO Cam, they're as they like to call it, always moving forward. What they’ve done with the new Alchemy Collection for VSCO Cam doesn’t fall short.
Good news for Instagram lovers: The quintessential social photo sharing platform has announced the addition of two new tools, color and fade, to the in-app editing capabilities. These new tools build on Instagram's version 6.0 release last year which added a number of creative controls to fine-tune your images and eliminated the need for other photo editing apps for making basic adjustments.
How do you tell a better, stronger, more compelling story through your photos or video work? How do you get booked for the work you want to do? Film makers and story tellers, Jared Levy and Justin Hamilton, will today share some secrets. Their new, beautiful, compelling mini-documentary entitled ‘Updating Philosophies’, helped them realize much of this, and we can all learn from their experiences.
Pictured above is the newest addition to the Lensbaby lens family. However, this classic styled glass isn’t just another portrait lens... and how could it be coming from the Lensbaby camp? The Velvet 56 is a solid, beautiful piece of camera hardware with more than one trick up its sleeve.
The extreme wide-angle focal length is an area that I had long ignored. When I was first starting out, I just wasn’t interested in it. I was interested in people – and that meant 85mm f/1.4, 105mm, 135mm, and 200mm lenses with both great compression and bokeh. Leave it Tamron to bring me back to the wide side with the world’s first ultra-wide-angle zoom with vibration control: the Tamron SP 15-30mm f/2.8 Di VC USD .
I, like many photographers out there, don't have a studio, or don't have the money to rent out studio space every time I want to do a shoot. While shooting inside my house or garage is always an option, I found myself wanting to experiment more with ambient and natural light. Although I love shooting in a studio, a completely controlled environment, I learned shooting outside with backdrops was a great experience and taught me a lot about light.
With the untimely passing of Paul Walker midway through the production of Furious 7 , now in theaters, it was questioned for months how they would replace the unfinished shots needed with the star. Many stories were circulated including the complete scrapping of the film, but with the help of CGI and Paul's brothers Cody and Caleb Walker they were able to finish the movie and fill in the gaps that Paul had not yet finished.
Some of you thought that my post last week about photography accessories brand Photoflex suddenly closing its doors without warning after 30 years of business was a possible April Fools' joke. I wouldn't blame you since it seemed to be annouced late in the day prior to April 1st and they seemed to be a fully-functioning business right up until the final moments. I did email Photoflex to inquire about more information and they did just send back the following press release:
Instagram has been around for a few years now and it comes with no surprise people still want to find new and interesting ways to manipulate and push the limits of how it all works. Though the Instagram algorithm has its secret formula no one can seem to solve they still find ways to get around that, this time it's for fun. Thanks to a handful of advertising specialists and social media experts we now have Likecreeper !
I will soon be releasing a start-to-finish retouching tutorial video here at Fstoppers on my most recent fashion editorial photoshoot. But before I do, I wanted to start warming our readers up with a complete gear list. In this article, I share with you everything I used on my shoot, the breakdown of costs, and where to find all the gear and extras: from the Profoto Strobe all the way down to the gaffer tape.
The One Man Crew from Redrock Micro was a treat for small interview productions, whereby a fully automated slider could capture subtle camera moves and add tremendous production value. It wasn't without a few issues though, and for the last few years we had been hearing about a version 2 that would address these. Redrock has finally delivered.
When a fashion photographer travels between both coasts of the U.S., shoots assignments in the Caribbean islands, and spans the continents of Europe and Asia for work, it’s safe to say he’s “made it.” Living through those experiences when the stakes are so high prepares you for anything – and that’s experience from which we are all lucky to learn.
Let's face it; the industry is changing. Art directors and potential clients are not looking to simply hire a photographer anymore. They do not care about your lighting, your gear, or even your previous clients. So what do they care about then? Photographer John Keatley sits down with artist rep Maren Levinson at Redeye to discuss the future of photography, and there is a very good chance you are not going to like what she has to say.
Watch as LA based photographer Dan Marker-Moore shows us how he stitches hundreds of photos together to make one Time Slice image. Dan travelled Hong Kong and Shanghai to shoot the same landscapes at different times of the day. This series of photos were then color corrected in Lightroom before a composite was created in After Effects. By lining up slices of the photographs, that had been offset in time / exposures, the photos create a sense of time-in-motion for each landscape.