One of the biggest frustrations any new professional photographer has is obtaining clients. I’m going to assume that at this point you have sufficiently nailed down your technique, you’ve built up a decent portfolio, and you have a website that is easy to navigate and shows off your work. So why are you not getting replies from your prospective clients? Well the answer may have NOTHING to do with your photography.
A few weeks ago I released a video featuring my friend and fellow photographer Blair Bunting in the backseat of an F16. The video blew up on Reddit (#1 in r/Videos making it to the top 5 of the front page), was featured on Gizmodo, Jalopnik, Daily Mail, Telegraph, CNN, ABC World News with Dianne Sawyer, hundreds of other blogs and even was officially recognized by YouTube. But for reasons still unexplained to me, it has been removed from YouTube and there is nothing I can do about it.
Vincent Laforet’s Directing Motion workshop has done what every workshop should do – it’s challenged my current way of working and given me clarity on how I can improve my work. Less than 24 hours after the workshop, I was working differently, shooting differently and thinking differently. This might just be the best workshop for those shooting (or with an interest in shooting) motion work, ever.
When you’re backed by the likes of Silicon Valley superstars like Youtube co-founder Jawed Karim, Y-Combinator, and a half-dozen or so other techie entrepreneurs, you know you’ve got something good. That something good is Lumoid, which rents photo gear at unheard-of prices, especially when you add in a few perks...
When each of us picks up our camera, whether it be for the first time or the ten-thousandth time, our finished work is a product of everything which has inspired us. Everything we've seen, everything we've done, everything we've learned and grown from can be seen in our work in at least some small part. That's why, I believe, it's important to not only look back at our work on a regular basis with an eye critical to how technically proficient we've become, but to look back at our work from an influence-based standpoint to see how much of ourselves we can find into our work.
Photography-related groups on Facebook are growing exponentially along with the exploding industry. As with many things in life, there are pros and cons when participating in these groups. One can experience valuable feedback, expertise and positive reinforcement from peers, while also experiencing nitpickers and people who pull you down. There are far more important elements often missed when discussing groups that could change the way you benefit from them... forever.
Anyone who reads Fstoppers knows about Peter Hurley and his successful headshot business. Aside from being a great photographer, Peter is also a respected educator and speaker. We always see him in action in the different videos, and see his working techniques and creative direction, but we never really had the chance to hear the story of how he became the successful photographer he is today. Check out this very interesting video where Peter talks about how he went from being on the Olympic team, to being a headshot photographer.
One of the keys to running a successful photography business is to be constantly innovating and searching for the best ways to serve your clients. A month ago I made the decision to use Pixieset for my client galleries. Here are my Top 10 reasons why I feel it is a good choice for all professional photographers.
About four years ago - or about a month or so after I picked up a camera and decided I was a photographer - I thought it would be in my best interest to start up a Facebook Fan Page (as they were called back then). I assumed that because a few friends were liking the random collection of photos that I was posting to my personal Facebook page, strangers - and eventually clients - would find my Fan Page, like it, and then money and fame would come rolling in.
In every business, and every industry, a decision has to be made as to what value a certain product or service holds and what the consumer should be charged. As Wedding photographers, we are often blasted with the stigma of over charging for what “seems” to be an easy and enjoyable job that takes only one day to complete. Obviously we know how false that is, but how do we logically and honestly figure out how to price ourselves?
SPOILER WARNING. Listening to Vincent Laforet might leave you forever changed, never able to watch film or TV the same way again. The silver lining is he can also change the way you shoot, and engage, with your audience. With that disclaimer out of the way (you can't say I didn't warn you), join me as I talk to Vincent for this exclusive as we venture down the film and motion rabbit hole. How deep we go is really up to you...
New York based wedding photographer Richard B Flores is taking his job very seriously. Like all of us, he works hard on the day of the event and of course the following days while he edits. But Richard is doing something maybe not many of us do: he spends the day before each event heavily prepping his equipment - from cleaning, to syncing and charging. Check out his BTS video showing the prep day and read his explanation for each of the steps.
Shutterstock was founded in 2003 by entrepreneur (and photographer) Jon Oringer who wanted to create a 2-sided marketplace for stock photos (and later also video). Since then the company grew and became one of the biggest photography-related companies in the world. As of today they sell over 30 million stock images, and add 20,000 new images a day. This week the company's HQ relocated and moved to the iconic Empire State Building, and the offices look amazing.
If you have been prepping for the busy season with high school seniors, your first step is to find quality senior representatives or models that will endorse you and your business. This article will provide you a few easy networking tips for finding and screening senior reps for the upcoming year.
When it comes to putting together a photo shoot, if there is anything that I’ve learned (and continue to learn), is that the time spent working out the smallest details will save you from at best a tremendous amount of work after the fact, and at worst, the horror of having to scrap the shoot entirely. That’s why when you’re putting together a photo shoot, no detail should be overlooked, least of all the talent that you choose to work with.