Most Bookmarked Articles

Managing color in photography is one of the hardest things to master. A red berry in a green bush just jumps out at you, while brown skies don't often make for great looking images. Aside from color having a profound impact on any given scene, color has its own luminosity values as well, making it color theory something to pay close attention to before your next shoot. Professional landscape photographer and instructor Dave Morrow comes to the rescue.

A key factor in the success of any photography business is the ability to produce technically sound images that stand out and differentiate your style from that of other photographers. As a pet photographer, one way to generate bold and professional-looking images from your outdoor sessions is to light your subjects with off-camera flash.

Everyone and their Auntie seem to sell Photoshop action sets these days, as if they're the answer to something. I'm primarily referring to action sets which create entire "looks" for your image, but there are uses for actions which are less comprehensive and arguably more useful. For example, I use an action for sharpening my images which creates a layer I can lower the opacity of or mask until it is satisfactory. Actions like these are easy to create and can result in accrued time saved. This guide will ensure even people whom have just picked up Photoshop for the first time can create actions.

You’ve got the perfect composition, great light, and an amazing subject. You push the shutter and the image looks pretty good on your mini LCD screen. You import the shot and quickly realize it suffers from a common issue: color cast. 

Andreas H. Bitesnich is one of the world's most renowned fine art nude photographers, with work published and exhibited internationally for the last 25 years. His images carry a signature style and a simple aesthetic that combines beauty and form. Recently, Bitesnich created a photography tutorial that delves into how he achieves his incredible looks. That wealth of knowledge is now available to the Fstoppers community. 

One of the biggest challenges I hear from new boudoir photographers is how to move successfully and fluidly from one pose to the next during a session. Posing should not be stiff and rigid, or the end result will reflect the forced feeling. The last portion of all my boudoir sessions is on the floor. Quite frankly, that is where all the upsale images come from by maximizing the use of one pose into multiple selections.

Travel photographers seem to be going crazy for far-flung locations on Instagram. If you follow a bunch of them, you are bound to come across stunning photographs of some amazing places they’ve been making images of. It seems like everyone has caught the Scandinavian bug, seeing so many photographers flocking to Iceland or the Faroe Islands to capture those breathtaking landscapes. In this article, I will list the most popular locations for travel photographers on Instagram, but also include a few places you may not have considered.

Inspiration time. These guys are the cream of the crop on 500px at the moment. Note that this selection of landscape photographers doesn’t necessarily reflect my own judgment. It’s based on an average of 8 past articles on 500px ISO titled: “This Week in Popular: Top 25 Photos on 500px This Week.” Of this initial group, I have selected only landscape photographers, and here are their most recent works. Let’s go!

The clear night sky under a new moon is almost always the same brightness in the same location. I have blindly put my camera on ISO 6400 as a result. But after having read somewhere that Sony supposedly builds sensors that are ISO invariant, I wanted to test this claim with my own Sony-equipped Nikon D750.

One of the best things a portrait photographer can do is learn how to master a single off-camera light. Most photo shoots don’t allow enough time to set up multiple lights, and when shooting on location, carrying more than one light can be too cumbersome to manage. In this video, we see a very useful way to use one off-camera flash with some simple modifiers to create a dramatic portrait.

You may have the best camera and lenses, but the images you create as a photographer or videographer, may not look good, unless you don’t have a good monitor. Therefore, when it comes to preview and editing images; the resolution, color space and panel technology matters. So, it is vital to get a decent monitor that meets your requirements within an affordable price range.

Mental images, dynamic range, luminosity masking... This week's article in this series is chock-full of terms that will send your head spinning. But when we want to communicate through landscape photography, it is best to speak the language first. I'll show you a big part of my processing workflow, introduce you to a great alternative to HDR photography, and tell you why Ansel Adams' invention is still applicable in digital photography.

We demand a lot of portraits lenses. They must be sharp wide open. They must focus well. Their bokeh must be pleasing. A stellar portrait lens is the holy grail for a lot of photographers. So, just which lens is the ultimate Canon portrait lens?

Hey there, Ben Sasso here! Learning new things is one of my favorite parts of what I do, and I want to be able to pass that on. If you're looking for some quick and basic natural lighting tips to play with on your next shoot, you're in the right place. Check out five easy tips! Hope you enjoy!

Paris-based French Photographer Dani Olivier has spent eight years refining a process for creating incredibly mesmerizing images by projecting intricate patterns of light onto nude models.

I’m probably not going to be winning any friends by sticking up for the undercutters, but I just don’t think that they’re hurting you as much as you think they are. In fact, I think they might actually be helping you.

There are two characters that sit atop adjacent shoulders either side of my head and squabble over portraiture. One takes the form of my Gran and she sits there quietly knitting and ensuring me that rules are there for a reason and without them there would be chaos; she’s the voice of tranquillity, reason and over-feeding. Then, annexed on my opposite shoulder is James Dean wearing a leather jacket. He mocks my conformity assuredly and between drags of a cigar, James states that “what is normal for the spider is chaos for the fly” and “rules are there to be broken.”

The processed photograph is growing more popular. Whether that has to do with the technology involved in image processing becoming more accessible to many is up for debate. Maybe it is a gradual shift of the human perception of what we call the art of photography. I have asked a handful of professional landscape photographers to contribute to the case of the processed photograph, making this second part in this series more practical than the rather philosophical first article.

I’m a big fan of getting images right in camera, and it's something that strive to do. I think there is something to be said for the skill that it takes, especially when shooting an event like a wedding. Getting the perfect light, the perfect composition, and the perfect moment while dealing with all the different variables of the day is quite a feat. The main image I’m going to be talking about today, though, does not fit into this category, but it still manages to be one of my favorite and most "liked” images.

A few years ago, simple timelapse videos were all the rage. To spice things up, videographers started to add small camera movements to their timelapses using motorized sliders. Those small camera movements have become far more complex today as some of these camera movements are miles in length. These are called "hyperlapse" videos.

Regardless of what genre of photography you shoot, understanding light and its characteristics is key to creating better photos. For those of us working with off-camera flash, there is another layer to the complexity: balancing ambient and artificial light. On top of that there are various modifiers that can be used for artificial lighting to replicate or create certain effects. A great way to become proficient in understanding and seeing light is to examine photographs by other photographers in your genre.

One of the more popular styles on Instagram is urban photography that sports a high contrast look with some desaturated colors. When trying to reproduce this look though, a lot of people run into problems. When adding contrast to an image, oftentimes the colors become more saturated, which is the opposite of what is needed for this look. When you try and use the saturation slider to fix the problem, you end up taking out some of the color that you need for the image.

Before Capture One 9, no raw editor software on the market could create a mask based on color. With their recent update, Phase One created something unique with the improved color editor panel. It is now possible to select precisely one color – or a range of – and then create a mask to adjust only the parts needed.

Having the right gear for the job is essential in being able to handle the barrage of lighting scenarios that a wedding photographer will encounter on each outing. I, like many others, am constantly thinking about the next piece of gear. What lens, what camera, or what lighting system will allow me to take higher quality images and provide a better experience to my client? This led me to think, what do I really need to shoot a wedding? I mean in reality, to walk out my door and provide my bride with the images she expects, what are the bare essentials I really need?